Maxine Hong Kingston's No Name Woman Essay examples

After reading Chapter 8, “Asian American” I learned about the struggles that Asian American had during their arrived to the United States and the discrimination that Asian Americans have face throughout the past years from the white dominant group. In addition, I learned that the dominant group has used legislation to slow down the progress of Asian Americans, simply by not allowing them to marry white women with the purposes of slowing down the process of assimilation and to also slow down the process of acquiring a higher status in society, since married would give early Asian immigrants citizenship and citizenship leads to legal rights. I also read that despite the needed labor for the country to progress in the mid-nineteenth century white

The title of this book comes from the inspiring words spoken by Sojourner Truth at the 1851, nine years prior to the Civil War at a Women’s Rights Convention in Akron, Ohio. In Deborah Grays White, Ar’n’t I a woman her aim was to enrich the knowledge of antebellum black women and culture to show an unwritten side of history of the American black woman. Being an African- American and being a woman, these are the two principle struggles thrown at the black woman during and after slavery in the United States. Efforts were made by White scholars in 1985 to have a focus on the female slave experience. Deborah Gray White explains her view by categorizing the hardships and interactions between the female slave and the environment in which the

A person's identity cannot be given to her, instead a person must achieve a sense of her character through personal experience and self-reflection. In "No Name Woman", Maxine Hong Kingston recalls the events of her aunt's life in the vague world of her Chinese roots. The story of her aunt is told by her mother and Kingston recreates the events into an exploratory story to help herself figure out what part of her identity is Chinese and help her better understand the Chinese culture. In retelling her aunt's story, Kingston seeks to reconcile both her Chinese and American identities and mold her own identity as a result. Kingston, a first generation American, finds that as a result of her cultural

The intersection of dominant ideologies of race, class, and gender are important in shaping my social location and experiences. By exercising my sociological imagination (Mills, 1959), I will argue how my social location as an Asian American woman with a working class background has worked separately and together to influence how I behave, how others treat and view me, and how I understand the world. The sociological imagination has allowed me to understand my own “biography”, or life experiences by understanding the “history”, or larger social structures in which I grew up in (Mills, 1959). First, I will describe my family’s demographic characteristics in relation to California and the United States to put my analysis into context. I

Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture.  As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.

To be young and Asian in America is a special brand of torture. There is an unspoken dictum of silence that grips Asian youth, a denial of our place in popular culture. Asian youth walk in America not quite sure where we fit in-black children have a particular brotherhood, Hispanic children have a particular brotherhood, white children own everything else. We cannot lay claim to jazz or salsa or swing; we cannot say our ancestors fought for equality against an oppressive government or roamed the great hallways of power across the globe. We do not have a music, a common hero, a lexicon of slang. Asian youth experience personal diasporas every day.

Along with strong ethos appeals, Tan also effectively makes use of logos. Tan has mentions her mom “reads the Forbes report, listens to Wall Street Week, converses daily with her stockbroker, reads all of Shirley MacLaine 's books with ease-all kinds of things I can 't begin to understand” (Zapico, 30). It is reasonable to think someone who reads the Forbes report is intelligent or at least knowledgeable. However, the truth is this reader of the Forbes report is a “broken English” speaker. She continues “Yet some of my friends tell me they understand 50 percent of what my mother says. Some say they understand 80 to 90 percent. Some say they understand none of it, as if she were speaking pure Chinese” (Zapico, 30). This use of statistics gives her audiences an inside look into her world and provides evidence that she really knows what she is trying to convince. The mother in the essay represents for the Asian American community as first-generation. Tan evokes an image in the American readers’ mind that first-generation Asian Americans are much more intelligent than what they can convey through words. For this reason, they deserve to be treated the same as others. Although Tan doesn’t focus on using much logos in this essay, all her arguments are logical, and perhaps the audience are able to be

In this essay, I attempted to lay bare the issues of being an Asian-American and being labeled as an ethnic “other” in modern America. This label of “other” causes them to become marginalized and lose their sense of identity, belonging neither to Western culture nor Eastern culture. In order help stop this loss of identity in Asian-Americans, we must tear down the social construct of the “other” and integrate the different cultures into the melting pot of popular culture. Once we have stopped alienating different cultures, we can then have a moral society that upholds diversity and identity.

The United States is the "land of the free, and the home of the brave" according to the song, but there is a dichotomy that exists between those who have called the United States their home for a long period of time, and those who are immigrating to the US. Asian Americans are a group that very few think of as having difficulties because the stereotype is of a group that is intelligent and is actually doing better than the average American. While this may seem to be true, better grades in a school setting does not mean that people who come from other countries are not experiencing racism (both overt and subtle), stereotyping and alienation in this country. Although there has been some difficulty, many groups are experiencing newfound hope because of the actions that they are taking. The plight, and the hope of the Asian cultures are being documented by artists of different stripes who are eager to depict what has happened to Asians as they try to build their own America, and assimilate into the one that was built before they came. In this paper, the Asian American cultures will be examined through the art that has been produced over the many years that Asian people have striven to make their way as new Americans.

The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards

Deborah Gray White’s Ar’n’t I a Woman? details the grueling experiences of the African American female slaves on Southern plantations. White resented the fact that African American women were nearly invisible throughout historical text, because many historians failed to see them as important contributors to America’s social, economic, or political development (3). Despite limited historical sources, she was determined to establish the African American woman as an intricate part of American history, and thus, White first published her novel in 1985. However, the novel has since been revised to include newly revealed sources that have been worked into the novel. Ar’n’t I a Woman? presents African American females’ struggle with race and

Frank Chin has been the most vocal critic of Kingston's who accused her "of reinforcing white fantasies about Chinese Americans" (Chin, 1991) and claimed that writers like Maxine Hong Kingston, Amy Tan and David Henry Hwang who won approval of the American white readers deliberately distorted the image of Chinese American to reinforce stereotypes and cater to the fantasies of American readers about a traditionalist Chinese culture. (Frank Chin, 1991, pp. 3-29)

In “No Name Woman,” the theme of silence starts with the elementary words of the memoir stating you must not tell anyone. This statement is ironic because Kingston is in fact telling everyone, giving voice to Chinese customs and the lives that are foregone. As written in her memoir, she states, “You must not tell anyone,” my mother said, “what I am about to tell you. In China your father had a sister who killed herself. She jumped into the family well. We say that your father has all brothers because it is as if she had never been born.” (Deshazer 308). It is especially notable and ironic that the memoir begins with the phrase “You must not tell anyone.” Her effort in No Name Woman is to write about that which is never said; her unnamed dead aunt, and the outrageous behaviors in her mother’s Chinese village. Kingston was not necessarily silenced direct by a male figure; however, the words said by her mother “You must not tell anyone” is a representation of Kingston father’s authorization voice through her mother’s explanation. Kingston’s effort is also about discovering a voice, as both a Chinese-American

As the immigrant population currently projected to overtake latinxs and hispanics as largest group of residents in the United States of America, Asian Americans have shown their will to survive in a way that many groups have not, and that is by banding together in order to achieve the life they deserve. Taking the overgeneralization of pan-ethnicity and using it as a device for increased numbers and support for the causes of a group of people who otherwise may not have much to do with each other, is a testament to how vulnerable they must have felt as well as how successful they have managed to be many aspects of progress. What I have gained from this course is the understanding that at the root of ethnic studies and the Asian American community is the “for us, by us” sentiment that contributed to the blurred lines between the different part of their communities as social, political and cultural, structures, collectives and groups which came out of an obligation and necessity to protect those immigrants and their future generations from a country which has always pushed European superiority in all aspects of society.

Maxine Kingston in “The Women Warrior” presents a traditional Chinese society that anticipates women not to decide what is best for them all by themselves. Kingston creates a woman who goes beyond this ritual culture constraint and who take up