Maxine Hong Kingston's Woman Warrior - No Name Woman Essay

In “No Name Woman”, Maxine Kingston’s ancestral line serves as a life lesson, whereas in “In Search of Our Mothers’ Gardens”, Alice Walker inherits culture and hope. Kingston recounts the first time hearing of her aunt “who killed herself” due to the fact that she was pregnant, and “could not have been pregnant… because her husband had been gone for years”; the mom adds a reminder: “Don’t humiliate us. You wouldn’t like to be forgotten as if you were never born”. Kingston’s aunt disrespected the honor of her family and her village by her lack of faith to her husband, and creating another person dependent on the village for food, which is always scarce. Her ancestry and aunt serve as a lesson to always respect family and their well being, or risk being forgotten

     The Woman Warrior by Maxine Hong Kingston presents the story of a girl trapped between the cultures of her surrounding environment and that which her mother and family have forced upon her. Knowing only the Chinese way of life, this girl’s mother attempts to familiarize her daughter, whom is also the narrator, with the history of their family. The mother shares this heritage through the use of stories in hopes the narrator will be prepared for her ultimate return to China, which is a life completely foreign to her own. Through these stories and the strong influence of the surrounding American culture, the narrator’s life and imagination spin off in a new direction. She is confronted by

A mother’s words are the ones that ring loudest in a child’s ear, are passed down from generation to generation, and the one’s that hold a special place in a child’s memory and heart forever. Expectations and guidelines are set at a young age. Morals and values are learned throughout the years, and life lessons are taught through the wisdom passed down from a mother to a daughter. Every mother has a wish for their daughter to be the best they can be. But at what point does instruction and wisdom become simply words that have been said one too many times? The short story “Girl,” written by Jamaica Kincaid is presented to the reader as a list of instructions from a mother to a daughter on how to live life to the

Written in 1983, Kincaid narrates the thoughts and moral beliefs of the time by her mother. In Girl, Kincaid uses repetition of the term “slut” to emphasize that her mother did not want her to develop a bad moral reputation (Kincaid 118-119). Later in the narration though are her mother’s thoughts on abortion, “this is how to make a good medicine to throw away a child before it even becomes a child” (Kincaid 119). It shows that while the mother instructed her in moral principles, she also understood that things happen to a young woman. The practical nature of this instruction seems to indicate more modern thought while still living in a society of traditions. Another hint of the time period is the mention of divorce and how to live after it, “this is how you love a man…and if they don’t work out, don’t feel bad about giving up” (Kincaid 119). This could indicate that divorce is an accepted practice in the more modern society that Jamaica Kincaid wrote Girl in.

In Maxine Hong Kingston’s essay “No Name Woman,” Kingston speculates the life of her deceased aunt from an anecdote her mother tells her. Kingston’s aunt is never discussed and is essentially dead to the family and village since she was impregnated by a man other than her husband. As a result, the village raided the family’s home, killed their livestock, and destroyed dinnerware to show Kingston’s aunt a fraction of the betrayal she had caused the town. Kingston’s version of the story retells her aunt being coerced to pursue a new man other than her husband that ends in an unplanned pregnancy. Killing herself, Kingston’s aunt tries to end the consistent bombardment of rejection and humiliation that her sins have caused her by jumping into the village well. To conclude, Kingston states she is haunted by her aunt’s ghost and the Chinese people fear being dragged into the well as a substitute.

Every individual has traditions passed down from their ancestors. This is important because it influences how families share their historical background to preserve certain values to teach succeeding generation. N. Scott Momaday has Native American roots inspiring him to write about his indigenous history and Maxine Hong Kingston, a first-generation Chinese American who was inspired by the struggles of her emigrant family. Kingston and Momaday manipulate language by using, metaphors, similes, and a unique style of writing to reflect on oral traditions. The purpose of Kingston’s passage is to reflect upon her ancestor’s mistake to establish her values as an American

The Grandmother identifies herself as having the best values. She completely overdresses for the trip in a "navy straw hat and collars and cuffs, so that if there was an accident, people would know she was a lady" (368). The narrator points out that she looks down upon other people as well. In the beginning of the story, she criticizes the mother for "not taking the children to different parts of the world and being broad" (367), and tells John Wesley that he "should be more respectful of his native state and his parents" (368). Despite being so judgmental, the Grandmother never criticizes her own dishonesty, hypocrisy, and selfishness. When she criticizes John Wesley about the state, she calls a little black boy "a cute pickaninny" (368) in the same sentence. She later says that little black kids do not have things like they do and that "if she could paint, she would paint that picture" (368). The Grandmother paints this picture later with a romantic story of the good old days on the Southern plantations. Her definition of a good man is even flawed. The narrator says she would have married Edgar Teagarden because "he was a gentleman who bought Coca-Cola stock, making him a rich man" (369). In the end, when the Misfit is killing her family members one by one, she tells him to pray for himself. But she never once prays for her own family or begs the Misfit to spare them. She is even dramatic when she pulls a handkerchief out to fan herself and tells the Misfit "you wouldn't kill a lady would you" (373), effectively trying to save herself instead of her family.

The narrator of Jamaica Kincaid’s Girl, who is implied to be a mother, reveals much of her worldview through the story’s dialogue. In this dialogue, she both instructs and scolds her a girl who is implied to be her daughter. The instructions that the mother imparts to her daughter in Girl offer a deep insight into what the mother believes is good for her. In teaching these lessons, the mother is preparing her daughter for what she believes is her daughter’s future. Thus, these lessons are setting the expectations that she has for her daughter within her world.

Being an author of several praised works, Maxine Hong Kingston has been deemed a noteworthy American writer since her first book debuted. Her unique style and interesting blend of myth and truth in memoir form garnered her international attention and won her several awards. Kingston’s works have put heavy emphasis on her family history and her experiences as a Chinese-American, so it is no surprise that she has been received well by many and misunderstood by others at the same time. A discussion on one of her most popular works, “No Name Woman”, and a look at the different ways Kingston’s works have been interpreted should reveal how literature can have different meanings depending on what one is looking for.

In “No Name Woman,” the theme of silence starts with the elementary words of the memoir stating you must not tell anyone. This statement is ironic because Kingston is in fact telling everyone, giving voice to Chinese customs and the lives that are foregone. As written in her memoir, she states, “You must not tell anyone,” my mother said, “what I am about to tell you. In China your father had a sister who killed herself. She jumped into the family well. We say that your father has all brothers because it is as if she had never been born.” (Deshazer 308). It is especially notable and ironic that the memoir begins with the phrase “You must not tell anyone.” Her effort in No Name Woman is to write about that which is never said; her unnamed dead aunt, and the outrageous behaviors in her mother’s Chinese village. Kingston was not necessarily silenced direct by a male figure; however, the words said by her mother “You must not tell anyone” is a representation of Kingston father’s authorization voice through her mother’s explanation. Kingston’s effort is also about discovering a voice, as both a Chinese-American

The theme of “voiceless woman” throughout the book “the woman warrior” is of great importance. Maxine Kingston narrates several stories in which gives clear examples on how woman in her family are diminished and silenced by Chinese culture. The author not only provides a voice for herself but also for other women in her family and in her community that did not had the opportunity to speak out and tell their stories.

Maxine Hong Kingston's autobiography, The Woman Warrior, features a young Chinese-American constantly searching for "an unusual bird" that would serve as her impeccable guide on her quest for individuality (49). Instead of the flawless guide she seeks, Kingston develops under the influence of other teachers who either seem more fallible or less realistic. Dependent upon their guidance, she grows under the influence of American and Chinese schools and the role models of Brave Orchid, Fa Mu Lan, and Moon Orchid. Her education by these counselors consequently causes her to abandon her search for an escort, the bird to be found somewhere in the measureless sky,

The Grandmother wants the Misfit to receive salvation from God, so that he can be forgiven for his sins. Even though the Grandmother got the family into this mess, she can still be viewed as the hero.

In The Woman Warrior, Maxine Hong Kingston crafts a fictitious memoir of her girlhood among ghosts. The book’s classification as a memoir incited significant debate, and the authenticity of her representation of Chinese American culture was contested by Asian American scholars and authors. The Woman Warrior is ingenuitive in its manipulation of the autobiographical genre. Kingston integrates the value of storytelling in her memoir and relates it to dominant themes about silence, cultural authenticity, and the cultivation of identity. Throughout her work, Kingston reaches a variety of conclusions about the stories her mother told her by writing interpretations of her mother, Brave Orchid’s, “talk-story”. Brave Orchid’s talk-story is a form

Aunt Letty was just an old lady, but she wasn’t afraid to stand up to Uncle Andrew or the which, when Uncle Andrew came in and asked her for money she stood her ground and said, “No, Andrew, dear,’...in her firm quiet voice”(pg.90-91), afterwards Jadis entered the room and joined the conversation. When Jadis came in calling Uncle Andrew a “slave” he “cowered away from her”, but Aunt Letty was not afraid, and I can imagine she did not appreciate the way Jadis spoke because she rose from her position and told Jadis to leave her house before she called the police(pg.93-94). Jadis responded by throwing Aunt Letty across the room, and then leaving the house with Uncle Andrew(pg.94-95). Aunt Letty simply got back up and composed herself by having “some sal volatile” and then sitting for a couple minutes, after she had done this she ordered Sarah, the housemaid , to go to the police station and tell them that “there is a dangerous lunatic at large”(pg.95-96). The reason this scene made Aunt Letty my favorite character was because she took charge and didn’t stay down, even after she was thrown across the