Mc Escher Tessellation Essay

In Fred Tomaseli's, Airborne Event there is a multitude of formal elements and principles of design utilized. Shape is used in this artwork with a complexity of shapes. Hexagons coagulating into many hexagons. The shapes are mostly but not all geometric. Line is incorporated into Airborne Event. While the lines are utilized and created by the lips, flowers, and insects each depicting directional lines and patterns. In an aspect of the artist using color, color is developed as the artist implies a polychromatic palette. There's a principle of repetition, however, as patterns of the shapes and colors, repeat themselves. Airborne Event renders various hues, shapes, and lines allowing it a smooth rhythm, in cooperation. While it has variety due to the coagulation of all the divergent characteristics: a variety of colors, shapes, and patterns help create an eclectic design.

The visual elements in a work of art can be made up of various different types of elements. “Composition, harmony, proportion, light, color, line, texture, mass, and motion are all part of the vocabulary of sight. We tap this vocabulary, and the patterns that go with it, when we compose or frame images”. The visual elements that are portrayed in the engraving of “Ullysses at the Table of Circe” by Flaxman consists of lines, shape, space, texture, and color. “Viewers bring to the act of seeing individual sets of conscious and unconscious reactions that affect their response to the visual stimulus put before them. This is the beauty of images, even in their most minimal form— such as a single line”. The lines that are used in this work of art are

It first starts off with A. Square explaining to us his homeland. He calls it Flatland and it is a two dimensional world. His world is often described to be a victorian society. They have the belief that the less angles you possess the smarter and higher in society you will be. The highest figures in their society are the circles and after them come the polygons who are upper class. The middle class consists of squares, pentagons, hexagons etc. The equilateral triangles are in the lower class and the isosceles triangles are the working class or servants. Irregulars are seen as criminals and are believed to be stupid and dangerous. An irregular is a figure who’s sides are not equal or congruent. They might be surgically altered at a young age,

The time travel of this book is when one kid says something every other kid says the same thing. It is almost like a timed video game where they are programmed to say specific sentences or words. The science of a Tesseract is to show the time travel

Henri Matisse is a well-known French painter that was born 1869 and later dies in 1954 at the age of 84 years old. Being well known and famous for several paintings, he was given a charge by a well-known Russian Sergri Shchukin. He was charged to produce three canvases to decorate Sergei mansion staircases in Moscow. On incident, the painting now recognized as Dance I was just a sketch that Matisse had created. The initial sketch and final version of the painting is quite similar in concept. Matisse did use the idea of another famous painting Bonheur de Vivre. The idea he used was the motif. A motif is a distinct decorative pattern or design.

world in general. Meade is known for painting 3D scenes to look like 2D paintings, in a

The Trinity, by Masaccio (1428) renders the crucifixion in a fresco in the Church of Santa Maria Novella, Florence, Italy. The context of this early Italian Renaissance work demonstrates the innovations that embodied the contemporary concerns and influences of the early fifteenth century and would become an influential reference for generations to come. Masaccio’s amalgamation of religion and science influenced the artistic foundation of the early Italian Renaissance. In the early fifteenth century the papacy was the governing force and was very common to have religious subject matter commissioned.

The series presented lends form and contemplation to wanderings through this lost wilderness of the mind. Layer by layer, each shape is drawn, organized, and combined with forms culled from topography, sacred geometry, ink blots, Lichtenberg figures, and fractals to create a bizarre bricolage of the natural and the

Meaning, he took ideas from well-known artworks and included similar themes and the same aspects of distortion and fragmentation into his own.

Looking around the world there are repeated patterns everywhere, and many people tend not to notice. Nature, both here on earth and in space, seems to reuse these patterns over and over again. Is there a driving force behind everything, or is it just all one colossal coincidence? Science has provided a theory that may favor the prior. There seems to a link between Panpsychism, and both the earthly and heavenly bodies of the universe. An artist by the name of Dan Christensen often uses the same patterns in his paintings. Usually a giant dot in the center, and swirling loops. One example of this is his piece, Revolver. The patterns he uses to paint we see examples of in, and outside of the world.

Two painters in history are known for their abilities to depict scenes in such realistic manners that you would never know they are actually producing paintings. These painters are named Johannes Vermeer and Albert Bierstadt. Both men came from different times and ethnic backgrounds. Dutchman, Johannes Vermeer was born in the year 1632 and passed away in 1675. Over his lifetime Vermeer used a style of painting that causing modern day historians and art lovers to struggle to figure out how he painted such realistic scenes that mimicked photographs. His style combined many pictorial depth cues while maintaining a strong sense of realism throughout the relatively few paintings he produced. Next is Prussian artist Albert Bierstadt, who was born in the year 1830 and passed away in 1903. Bierstadt is widely known for his highly realistic paintings of the American West landscape. Combining pictorial depth cues and visual realism were his specialties, while raising a large degree of ‘illusionism’ in his paintings. In his lifetime Bierstadt produced over 500 paintings, most of which pertained to the places he visited on his journey across the United States. While Bierstadt and Vermeer were two very different men, their works shared common elements. Vermeer’s The Music Lesson and The Concert and Bierstadt’s Yosemite Valley share many of the same pictorial depth cues, realism, and even a sense of illusionism. In order to analyze how these works of art are alike, three questions must be

TXT- His images are about what lies behind the subject with its fragment parts to achieve geometric figures out of something that seems basic by approaching close up to the subject.Visually it becomes a completely different figure when its altered, which creates a new composition. Page 195.

Many discover life in the paintings of a dead artist in the most miniscule details: the number of colours used in a painting, the size of a flower, or the expression of a model. Looking back, one can remember how middle school art teachers would indulge our imaginations with lectures on the curiously complex intentions behind every colourful stroke of the painters brush. However, letters exchanged between artist reveal the truth behind not only the intentions of an artist but also the tactics used to create the sacrosanct works of art produced by one. Currently there are 844 surviving Vincent van Gogh letters, over 900 paintings, and over 1100 drawings. One man's life has been compiled into a medium sized pile of canvas, wood, and paper,

The viewer sees King Lear’s famous “tears speech” depicted “by means of a diluted pigment dripping down the canvas” and even suspects that this “presumably fortuitous effect provided inspiration for the choice of title”(Duggin). You can see Man Ray’s affixing of the canvas to a large wooden hoop—“a geometric figure known to mathematicians as a Kummer surface”—as the artist’s attempt to turn the work into a three-dimensional object that, like so much of his work, defies easy categorization and belies a common perception that his canvases from this series were simply literal. In essence, Man Ray’s King Lear shows off his mathematical knowledge in the name of artistic independence, all, of course, while depending on a Shakespearean allusion—a paradox neatly holding together right before your eyes (Duggin). As much as you try to solve the puzzle, the puzzle remains bigger and more powerful than any single answer, making this exhibition both frustrating and

The use of geometric shapes in this painting allows the subject to be viewed in both a recognizable and unrecognizable state at the same time. Overall, geometric shapes and patterns play an essential role in what the viewer sees, which is further supported by a powerful color palate.