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Mccarthyism In The Crucible

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In Arthur Miller 's powerful play The Crucible, written in 1953 as a allegory and metaphor for the McCarthy hearings on communism in America, the idea of conscience is greatly emphasized in many of the main characters. Arthur Miller wrote the play The Crucible in response to the red scare of the 1950’s, in which he was was condemned for disrespect & disapproval of the United States Congress for being unsuccessful in naming numerous individuals who had attended meetings with him. In a bid to not only secure his career as a journalist and playwright and also to alert the American people against the government misinformation and propaganda that were headed their way. The characters in the play are faced with the same tragedies and sentences …show more content…

It is a metaphor because the people are so in a frenzy that it is as if they are eating the news. This is an example of a colorful metaphor; they can also characterize, depending on who is using the most metaphors. Parris’s colorful language is appropriate for a preacher, he uses many metaphors for example, “This way, unconfessed and claiming innocence, doubts are multiplied, many honest people will weep for them, and our good purpose is lost in their tears” (Act 4). This quotes allows Parris’s point to continue in a nonliteral way. Reverend Parris is used to using words in order to make his point, he likes to exploit words like he exploits people. While he is not the only one to use metaphors, his tendencies are to whip up emotions to suit his purposes. Parris not only is a great examples of metaphors but Elizabeth comes with great illustration; in act 4 Elizabeth states “i have read my heart three month… i have sins of my own court”. In each case, these metaphors also are useful for characterization; They demonstrated how she is thoughtful, repentant, and self-sacrificing. People within the play are generally under stress, and experiencing a period of great difficulty. They speak in colorful language because dramatic times call for dramatic languages. "The Crucible" was an act of desperation; Miller was fearful of being identified as a covert Communist if he should protest too strongly. He could not find a point of moral reference

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