Mccarthy's Nightmare In The Road

Cormac McCarthy’s The Road portrays a gripping tale of survival of a father and son across a post-apocalyptic world that is devoured by marauders and cannibals who have abandoned all of their beliefs, morals and values and do anything to survive. In contrast, the two protagonists are portrayed as the ‘good guys’ who carry the ‘fire’, and try to survive in the obliterated world. They are challenged to maintain their own beliefs, morals and values as they enter their quest. As a young adolescent who has witnessed the harsh environments of a war torn country such as Afghanistan, and has prior experiences of being a refugee. The novel effectively

McCarthy’s The Road exemplifies the struggle to survive throughout the entire novel. In the most trying times, during the longest stretches without food, the father’s persistence and confidence

The intentions of actions help decide whether it is morally good or evil. The man has many more blurred moral situations than the boy throughout the novel. One example of this is when he kills the “roadrat”(35), out of self-defense for his son. The man assures the boy “[they] are still the good guys”(39) even after he killed the man, because his initial intent was not to harm him. McCarthy demonstrates the idea that good gets evil and evil gets evil with the outcome of the “roadrat”. He refuses not to harm the boy and man and therefore gets killed. Although this exact situation is not the basis of the norm morality in modern society, it still helps demonstrate the triumph of good. In a regular world this intention of good can be applied to simple things, such as; a small lie in order to protect others. The novel helps demonstrate principles by using the extremes. In an apocalyptic

Throughout the novel, survival is a constant objective for the boy and his father. McCarthy’s gripping and frightening moments are most obviously interwoven with this theme. Soon after the death of his father the boy looks up and sees that “someone was coming. He started to turn and go back into the woods but he didnt. He just stood in the road and waited, the pistol in his hand” (McCarthy 281). With the approach of this new potential threat, the boy’s safety and survival are brought into question. As the strange man comes near, a tension builds while the boy tries to make a decision that could quite possibly affect the rest of his life. The tension dissipates when it is revealed that the man is not a threat, but a

Mccarthy creates a bleak post apocalyptic society through the use of imagery. He describes a world where there is no wildlife and all that’s left are the ashes. “The road was gullied eroded and barren. The bones of dead creatures sprawled in the washes. Middens of anonymous trash”(177). While the man and the boy travel the road, they rarely come across other living things. The boy even shows a lack of knowledge about animals, constantly asking his father questions about them. They always have to keep moving due to the constant threat of danger. Their nomadic lifestyle prevents them from becoming attached to anything. This gives the feeling of absolute isolation. Throughout the novel, the man often has dreams of life before. His dreams are described in vivid colors, "walking in a flowering wood where birds flew before them he and the child and the

In a world where survival is your only concern, what would you do to stay alive? This is one of many thought-provoking questions that Cormac McCarthy encourages in his book, The Road. McCarthy, a Rhode Island native is a seasoned author, with more than 14 other works in his portfolio. McCarthy is a very private man, and there isn’t a lot known about him. The lack of information on McCarthy does not reflect his writing abilities, which are very strong and not lacking at all.

The Lion King has always been considered a symbolic film teaching children not to dwell in the past. To demonstrate that what happens in the past does not matter, it will prevail how the person grows from it. Simba’s past was not the best, however he grew from it. His uncle Scar made him think that he killed his own father. When he found out Simba still did the kind-hearted deed and spare his uncle's life.

Cormac McCarthy’s novel, No Country for Old Men, enlightens the life of Llewellyn Moss, a welder and Vietnam veteran, who happens to stumble upon several murdered bodies, a sufficient supply of cocaine, and two million dollars of cartel drug money. Moss decides to seize the money and consequently sets off a chase for his life against the old hand sheriff Ed Tom Bell and hired psychopathic killer Anton Chigurh. However, McCarthy essentially exploits Moss’ and Chigurh’s escapade only as a subplot and ultimately conveys a deeper meaning. The novelist heavily relies on Bell’s failure to reconcile his morals of the approach crime used to take years before. Through analyzing the characters, moral relativism, and

How is McCarthy able to make the post- apocalyptic world of the road seem so real and utterly terrifying? Which descriptive passages are especially vivid and visceral in their description of this blasted landscape? What so you find to be the most horrifying features of this world and the survivors who inhabit it?

We often consider the world to be filled with core truths, such as how people should act or what constitutes a good or bad action. In The Road, McCarthy directly challenges those preconceptions by making us question the actions of the characters and injecting a healthy dose of uncertainty into the heroes’ situation. From the very beginning, the characters and their location remain ambiguous. This is done so that the characters are purposely anonymous, amorphously adopting all people. While on the road, the order of the day is unpredictability; whether they find a horde of road-savages or supplies necessary for his son’s survival is impossible to foretell. While traveling, the boy frequently asks “are we the good guy” and the father always replies with “yes” or “of course,” but as the story progresses this comes into question.

The most critical character in the entire novel is the antagonist Anton Chigurh: a psychopathic hit-man who kills almost everyone he meets. Chigurh is completely eccentric and strictly abides to a moral code; he believes that he is an agent of fate, and that each and every choice we make determines our fate, no matter how small. This moral code is demonstrated in each of Chigurh’s interactions with the other characters. Throughout the novel it is not known if fate is necessarily either good or bad but it does not really matter because in the end the inevitable is going to happen. In this novel, McCarthy suggests that regardless of what path we choose, life will always end in death. Chigurh embodies this philosophy and throughout the novel he consistently serves as a reminder

In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the

​These two worlds Collins and McCarthy created where killing is a form of entertainment and/or necessity for one’s survival, one may assume that expressing any form of humanity is a sign of weakness. Moreover, because the main characters of both novels

In the novel The Road, Cormac McCarthy illustrates the actions, geographical setting, and expressions to shape the psychological traits in the characters struggle to find survival in the gloomy and inhumane civilization. McCarthy uses imagery that would suggest that the world is post-apocalyptic or affected by a catastrophic event that destroyed civilization. In Gridley’s article The Setting of McCarthy’s THE ROAD, he states “On one hand the novel details neither nuclear weapons nor radiation, but the physical landscape, with his thick blanket of ash; the father’s mystery illness; and the changes in the weather patterns of the southern United States all suggest that the world is gripped by something similar to a nuclear winter”(11). In other words, Gridley asserts that McCarthy sets the setting as an open mystery, so that anyone can draw his or her own conclusions. The surrounding of the colorless and desolate society affects the characters behavior positively and negatively. Similarly the surroundings and settings of the society illuminate the meaning of the work as a whole.

The encounters and interactions the man and boy had while on the road help develop McCarthy’s larger theme of humanity losing its selflessness when it’s in danger. For example, while the man and the boy are traveling to the coast they come across a burnt man, half-dead lying in the road. After some observation, the boy asks the man if they could “help him” but is continuously shot down by his father who repeatedly tells him to “stop it” (McCarthy 50). The Road’s setting is one of the strongest over the weak, those who can’t survive for themselves they simply won’t. This burnt man, who was struck by lightning, is an example of that as he is now in no condition to scavenge for food and medical supplies and will probably just die where he currently sits. The boy, realizing this, wanted to do something to give the man even a small chance at survival, but the man knew he was a lost cause and should be left to die. The boy and his overwhelming desire to help the dying man is representative of old society and its pressure to help those with lesser than you, ideals that were result of religious codes and churches. But in a world where none of that matters or is present, the man is what humanity has become, selfish being whom only care about