Mckean Graphic Novels

The Invention of Hugo Cabret (Brian Selznick, 2007) tells the story of a mysterious young boy named Hugo, living in the walls of a Paris train station in 1931. It follows Hugo’s adventures, dreams, thoughts, and most of all, his quest to answer the many questions he has about his past. The Invention of Hugo Cabret “is a graphic novel that successfully alternates slabs of written texts with pages of black and white illustrations” (Lawn, 2012, Para 4). It is discovered firstly, how words and images work together to portray action and suspense. And secondly, how the words and images together arouse emotion from the reader and draw in the audience. These tools and techniques

The graphic Novel, “What It Is”, by Lynda Barry expresses the idea of creativity in the perspective of the author. By gradually discussing about her childhood experience, we were given her own reflection about how creativity is formed. However, it wasn’t a gentle and smooth road for Barry. A section of this book titled “Two Questions” deals with one of the many obstacles Barry had to face throughout her life. This section is useful for understanding the creative process.

The author of this book did make use of literary elements to tell the story. These elements are also used in other picture books such as lines, shapes, color and speech bubble. The book is a graphic novel and dialogue takes majority of the writing in the book. The dialogical and concise style of writing of the author including the pictures

The Graphic Novel Club is a school club that I have unofficially led for the past two years. In this club we encourage the members to look deeper into any passion they have for comics, anime, superheroes, or cartoon design. We look at a broad range of art from comic strips to the full scale production of the latest Marvel movie and why components of the art have changed to accommodate the changing demographic.

Although books full of words are more efficient in delivering and describing what the author feels, sometimes pictures can give a deep meaning depending on how they are organized. The Veil by Marjane Satrapi’s is a graphic novel that’s organized in a particular way, to deliver a certain message through the pictures. Marjane includes different sizes and frames that serve what she is thinking and feeling. Choosing certain sizes, frames and colours isn’t arbitrary. As each box increases in size, it means that she wants to emphasize the message behind that box, or show her relation to that particular text. Contrast is also one of the main elements that Marjane uses in her graphic novel. For example, on page five, there is a big picture of

Distinctively visual texts aim to manipulate the we perceive images critically affecting our interpretation of events and people we meet in our lives. Distinctively visual techniques are utilised in the ‘Run Lola Run’ directed by Tom Tykwer and the picture book ‘Red Tree’ written by Sean Tan. The way the distinctively visual is shown throughout these texts is through the use of motifs, different angle shots, colours, lighting and reading paths. These techniques aim to show the important themes in both texts such as time, hope and love.

Distinctively visual is not just about images but also the power of language that enables composers to transport us to their world, specifically to the place indicative of the time during which the text was written. Henry Lawson’s collection of short stories in particular ‘In a dry season’ and ‘The drover’s wife’ and my related text, Art Spigelman’s graphic novel ‘Maus’ bring their unique ideas to life shaping and challenging our perspective and understanding of various human experiences of pain, suffering ,courage, resilience and perseverance ultimately bringing personal and social issues to life.

Comic books can portray one thing and mean another. The reader, while reading, doesn’t think about the shading or spacing as they read a comic book, but it could change the whole outcome because of the setting or characters mood. Scott McCloud showed many examples of different concepts based on image, language, and composition. All of these concepts seen in Kindred by Octavia E. Butler are transition, the connection between image and language, and lastly closure. The others that can catch a reader's eye are time frame, different ways emotion was expressed between the character Dana and other slaves towards the Weylin family, and the vocabulary used in the text showing the reality vertex.

          2.     This literature emphasizes a new flexibility of form adapted to varying content, encourages the development of complex and fast-moving plots, and allows mixed genres and freer style.

Every comic has a unique style that makes the comic to stand out to readers. A comic’s style is made up different pieces that come together and give the comic the uniqueness that the readers fall in love with. Comic writers have to decide what type of framing style, transitions, emanata, layout and cartooning style they need to have in their comic to fit the story. Ella Cinders by Bill Conselman and Charlie Plumb has a very interesting narrative and cartooning style that fits well with the story the comic portrays. Throughout this paper I am going to explore the narrative and cartooning styles in Ella Cinders to understand why the styles were chosen and how they enhance the story.

“Satrapi’s Persepolis appeared, significantly, at a time when memoirs have been experiencing a great surge of popularity.” (Malek, 2006: 8) The time of the publication of the memoir deemed critical to its success. It was published around the time where graphic novels were coined “the most important narrative mode of our contemporary culture.” (Miller, 2000: 421) It shared the lime light with other graphic novels, the likes of Craig Thompson’s “Blankets” and Joe Sacco’s “The Fixer”. (Time, 2003) Satrapi chose the perfect time to debut her graphic memoir as she was able to ride ‘the literary high’ comics were experiencing at that point in time. A

The graphic novel is a book that tells the story about the childhood of an Iranian girl named Marji, while instantaneously attempting to display what the Iranian people are like in

Every comic has a unique style that makes the comic stand out to readers. A comic’s style is made up by different pieces that come together and give the comic the uniqueness that readers fall in love with. Comic writers have to decide what type of framing style, transitions, emanata, layout and cartooning style they want to have in their comic to fit the story. Ella Cinders by Bill Conselman and Charlie Plumb has a very intriguing narrative and cartooning style that fits well with the comic’s story. Conselman and Plumb use simplistic drawings and storylines which allows the comic to be read in a short time.Throughout this paper I am going to explore the narrative and cartooning styles in Ella Cinders to understand why the styles were chosen

Art Spiegelman’s Maus is a famous, Pulitzer Prize winning tale about the journey of a Jewish Holocaust survivor. Despite the amount of similar storylines, Spiegelman’s creativity with the normal elements of comics has won him high praise. This analysis will focus on Spiegelman’s unique twist on icons, layouts, diegesis, abstraction, and encapsulation as displayed by Maus.

A graphic novel consists of both a narrative and its accompanying illustrations, which are capable of providing insight through a collection of images. Marjane Satrapi’s autobiographical novel, Persepolis (2003), is a collection of her comic-strip memoirs, written and illustrated by Satrapi herself. Persepolis tells the story of Marjane’s growing up and coming of age in Iran’s capital, Tehran, during the Islamic Revolution. It is a story filled with noticeable moments, all of which are supported by the artwork Satrapi has decided to include. Further analysis of Satrapi’s artistic decisions reveals her choice to include symbols that often represent Marjane’s emotions. Objects such as mirrors and the use of body language in certain characters,