Meaning Of Life In Cat's Cradle By Kurt Vonnegut

Cat's Cradle by Kurt Vonnegut was written in 1963. "It is a satirical commentary on modern man and his madness" (back cover). It is a book that counters almost every aspect of our society. As well as satire, Vonnegut also includes apocalyptic elements in this novel.

In Cat’s Cradle, Kurt Vonnegut investigates the negative impacts that can result from humanities pursuit of knowledge through literary structure, irony, and symbolism. Kurt Vonnegut, well known for his pessimistic attitude and writing concerning the flaws of human nature, focuses this energy into Cat’s Cradle. Using satire interweaved with poetry, Vonnegut is successful in challenging the merits of human progress.

What is the meaning of life? According to Chris McCandless living free and not conforming to the natural way of life is the meaning to life, as shown in the book Into the Wild by Jon Krakauer. Similar to Chris McCandless, Ralph Emerson believes that following your dreams and making your own trail is the meaning of life according to his short story “Self-Reliance” by Ralph Emerson. The purpose of man's existence is to avoid conformity and following one's own instincts and ideas.

When John was led back into life in the futuristic society, he was mocked and treat as a strange attraction. He was at the awful end of a sick joke - people came from all over to understand this simple “savage” who has spent his life in curiously primitive manners. John was so poorly received, he went as far as wanting to commit

Tim Winton’s funny and sprawling saga, Cloudstreet is an Australian classic novel which shows a tightly structured narrative that charts twenty years of cohabitation of two contrasting working class families, the Pickles and the Lambs, thrown together in misfortune to live under one roof in No.1 Cloudstreet. Winton paints a nostalgic picture of Australia’s post-war past, evokes a time and place that no longer exists. Winton’s characters are a “restless mob” who individually are finding one’s place in the world or in society and each are searching for the meaning of life. We learn about Fish’s and Rose’s characters through a flexible, shifting narrative (cyclical) structure and omniscient point-of-view that gives us access to their thoughts and feelings.

The major development seen in John’s character takes place near the end of the story, as he seeks a more pure life in a remote location. John feels as though he’s been poisoned by this new civilization “I ate civilization. It poisoned me; I was defiled. And then, I ate my own wickedness.” (241). He wants to not only live a noble life, but to make this life on his own, so chooses an abandoned lighthouse, far enough away from the disaster of a community he views Brave New World as a negative place with negative ideas. This is a major change from the identity he showed before being poisoned by this civilization, but once again he stays true to his values by leading this new life on his own. John’s strong moral values prove to be the one constant in his character.

What is religion? There is no one correct answer, however, one definition that seems to cover every aspect of most established religions is, "…the most comprehensive and intensive manner of valuing known to human beings" (Pecorino). In Kurt Vonnegut's Cat's Cradle, Vonnegut takes this definition and creates his own religion in order to satirize all others. Bokononism, Vonnegut's contrived religion, is built on foma, or harmless untruths. Bokononists believe that good societies can only be built by keeping a high tension between good and evil at all times, and that there is no such thing as absolute evil (Schatt 64). They have created their own language with words such as karass, a group of people

“Fate is a misconception, it's only a cover-up for the fact you don't have control over your own life.” –Anonymous. In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future. Since Pilgrim is unable to control his time warps, he is forced to re-live agonizing moments such as watching his wartime friend Edgar Derby executed for stealing or going through the Dresden bombing repeatedly. However, he is also able to visit pleasant moments like speaking as president in front of the Lions club or his honeymoon with his wife, Valencia. Vonnegut’s use of repetition and vision of war, time and death are crucial to Pilgrim as he

    Cat's Cradle is, "Vonnegut's most highly praised novel. Filled with humor and unforgettable characters, this apocalyptic story tells of Earth's ultimate end, and presents a vision of the future that is both darkly fantastic and funny, as Vonnegut weaves a satirical commentary on modern man and his madness" (Barnes and Noble n.pag).  In Cat's Cradle, Kurt Vonnegut uses satire as a vehicle for threatened self-destruction when he designs the government of San Lorenzo.  In addition, the Bokonists practice of Boko-maru, and if the world is going to end in total self destruction and ruin, then people will die, no matter how good people are and what religion people believe.

In 1983 Aharon Appelfeld published a work of fiction titled Tzili that closely resembled his own personal Holocaust experiences. This work of fiction revolves around a maturing teen who is alone and on the run during the Holocaust. In Tzili, Appelfeld brings to life his characters, which include Tzili, Katrina, Mark, and Linda. Throughout this literary analysis Appelfelds’ memoir Story of a Life will be used to access the parallels that exist between Appelfeld’s own personal experience and his fictional work Tzili.

The first instance that we get where Mona does not care about popularity anymore is when she explicitly states in a letter written to Sherman that, “I don’t care about being popular anymore. I swear” (Jen 200). Her stating this is the realization that popularity is not what is most important in her life. She has come to the conclusion that being the most popular is not what she wants anymore. This shift is because she is beginning to realize what matters to her most in life. A big indication that Mona is changing is when, “I tell my mother I want to move to Chinatown” (Jen 212). This signals that Mona is ready for change. Mona wants to change her environment in order to embrace her Chinese heritage. She wants to fully know and understand her background in order to be able to tell people she is Chinese and know about her people. She is ready to “switch” back to her original culture, which is Chinese. Her desire to want to know more about her heritage is a way of saying that she is ready to be a Chinese-American and not only an American. When Mona sees the yard and notices how destroyed it had been it made her, “think how we probably ought to put up that brick wall” (Jen 223). This brick wall signifies her separation between the past and the future.

As an author, Kurt Vonnegut has received just about every kind of praise an author can receive: his works held the same sway over American philosophy as did those of Jack Kerouac or J.R.R. Tolkein; his writing has received acclaim from academics and the masses alike; and three of his books have been made into feature films. Society has permanently and noticeably been altered by his writing. Through accessible language and easily-understood themes, Vonnegut has created works subtle, engrossing, and familiar. His main method for doing this is by exploiting a theme with which everyone is familiar and about which everyone has his own opinion: religion.

In “The Meaning of Lives,” Wolf asserts that the question “What is the Meaning of Life?” is inherently unintelligible because it is uncertain what the question is asking. In other words it is too general because it has no specified context. Wolf then acknowledges, however, that there is value in examining the meaningfulness of a life. This is because she observes people wanting meaning as an unchangeable fact. While there is no grand reason for meaning, she suggests that we can create value through what we do in our life. In her work, Wolf constructs a framework on how to obtain meaning in one’s life. I will examine her view, then critically discuss the positive attributes and the shortcomings. Wolf does a sufficient job to outline a possible way to achieve meaning. However, I will argue that a definition for the meaningful life that does not include morality and happiness is not sufficient. Lastly, I will express the subjective and objective tension that weakens her stance.

For anyone who has ever wondered what the meaning of life is, it is to be the eyes and ears of the Creator of the Universe, if one believes Kurt Vonnegut's Breakfast of Champions (1973).

Postmodernist Features in Vonnegut's Cat's Cradle Cat's Cradle is a book, which enables many points for literary discussions. One possible topic of them could be the postmodernist features in this book. In this examination Ihab Hassan's essay "Toward a Concept of Postmodernism" was used as a source of secondary literature for defining of postmodernist features. The most visible and prevalent features are postmodernist metonymy, treatment of the character, dynamic tension, anarchy and a postmodernist look at religion as a whole. To put Vonnegut's Cradle into a definite time span, let me start with a bit of personal data about the author.