Meaning Of Symbolism In Sita

Tom Brady once said, “Too often in life, something happens and we blame other people for us not being happy or satisfied or fulfilled. So the point is, we all have choices, and we make the choice to accept people or situations or to not accept people or situations.” In the book, Tangerine, by Edward Bloor, Paul Fisher discovers his true potential when he and his family move to Florida. Additionally, Erik Fisher’s (Paul’s brother) choices and consequences greatly affect Paul’s development as a valuable person. Erik’s choices are seen as disgusting, sly, and evil through the eyes of Paul Fisher himself and are not only frightening, but shocking as well. Through clever symbols and motifs, the author reveals and expresses through Paul’s journal

Because many people easily empathize with animals, novelists sometimes use animals as symbols in their writings to enhance the emotional connection with the reader. In When the Emperor Was Divine, Julie Otsuka uses wild and domestic animals to symbolize the confinement her main characters face. White Dog is a symbol of how the main characters leave their innocent past behind as they go to the internment camp. The freedom of the wild horses symbolizes the confinement of the protagonists. The tortoise represents the hope the characters can find, even in confinement.

Ramayana, translated by William Buck, is an ancient Indian epic telling the story of a prince named Rama who fights against his adversary, Ravana. Although there are many important female characters throughout the book, they are often seen as subordinate to their male counterparts where intelligence and strength are concerned. One character who proves this stereotype wrong is Sita, Rama’s wife, who often shows that she has the capacity of being just as powerful as the men of the story. By being more mindful than most people around her, Sita defies the expectations that many characters have placed on her. Sita lets the reader see another side of women’s power and shows us the strength that women could have. The reason that Sita proves to be powerful is that she seems to have an understanding of the deeper meaning of her life; precisely the quality that men don’t expect her to have.

For her protection and maintenance, her father, brother, uncle and husband the stronger sex are obligated and legally bound to guard her honor and maintain her sustenance and proper living circumstances according to their abilities, throughout the stages of her life. Islam has forbidden men and women equally from being indecent publicly, and this translates differently for the two sexes for natural reasons. All must protect virtue in private, and guard themselves in

Imagery, detail, and symbolism play a crucial role in this work. Imagery has the function of painting a picture of the situation in the reader’s mind so that he or she is able to develop a version of the story individually. It makes the reading a more personalized experience that helps the reader to understand what’s going on. When O’Brien was just about to escape to Canada to avoid being drafted, he described the scene that was presented in front of him. “The shoreline was dense with brush and timber. I could see tiny red berries on the bushes.” In this quote, the reader can visualize the setting of the lake where he has to make his life-changing decision. It appeals to the visual sense by describing the shoreline and even the sense of

The Ramayana is an Ancient Indian epic poem that follows the story of a young prince named Rama who is a mortal incarnation of the Hindu god Vishnu. The plot follows a narrative that starts from his first time outside the royal palace, through his banishment from the kingdom and his quest to save his beloved wife Sita from Ravana, the evil King of Lanka, all the way to his coronation as King of Ayodhya, the kingdom from which he was originally banished. Throughout the whole narrative, there is one factor that remains constant, the role of women in the culture. The acceptance, or rejection of these cultural values by the women directly corresponds with how their character is perceived by the reader and how their role directly influences the

In the Ramayana by Valmiki, Dasharatha is the King of Ayodhya and has three wives and four sons, Rama, Lakshmana, Bharata and Shatrughna. Rama is the ideal and perfect son, and grows up with his brothers. He marries a woman name Sita. However, Bharata's mother is Kaikeyi, who resents Rama being crown king. She calls up a debt that Dasharatha owes her and asks for Rama to be exiled for fourteen years and her son Bharata be made crown prince instead. The devastated Dasharatha has no choice and Rama prepares to leave for exile. Sita and Lakshmana will not leave his side and follow him into the forest. While in the forest, Surpanakha becomes in love with Rama and is wounded by Lakshmana while trying to kill Sita. She

You all must be aware of the epic tale of Ramayana that begins as Lord Rama was exiled to a forest for 14 years with his dear wife, Sita and brother Laxman. To get to the main point straight away, Sita, the epitome of grace and beauty was abducted by the main antagonist of the Ramayana written by Valmiki- Raavan. My mention on Valmiki as the writer is on purpose because it was according to him that Raavan was termed as the villain but in reality,

The epic story of Rama and Sita, as portrayed by Valmiki’s Ramayana and the modern day film Sita sings the Blues are two different versions of the same story which contain several contrasts as well as similarities. The Ramayana is the ancient version which was written by a sage named Valmiki in 550 B.C.E, featuring a love story between an ideal prince and an ideal woman. It outlines the adventures of Rama in his journey to find his abducted wife Sita. Rama is portrayed as an avatar, being the eighth incarnation of one of the Hindu gods Vishnu, while Sita is representing Lakshmi, the Hindu goddess of light. The modern day version of the Ramayana is seen in Sita Sings the Blues, where the animator Nina Paley is relating her love story to that of Sita’s predicament. This paper will compare and contrast the epic story of Valmiki’s Ramayana and Sita Sings the Blues in the quest for power, honor, faithfulness and the conflict between good and evil.

Sita is another example of a character who faces karma throughout this story. Sita is the wife of Rama and she faces karma when she tells Lakshmana to disobey Rama’s order for him to stay back at the camp and guard Sita and as a result she is kidnapped by Ravana. ( pg. ). These actions also lead to Rama having to spend time trying to find her and rescues her from Ravana.

He even risked his life by battling Ravana in order to save her. After Rama defeated Ravana and saved Sita, he not only became King again, he was made Emperor of the World. He requested that his trustworthy brother Lakshmana become the yuvaraja, or prince, though he ultimately the position to his other brother Bharata, who ruled the kingdom while Rama was gone.

The accounts of honesty practiced in Dharma appear first when Sita proves her faithfulness to her husband Rama. Following the death of Ravana, Rama renounces Sita assuming that because she has lived in another man’s house she has committed adultery. In order to maintain her honor Sita jumps into a funeral pyre, customary for the widows of Hindu aristocrats, and commits suicide. However, because she is pure the fire god, Agni, rejects her asserting that “Sita has not the smallest fault, and she is innocent. Lakshmi of good fortune is your wife, and she loves you” and returns her back Rama who is now convinced of her innocence (Buck 364). Reunited with her husband, Sita demonstrates the perfect wife, telling Rama, “I am a fair free woman, I surrender to you of my own will, command me anything” (365). Sita’s act of faithfulness and Rama’s acceptance in taking her back displays the Dharma practice of honesty, which in the Hindu sense means the love of what is true. Sita’s honesty is not only highlighted as a characteristic of the perfect being but her truthfulness sets an example for future generations of women as to what constitutes the excellent quality for respectability of a women in Hindu society.

Ravana, the villainous king of Lanka, hears about the beauty of Sita as his sister describes her as being ‘the most beautiful woman in the world’ thereby inciting him to kidnap her. She describes her physical attributes by comparing her skin, eyes, hands and ‘her breasts’ to ‘juicy lotuses’. Sita, who resembles the animated cartoon character Betty Boop, has been objectified throughout the course of the movie . This not only happens in the movie but is something that is generally seen to happen in the society. In the Ramayana it is mentioned that Sita’s eyes ‘resembled the petals of a lotus’, she ‘wore dark curly hair and was endowed with fine hips.’ Ramayana enjoys such an exalted status that all its narrations are seen as source of teachings and truth. It is inexplicable for such a sacred epic to objectify woman. And if it does so, what can be expected from the huge number of people who seem to harbour blind faith in its

In Sita Sings the Blues, Paley has an alternate, customized picture of Sita. All through the motion picture we see that Sita is crying, and is assuming the part of the casualty instead of being solid and following the Dharma of Indian culture. Paley conflicts with the conventional understanding and overlooks the possibility of Dharma in general and social perspective. The account of Rama and Sita in Ramayana goes ahead and Rama who was viewed as the perfect child and spouse, abandons Sita after she was captured, trusting that she was touched by another man making her debased and not deserving of him. She is surrendered by her significant other to live in a timberland while she was pregnant with Rama 's twin young men. Regardless she remains faithful to him and brings forth two young men and shows them to love their dad and regard him like a God.

Ravana is the king Lanka; he has ten heads and twenty arms. Soorpanaka describes Sita in such graphic detail that Ravana immediately falls in love with her. Ravana tricks Sita while Rama is away and captures her and takes her away in a chariot.