Meaning Of The Movie 'Big Fish'

Produced and directed by Tim Burton, the film Big Fish is primarily a fictional recounting of the life of Edward Bloom. A majority of the plot takes place in flashbacks, starting with Edward’s story about how he caught the biggest fish in his town on the day of his son's birth using only his wedding ring. It is soon revealed in an argument scene that Edward’s son Will Bloom is sick and tired of stories like this as they are a complete lie. Soon following Will receives news that his father is deathly ill with cancer, so he immediately visits his parents with his wife Josephine. Soon after their arrival Edward immediately goes on to telling his life story to Will and Josephine although they have heard it countless times before. His story starting with a flashback in which he and a friend stumble upon a witch that reveals to him how they

In the documentary film Blackfish, directed by Gabriela Cowperthwaite, the director debates the rights for sea animals. Cowperthwaite makes the claim that sea animals should be freed from their enclosures in entertainment because they’re harming themselves and the humans that are training them. She uses all rhetorical analysis of pathos, ethos and logos, but pathos trumpets over all. Pathos is such a strong appeal in this documentary because of the animals lives and the peoples’ emotion towards the subject of the matter. Cowperthwaite is able to engage the audience with pathos because of the appreciation of the arguments significance.

There are many ways to tell a story. In both Tim O’Brien’s ‘The Things They Carried’ and Tim Burton’s adaptation of Big Fish, the connection between the two is storytelling and sharing experiences with others. Tim O'Brien and Edward Bloom, told stories with overdramatize details and extended truths. The stories that are told All of the stories that were told made the reader and listener question what was the story truth and what was the happening truth.Both characters narrate the events they experience to others, making there be a blurred line between truth and fiction. Bloom's son Will goes along to say, "Everything my father tells is a complete fabrication." Edward, himself finds it hard, to distinguish between reality and fiction. Both

The movie Blackfish is a documentary of the story of Tilikum, a captive killer whale that has taken several lives, exploits the issues amongst the sea-park industry, and illustrates how little is known about these intelligent mammals. The experiences and treatment of the Orcas in Blackfish share commonalities with that of Blacks in America. The film touches on commonalities that can be generalized in comparison with slavery: family, captivity, sound and language, natural and captured behavior, separation. Through genes, captivity and the psychological and physical abuse of the whales in the movie Blackfish, one can determine and acknowledge that there is a correlation between the situation of African Americans today and the enslavement

Because the father was so involved with himself, he did not make the time or put the effort to develop a proper relationship with his son.

The estranged relationships between father and son tend to start from lack of communication. Fathers express their love through actions rather than words. When conflicts occur, they are unlikely to explain themselves, which leads to greater complications. In addition, fathers are often absent in the child’s youth for reasons such as work. However, absent fathers can have great influence on the child.

love for his mother was fake and cruel and was disappointed on how his dad was still seeing his

The narrator and his father have the kind of relationship where on the surface it might come off as cold because they’re reserved and don’t openly share thoughts and emotions but, underneath it all, the narrator must feel some respect for his father because he still contemplates over the advice his father gave him.

Tim Burton’s Big Fish has elements of fables, fairy-tales, and tall-tales. At first, these elements dimish the relationship between Will and his father, Edward. However, towards the end of the film and of Edwards’ life Will discovers the truth behind the myths and starts to understand why his father is the way that he is.

Family relations are complex, but none may be as difficult to navigate as the bond that exists between a father and his son. Even though the son becomes angry and displeased with his father, he is always able to come back to him, revealing the cyclic nature and the impacts of

For many years, in novels and storytelling there has always been context that is not seen nor heard, only implied; which plays an important role in the story being told. In the case of “Big Fish”, archetypal patterns can easily be applied and seen during the story being told. I am not normally a believer of archetypes, or symbolism, but in the case of this movie I can clearly see that messages were shown. To clarify, these points are based mainly off of the character Edward Bloom claims to be through his stories, for we do not know which of these stories are true or false.

That made him change a lot because he didn't feel wanted in the society. Why didn't he just man up and talk about the problems face to face with his dad? He wasn't that type of person. He didn't feel wanted from family and society that is why he ran away and didn't care if anyone missed him since he would've thought that it was fake love all along like from his father.

The book Big Fish and its movie adaptation shows the importance of how different factors help to improve the story. This book tells of the legendary stories of Edward Bloom, narrated by his son, William. The tales of Edward Bloom seem fictitious and far too amusing to be real. His son is determined to find the truth in his father's stories in order to understand who his father truly was behind his fantastic stories. The movie does not fail in its interpretation of the novel, in fact the movie could very well be even better. The addition of new scenes and the focus on Edward's love life help the movie tell the story in it's own way, showcasing the brilliance of the art of cinematography. Although the movie takes a different approach from the

Through viewing Big Fish, by Tim Burton and reading both of Marquez’s stories (Handsomest Drowned Man In The World and A Very Old Man With Enormous Wings), it becomes apparent that while both novels vary greatly in plot and storyline, they are also both centered around the concept of magical realism. For example, Big Fish is a story about a young mAn who visits his dying father, but throughout the story, is introduced to various ‘magical’ entities, which introduce an almost fantasy-like theme to the story. In Marquez’s stories, one is about a handsome drowned man and the other is about a dirty, raggedy angel. We are similarly shown this sense of an ordinary reality, with a certain twinge of magic/fantasy. So while this film and these novels are completely different in the terms of context and storyline, they share these elements of fantasy, that seamlessly blend together to create a realistic, yet magical atmosphere that provides the reader with a unique and capturing experience.

Temptation is a complex issue that impacts the lives of humans each and every day. This urge to stray from the path of morality can shape-shift from lust to jealousy and its consequences can range from mild to severe. Ultimately, temptation is often the primary culprit in a spiritual downfall into an abyss of sin. In the movie titled Big Fish, we see temptation haunting Edward through Jenny and her transformations between the witch, little girl, and middle-aged woman. In each stage of Jenny’s life, we see Edward struggle with a desire to be all-knowing, to settle with a mediocre life, and to commit adultery. Overall, the issues of temptations and sin plague Edward throughout his life as demonstrated in the movie, Big Fish.