Measure for Measure: The Dark Comedy

Claudio's sister Isabella is dragged out of the convent to plead for him, on the assumption that her superior virtue might move Angelo's heart to pardon her brother. Does it? No. Rather, it pierces right through Angelo's cold Puritanism and sets his heart and other bits on fire. We see through this carefully controlled man into the roaring pit that he has tried so hard to conceal. He falls a victim to the very passion he is prosecuting in Claudio; in doing so, he comes to represent the conflict between good and evil in Vienna as he struggles with the knowledge that he cannot control his own desires.

Shakespeare sprinkles subtle lines alluding to Hamlet’s apparent cowardice and failure as a classical revenger. In addition to this, Shakespeare may intentionally delay Hamlet’s revenge and remove emphasis from his passion to break the trend of morally blind, obsessive, psychopathic avengers as traditionally depicted in plays such as “The Spanish Tragedy”.

Furthermore, during the balcony scene, Juliet becomes also responsible for the tragedy which is about to happen; in fact, after declaring her love’s vow to Romeo, she takes the decision of marrying him, and this marriage will become the main cause of their death. Love makes Romeo and Juliet act

Her honor is disgraced for her “actions” and Claudio will no longer accept her as his wife because of the dishonor she has caused him.

In I Henry IV and II Henry IV, William Shakespeare brings together drama and comedy to create two of the most compelling history plays ever written. Many of Shakespeare's other works are nearly absolute in their adherence to either the comic or tragic traditions, but in the two Henry IV plays Shakespeare combines comedy and drama in ways that seem to bring a certain realism to his characters, and thus the plays. The present essay is an examination of the various and significant effects that Shakespeare's comedic scenes have on I Henry IV and II Henry IV. The Diversity of Society

Characters in this play have experience love in different ways; starting with Claudio that falls in love with Hero from the first time he sees her, and decided to get married. “In mine eye she is the sweetest lady that ever I looked on,” (1,1,168) it would seem that the love Claudio has for Hero is a result of first attraction on looks, however, Claudio’s character seems to be immature and inexperienced. Later in the play, when Claudio is suspicious of her, he instantly forgets the love he had for her, and that love turned to a full of hatred. On the other hand, Hero’s willingness to forgive Claudio is just as disturbing as Claudio’s rejection of her. She does not fight for her pride after what Claudio did to her but instead marries him willingly. “And when I lived, I was your other wife, And when you loved, you were my other husband,” (62, 5, 4) this line shows how forgiving and innocent Hero is as a character.

Towards the beginning of the play, Claudio’s hope to woe Hero deems successful due to Don Pedro’s courteous actions to do the tough work for him. She loves him as he loves her. Nothing seemed to go wrong with this happy couple until

Friar is seen by the town as a man of God. However, the Friar quickly shows his egotistical tendencies. Friar at first did not want to marry Romeo and Juliet but, once he realises he would go up the social ladder his egotistical tendencies got the better of him. The Friar wants to be esteemed by the town and by marrying Romeo and Juliet and uniting their families he could feed this egotistical desire for recognition; as see in this quote “For this alliance may so happy prove To turn your households’ rancour to pure love.” (Act,2,3,91-92) These greedy tendencies ultimately lead to the deaths of both Romeo and Juliet. The Friar’s lust for glorification did not help his battle against

The humiliation caused to Hero in the event would be inconceivable to an audience at the time, being accused of adultery would no doubt ruin a woman’s reputation and therefore create difficulty for her when finding a husband; especially for a woman of high status such as Hero. Claudio is being presented as a potential threat at this part in the play, contrasting with the gallant war hero we were first introduced to. This emphasizes how bitter and sinister Claudio has turned, consequently reminding the audience by irony that is he only interested in wealth and status when marrying Hero. Claudio’s shallow fickleness plays into the villain’s hands. Shakespeare uses the threat of Claudio to generate further anxiety in the audience and concern for Hero’s welfare. This scene shows the men of the play coinciding with each other in their response to the defamation of Hero. Don Pedro personally insults Hero during the commotion of this scene, “to link my dear friend to a common stale,” he suggests here that he believes her status has been lowered by what she has supposedly done and rendered her ‘common’. This personal attack on Hero which has come from someone who shouldn’t really be involved advocates the idea that she is isolated in a patriarchal society in which men group together to defend male interests. Hero’s reputation is being publicly ruined here, and at the time this would have ruined Hero’s life and her

-Shakespeare employs dramatic irony in many of his tragedies, so that the audience is engaged, and so they are able to witness characters errors in their action, predict the fate of the characters, and experience feelings of tragedy and grief.

The tragic outcome of the play ‘Romeo and Juliet’, by William Shakespeare, is not only the responsibility of the minor characters, but that of many factors collectively working together to result in the deaths of the title characters. The self-absorbed minor characters, the fate that destined Romeo and Juliet to fall in love and die and the lovers’ poor decisions made throughout the play contribute to this devastating ending that cannot be blamed on a single character alone.

There is no denying that Shakespeare is a definitive playwright. He has presented us with classic works that have set the precedent for drama and the theatre. Among Shakespeare’s more notable plays are his tragedies. In the tragedy his protagonists are often given flaws in their character and hence, are suitably named tragic heroes. The downfall of these protagonists is often a result of their own character flaws and unfortunately, they suffer a doomed and unhappy ending. While the tragic hero is flawed they must also be honorable and worthy of the audience’s understanding and sympathy. On a quest for righteousness the tragic hero often goes through immense suffering which is why the audience can feel bad for him. For the most

“As You Like It”, is a Shakespearean comedy that is believed to have been written around the 1600’s. This play holds onto many strong motifs throughout the entire play. One of the most obvious motifs would have to be the concept of exile. Many of the characters in the play have been intimidated away from their homes, while others left voluntarily to live in the forest of Arden. This separation from their homes in the court aids in helping Shakespeare’s major themes come alive. The major themes evident in Act 4 Scene 3 is the malleability of humans through experience, the effects of love, and a comparison of city life to country life.

Isabella continues arguing with Angelo until he finally relents and tells her to come back the next day to hear his judgement. Everyone leaves, and Angelo speaks a rather striking soliloquy, apparently talking to himself ‘…what art thou Angelo? Dost thou desire her foully for those things that make her good?’. Thus, through Shakespeare’s staging, we learn that Angelo admits to himself that he is in love with Isabella because of her virtue and purity. Often characters in Shakespeare’s plays have soliloquies but they do not often refer to themselves in third person and when they do, it is often a sign of madness. Perhaps Shakespeare is suggesting this as a sign for Angelo. What is certain is that he is struggling with an inward battle between what he knows he should do and what he desires to do, as his develops and starts questioning the morality of his own character. It is with great irony that Isabella's call to Angelo to mark the weaknesses in his own heart is answered by Angelo's acknowledgement that he is tempted by Isabella. It is this temptation that brings from Angelo his first

The genre of William Shakespeare’s most performed play has been debated for a long time: is it a comedy or a tragedy? The play has elements of both genres, but one is clearly prevalent. While the story hits upon the tragic element of despair, The Merchant of Venice by William Shakespeare, is a comedy because lovers are separated, characters are in disguise, and the story has a happy ending.