The article “Taking Her Measurements: Clarice Lispector and ‘The Small Women in the World’” by Judith Rosenberg claims that Clarice Lispector framed her work around Western literature myths and the core is sexual politics. Judith Rosenberg mentions other works by Clarice Lispector such as The Hour of the Star, which all are related to one another. She discusses the myths “in real-life” that Lispector uses, and about the sexual politics with feminism that appears in her novels and stories (Rosenberg 71). Firstly, Rosenberg explains the Western literature myths that Lispector used in her short story. In The Smallest Women in the World, Rosenberg mentions that, “she uses the myth of the great white hunter who penetrates the wilderness, slaughters
Throughout time, there has been a battle present in which females try to rise above the power of men and the hold they have on women. Whether the battle be for the equal treatment of both sexes or simply establishing a level of respect and understanding from the opposite sex, the meaning stands the same in which there is an ever-present power struggle that is continuously ongoing between the sexes. No matter the intentional meaning of the work, women suppression by men are seen when one looks beyond the simple statements given and examines the female characters in great detail to better understand the struggle she endures daily due to men. One author in particular that allows an interesting viewpoint into the mind of a blossoming woman is Susan Minot. Minot demonstrates in her story “Lust” how the female narrator is influenced and altered by her male sexual partners. Through each sexual encounter, the reader is able to see the changes these encounters have on the young woman emotionally and other affects a man has on her as she grows up in a male dominated world. This can all be determined by observing closely the figurative language used in the story, the fluctuations in emotions seen in the female character, and the thoughts the woman has about men throughout the story.
She says that “At night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be. I didn't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman.” (The Yellow Wallpaper). She keeps seeing figures of women who are stuck behind bars. They seem to have a hard time breaking out because of the bars. This shows feminism because in that time women were blocked from doing things that were not allowed and as you can see writing was not something that society during that time approved. Women had to stay home and focus on the house and family, they should have not worried about high
Lanser refers to Kolodny’s essay on the politics and theories of Feminist Literary Criticisms that received
When it was written in 1925, Gentlemen Prefer Blondes, by Anita Loos was heralded as a tremendous novel. It was seen as cutting edge and insightful, yet somewhat risqué in its portrayal of Lorelei Lee and her escapades. I can see how this may have been thought at that time, seeing as how women were looked at in such a different way then they are currently. The fact that a women with as little know-how as Lorelei can manipulate men the way that she does, leaves no question as to who is the superior gender in Loos’ mind. While the books is quite amusing, and does have many strengths, if it is looked at in the context of women’s struggles with issues such as domesticity, sexuality and socioeconomic standing it seems less and less like such
Feminist ideas are used throughout this story in both explicit and implicit ways to help describe the gender roles placed upon females in the 1950s. “That figure was a garish blond showgirl, a Hollywood ‘sexpot’ of no interest to intellectuals”. (Page 79) The author explicitly includes the
It is impossible to discuss the role of women in literature without mentioning the influence of feminism. The later in the timeline one reads, the more prominent it becomes. Each new wave of feminism brings with it its own goals, yet it also continues to strive for some of the same goals as past generations because not everything is accomplished all at once. Although “The Well of Loneliness” by Radclyffe Hall and “Rubyfruit Jungle” by Rita Mae Brown, are two starkly different texts that strongly reflect the feminist eras in which they were written, they have some similarities as well.
The many stories of Clarice Lispector, published in The Complete Stories have a consistent theme of calling attention to the many faulty aspects of society. The more frequent issues that make an appearance in her work are in relation to the selfishness of each individual person as well as the issue of gender roles. These subjects that Lispector has chosen to address are essential to the character development in the short stories “Beauty and the Beast or the Enourmous Wound” and “Gertrude Asks for Advice.” Within both of these writings, Lispector uses changes in point of view to indicate the display the harsh reality of the world and demonstrate how these negative occurances have a heavy impact on others.
From a feminist point of view, we are able to observe the portrayal of female characters in literary works, which exposes the patriarchal ideals set many centuries ago. In the novel The Awakening by Kate Chopin, we see the struggles Edna Pontellier finds within herself as a woman of the Romantic Era. She finds herself vexed between living the life someone of her time and age is imposed to, or gaining freedom through the exploration of life outside of the stereotypes her society has inflicted upon time period. By analyzing how literature represents both men and women, we can observe similar traits in this novel as gender roles are strongly enforced in the life of Edna Pontellier as well as that of those around her.
Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the
Feminist Criticism is described as literary criticism to presents different perspectives on how literature discusses issues of gender, focusing on education, financial and social difference in a male dominated society. Critics revolve around power relation between the two genders. They also review how females are represented in different texts and literature and how such representation is sufficient. In addition, feminist critics in politics present literature that seeks to raise consciousness about the important role of women and highlight how language is misused to marginalize women. Influential figures of this form of criticism are George Eliot and Margaret Fuller. They are two who mainly came up with the idea of Feminist Criticism and the basic principles followed by others today. Some famous authors who wrote through the lens of Feminist Criticism are Ellen Moers, Alice Walker, and Tillie Olsen... These writer’s focus on inequality between women and men. Many stories have been written using this thought process as the catalysts for the work.
From the incorporation of slaves in America during the 19th century to the Jewish holocaust, human suffering has remained a dark, miserable part of history. Although today there are various viewpoints on such incidents, the stance of Brazilian author, Clarice Lispector, is unyielding. In her short story, “The Smallest Woman in the World”, Lispector tells the reader about the endeavors of French explorer Marcel Pretre as he discovers the smallest human beings in the depths of equatorial Africa. The story then plays out as it reveals the tribe’s struggle for survival as they are hunted by the Bantus and the reactions of the first-world to the photograph of a tiny, dark-skinned, pregnant woman by the name of Little Flower. The author portrays human suffering as an insignificant incident and wrongful consequence through the use of similes, capitalization, and line breaks.
Women in literature have been portrayed in a multitude of ways throughout time. From goddesses to witches, and even prostitutes, women have not been limited in their representations. One challenge, in particular, is repression of their sexuality. In novels by Kate Chopin, George Orwell, and Kazuo Ishiguro, female characters live in societies that seek to regulate their sexuality. Published in 1899, The Awakening by Chopin focuses on Edna Pontellier, a woman who seeks to create a life outside her marriage by pursuing relationships with various lovers. George Orwell’s 1984, which was published in 1949, features Julia, a woman who rebels against her society by having sex for pleasure and not for reproduction. In addition, like Chopin and Orwell,
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
The “New Woman” refers to a category of women, beginning in the late 19th century, who adopted feminist ideals, wishing to break gender roles and gain independence from and equality with men (Newton, 560-61). While not one specific, real person, the “New Woman” is an overarching term that encompasses the many women in the late 19th and early 20th centuries. The first generation of these women strove for economic and social autonomy with roles separate from the home and family spheres of domesticity (Newton, 561). For example, they would not marry, but instead receive a higher education and work in a profession (Newton, 561). To replace their commitments to men and family, they instead formed close and passionate relationships with other women, though these relationships were not sexual in nature, people viewed women as passionless and pure. The second generation, however, living in a more modernist culture of sexual freedom, began to discuss female sexuality, and wanted to participate in more opportunities only offered to men, including drinking and smoking (Newton, 564). Because of the societal idea that only men were sexual beings, New Women had to explain the intimate relationships among them, which had become sexual in the second generation. Thus, they created the idea of masculine lesbians, who had male souls that caused them their sexual feelings (Newton, 566). The “mythic mannish lesbian” refers to these women who dressed and acted in a masculine manner
Lastly, “femininity” refers to behavioural activities or interests that are assigned to the female sex, such as cleaning and cooking (Beauvoir, 617). Although many critics have read her text and become confused due to her stylistic choice to fuse her voice with the voices of famous men, it can be said that the text ultimately leads the reader to begin to question what society sees as a woman (Zerilli, 1-2). Despite Beauvoir’s The Second Sex appearing to recognize the oppression of women throughout the world without giving an actual solution, I will argue that Beauvoir’s evaluation of each “natural” aspect of female oppression allows readers to recognize that the only thing holding themselves back as a woman is society’s unnatural definition of their body, relation to men, and personal freedoms. Of course, when it comes to one's freedom, it is difficult to obtain when your body feels like a