Meatworks Robert Gray

The nature of discovery is highly impactful when one is confronted with multiple worlds; enabling a physical and spiritual connection to places, ideals and society, transforming one’s perception over-time. Australian poet Robert Gray‘s ‘The Meatworks’, confronts an individual’s beliefs to influence their standpoint on a desensitized society. ‘Journey, North Coast’ introduces the idea that re-awakened realities emancipate one’s connection of the natural world. and Director Daniel Sousa’s ‘Feral’ explores into how being taken into an unfamiliar reality leads to discovering one’s natural world. It is within these poems that uncover the highly impactful nature of discovery.

The poems in this section are about the hardships of life and the problems that people have to face, yet there is an undertone of hope in them too, the problems may not be solved, but the poems show that there is a sense of faith in human resilience.

In the article, “Let Them Eat Dog,” Jonathan Foer sheds light on a controversial topic, the consumption and breeding of dogs for food. Throughout Foer’s article he uses many different argumentative tactics in order to capture the reader’s attention on whether or not eating dogs should be considered morally. He uses three emotional tactics to establish his credibility and prove he knows the topic. The three tactics are ethos, pathos and logos Foer uses these three argumentative tools to convey his message across not only to prove eating dogs is wrong, but to take a stance on a bigger issue, the slaughtering of animals.

Can Discovery truly allows us to view life in a new and fresh way? Due to the complex and abstract nature of the concept of discovery, a true sense of discovery harbour's the ability to incite individuals in many differentiating ways as it can be provoked through their different past experiences. The concept of discovery has evidently evoked curiosity and inquisitiveness through the protagonists of both the indigenous play “Rainbows end” composed by Jane Harrison, and also through the novel “The fault in our stars” authored by John Green.

The process of discovery refers to the perception created upon experiencing the unfamiliar and redefining what is familiar. Discovery can be achieved through unexpected means or deliberate expeditionary, whether it be tangible or a fragment of our thoughts/imagination/emotions. Poems ‘The Tiger’ and ‘Young Girl At A Window’ by Rosemary Dobson and poem ‘Invictus’ by William Ernest Henley thoroughly explore this concept via their ideology of human nature and its effect on discovery.

In ‘The meatworks’ Gray presents a vivid and disturbing description of a North Coast slaughter house. It demonstrates Roberts’s concern of the cruelty and indifference of humankind’s relationship with nature. Sensory imagery is one of the strongest techniques used by the poet.

Furthermore, we have the use of first person, where the almost universal effect is to have an in-depth look into the character and their immediate response to a problem or dilemma. This poem no different, where in the first stanza we are ushered in with the use of anaphora in lines 2, 3 and 4 with the repetition of the word ‘’and’’. This specific use of anaphora is used to create the mindset and intelligible deduction of the traveller to the events and dilemma prescribed to him. Insofar as his immediate reaction be being presented with a choice. It shows his reaction of regret in that he is ‘’sorry he could not travel both’’ and explains what he wish he could do ‘’be two travellers’’ but also how he initiates his decision making process ‘’looked down one as far as I could’’. Also, the use of first person is used to connect with the reader, enforcing the affore-used notion that the reader substitutes their own personal truth into a positive

The term ‘discovery’ can be explored and interpreted in many different ways, the meaning is created by an individual’s perception, opinion and experiences of discovery. In the book Swallow the Air by Tara June Winch and the film, Titanic by James Cameron explores the concept of discovery as an idea that discoveries can be challenging as they allow for the transformation of an individual’s perspective, and they allow for an individual to discover their true identity and the identity of others around them.

Discoveries can be confronting and provocative. From this, we can be exposed to disturbing images that make us question our societal values. In ‘The Meatworks’, Gray quickly establishes this unwelcoming nature of discoveries through the explicitly derogatory description of the abattoirs processes and it’s accompanied workers. This is evident through the use of provocative imagery in “arm-thick corkscrews, grinding around inside it, meat or not”. From this depiction, we are exposed to the merciless treatment of the of the +pigs as they lose their identity. The fact that the machine never stops grinding whether there is meat in there or not denotes such a sense of insensitivity towards the process, causing the reader to feel distressed and guilty of the slaughter.  A degree of insensitivity is also presented to the reader through the recurring motif of blood, an idea that is central to the poem. “Stench of blood…chomping

I have written Part A inspired by Gwen Harwood's poem Alter Ego from the moment of tension "Who stands beside me still". The story is told from the point of view of a young child like Gwen who has sensed another darker side of herself since she was little. Symbolising the idea of Harwood trying to find a common ground between her and her alter ego which is expressed through the poem. I have shaped the meaning of us all experiencing different uncontrollable sides of ourselves and the notion of us remembering memories accurately for what they were which challenges the perspective that Hardwood adopts in her texts. I have shaped meaning in part A by the title of the story been the moment of tension from Harwood's poem Alter ego.

There were no toilets, so human and rat excrement wound up in the meat, along with the rats themselves. These unsanitary details moved readers far more than the injustices inflicted on the workers. Other examples include the rechurning of rancid butter, the cutting of ice from polluted water and the doctoring of milk with formaldehyde. The average consumer was shocked to know that the “pure beef” was in fact contaminated and unfit for human consumption. Imagine

It was too dark in these storage places to see well, but a man could run his hand over these piles of mean and sweep off handfuls of the dried dung of rats. These rats were nuisances, and the packers would put poisoned bread out for them; they would die, and then rats, bread, and meat would go in the hoppers together.”# There was nothing the packers would not do to make a profit, if meat went bad they would pickle it or make sausage out of it, “there was never the least attention paid to what was cut up for sausage; there would come all the way back from Europe old sausage that had been rejected, and that was moldy and white-it would be dosed with borax and glycerin, and dumped into the hoppers, and made over again for home consumption.”# The Packers took no responsibilities for the sickness that these meats caused. It was not uncommon for people to die from sickness they had gotten from eating bad meat, this is also an issue in “The Jungle” when a young family member suddenly dies one morning, “it was the smoked sausage he had eaten that morning-which may have been made out of some of the tubercular pork that was condemned unfit for export.”# Disease was also a factor for the workers, as quoted from the book “Meat and Men “Let a man so much as scrape his finger pushing a truck in the pickle-rooms, and he might have a sore that would put him out of the world.”# It was also not uncommon for people to fall into the vats and become lard. “The public revolted at the

Discovery inhibits the ability to embrace new beginnings and accept a sense of change whether it is found or forced upon an individual. The places you travel and the people you meet can emotionally revolutionize a self-discovery through unexpected but anticipated terms evoked from curiosity. ‘Swallow The Air’ written by Tara June Winch and ‘The Thing Around Your Neck’ written by Chimamanda Ngozi Adichie break the inhibitions of vulnerability, as their ideas represented through cultural contexts and values, lead to an overall self-discovery.

​In conducting a rhetorical analysis of the two articles, "Joel Salatin: How to Eat Animals and Respect Them, Too" by Madeline Ostrander and "Humane Meat? No Such Thing" by Sunaura Taylor, both articles stand in stark contrast in terms of the viewpoints of meat that they present. In order to gain a better understanding of these viewpoints, it's important to understand the persuasive techniques that both authors use in the article for the reader. More specifically, the ethos, pathos, and logos that they employ, as well the way in which the evidence and support is presented will further elucidate upon the arguments that appear in both articles.

An intense, aggressive moral scrutiny has sparked interest in the meat eating community. Eating is an activity that we as humans do frequently, and the variety of food is immense. We decide what we are about to eat and how it will affect our bodies. In different societies, controversy has arisen over the morality of eating meat from animals. However, the moral and ethical arguments of eating meat is not a new debate. Roger Scruton’s essay, “A Carnivore’s Credo”, addresses both carnivores and vegetarians by using an appeal to pathos and ethos to persuade people of the need to “remoralize” eating meat, and extrapolating that to mean that human beings have the conscious ability to choose and stand up for moral right and wrong.