Medea And Antigone Analysis

In the first conversation the reader sees between Medea and Jason, it is clear that Jason is not suffering from the situation at all and even goes to call Medea an idiot for speaking baldy of the king and his daughter, whom he is marrying. Jason claims that the reason he left Medea for the King’s daughter is because he is looking out for the best interest of Medea and their children. He even goes on to tell her, “However much you hate me, I could never wish you any harm.” Although his justification seems like a good excuse and a smart plan, it does not seem genuine seeing as to how quick he dismisses her and does not want to stick up for her by talking to the Creon about letting her stay and not exiling her and their

Antigone in Antigone by Sophocles desires justice for her brother but her quest for honor of her brother`s body is obstructed by the king of Thebes Creon. There are multiple problems with the way her mission is handled and how a current audience may react to it. Today the concept of divinity, democracy and rights are drastically varied to those of ancient Greece.

Both the stories of "Antigone" and "Medea" are tragedies as per Aristotle's disaster subjects. Antigone and Medea both have plots that are brought into the play on account of certain sad occasions. For Medea the plot is that Medea's better half is going to wed the ruler of Corinth's little girl and, out of trepidation, the lord tries to oust Medea and her youngsters. So to settle the score with all of them Medea ascertains an approach to turn the tables on all of them regardless of the stakes. For Antigone the plot of her needing to cover her fallen sibling despite the fact that he is taboo from constantly being covered with the discipline being demise. She faces on the results by conferring suicide thus does her future spouse who happens to

The characters in Medea by Euripides have no free will; the gods control all. Consequently, the concept, “Divine Double Bind,” described by the author Ruth Padel in Whom Gods Destroy as “Divinity issues prohibitions (do not kill your mother), forces you to break them, then punishes you for doing so” (215) explains perfectly the actions and ultimate fates of Medea, Jason, King Creon and his daughter, the chorus leader, and the two sons.

She helped him in every way possible in his quest for the Golden Fleece, “Her heart on fire with passionate love for Jason... But now there’s hatred everywhere. Love is diseased.” (1) However, in a tragedy, the hero is supposed to make a single mistake which ultimately leads to their downfall. In this case, Medea is not a heroic character as she is a sorceress, murders her brother, and her own children. The hamartia is intended to bring down a character of high morality, but Medea can be viewed as a wholly evil character who is not guided by any moral principles. She is also manipulative and deceptive in the way that she treats the men around her, Creon, Aegeus, and Jason, while involving them in her plan for revenge. Euripides has shown this aspect of her personality through lines such as “Do you think that I would have fawned on that man unless I had some end to gain or profit in it?” (12) and “by a trick I may kill the king’s daughter” (25)

Medea kills four people because of revenge. Jason, Medea’s husband, divorces Medea and marries Glauke, Creon’s daughter. Creon is king of Corinth. Medea wanted to get revenge on Jason. She kills their two kids, Glauke, and Creon.

Creon understood the impending danger that his daughter in law and her husband found themselves in due to Medea’s very public outbursts. As a result, Creon exiles Medea, a smart move on his part but ends up being outmaneuvered by Medea who requests one more day in Corinth. Creon underestimates the trickery of Medea. His goodwill allows her and her sons more time in Corinth. As a father, Creon lets his guard down allowing Medea and opportunity to inflict the final revenge she has been so desperately yearning for. Creon emerged as a naïve father and ruler who could easily be fooled. Medea remained an obstacle to the marriage of Jason and Glauce; it seemed unwise to allow her to stay in the Corinth where she posed a threat Creon and his daughter’s new family. His inadequacy in being a wise father and leader ultimately lead him to lose his daughter but his own life as

Medea’s discourse is presented upon the traditional and emotional reasoning of ancient greek culture which was governed upon respect and love for the Gods. Medea’s argument not only explores a world organised according to preexisting laws and logic, but also demonstrates the ways in which woman were disempowered by democracy as only men were permitted to vote and engage in political affairs. For Medea tradition is truth and this is were Jason has failed her, “ You can insult me. You have somewhere to turn to. But I shall go from this land into exile, friendless…And how did I choose it? Did I betray my Husband?.” Medea’s thoughts and actions throughout the texts are driven by tradition, therefore she accuses Jason of betrayal as he has giving

Medea was a barbaric woman who fell in love with Jason who went to her land to obtain the Golden Fleece. She was so in love with him that commits many crimes for him. She first killed his brother then Pelias. That love for Jason was like a poison. When she founds out that he was marrying another women all that love that she fells for him came into hatred. As the nurse mentions in Euripides’s Medea, “For her part, she complied with Jason in all things. There is no greater security than this in all world: when a wife does not oppose her husband. But now, there’s only hatred” (16-20) “Since Jason has betrayed them” (Euripides ‘Medea. 22). Well Medea was blinded by loved and all she wants to do is to obey him. At the beginning it was not possible

Her nurse and attendant states that “her mind is fierce” and that she is afraid of what she may be planning (529, 44-46). Her nurse wisely and correctly predicts the cycle of thought that Medea is having. Her thoughts move from simply being hateful towards Jason and their children, to them in addition to the royal family. Medea wishes to see Jason, “along with his bride and the palace/scraped down to nothing, crushed into splinters” (532, 165-166). This threat proves to be her undoing, as it causes the king, Creon, to exile her from Corinth out of fear of her mad retribution.

Her love, when betrayed, causes her great anger which becomes evident to the king of Corinth. He then banishes her because he is "Afraid that you [Medea] may injure my daughter mortally" - and - "I hear that you are threatening my daughter and Jason" (Euripides 10). This banishment is a catalyst for Medea's fall from Jason's graces. While both Medea and Antigone's flaw led them to an exile, the outcomes of their stories are far from the

The thought of revenge instructs an individual to seek for ‘an eye for an eye’ to punish their offender. Revenge comes with a price since instead of helping oneself to move on with their life. Thus, it leaves the person dwelling on their situation and remaining unhappy. As this portrays in the play, Medea decides to take revenge on Jason. At first, she seeks revenge from King Creon and his daughter Glauce. She says in the play, “From his new bride he never Shall breed a son; she by my poison, wretched girl, Must die a hideous death” (42). Medea decides to kill Jason’s new bride by poisoning her. While trying to save Princess Glauce King Creon dies as well. The betrayed Medea feeling tricked and abandoned grew hatred towards her own children.

This pounds Medea, as she has relinquished much for Jason, and genuinely trusts that they are couple intended to be as one forever. Medea is depicted as not an 'ordinary woman' since she is over the top in her interests. Passion is more grounded than reason in Medea, thus it can be a most damaging operators. It is dangerous to the kids, Creon's little girl, Creon, Jason, and to Medea's peace. Medea understands the results of the deed she is going to do yet she herself gives into her interests. "I understand what insidious thing I am going to do, yet drive, which is the reason for the most frightful shades of malice, is expert of my plants" Medea's monolog is important to comprehend her two-sided identity. Through her monolog we see the Medea that Euripides initially depicted. Her maternal side is found trying to spare her youngsters from embarrassment, watch them grow up, get hitched, and deal with her; raises the sensitivities we first felt. The primary thing that makes her fall flat is the innocent grin of her youngsters, their last. She just about says goodbye however her eagerness for reprisal once against triumphs. "I might take my kids from the area.

Which includes snake blood, rare poisons and herbs, invoking the gods of the underworld to curse her potion. Medea then gives the gift to her son’s to be delivered to the wedding. A herald later arrives telling of a fire that was fed by the water used to douse it, and the deaths of both Creon and Creusa due to Medea’s poisoned robes. Medea happy at what she hears starts to feel her resolve weaken this causes her to fly into full blown madness as she starts accusing all the people she killed of being in the thrall of Jason and she pendulates between her desire to harm Jason and her love for her children. Finally she offers one of her sons up as a sacrifice.

Moreover, Euripides incorporates Medea into the relationship to convey the idea that females also possess a dominant role in the struggle over dominance, but their power form is different compared to males. Medea elucidates that even in the arduous times, she assisted Jason and supported their union. In a direct conversation with Jason, she tells him, “…after I’ve done all this to help you, you brute, you betray me…” (27). She explains that although she took care of Jason and supported him whenever he needed her help, he used his massive quantity of power to overpower her and abandon her. Even after Jason abandons Medea, she thinks day and night of him. Medea demonstrates that the power females possess is not physical and totalitarian like the males, but is emotional and mental. She tries to keep the family together and in trying to do so, she does whatever Jason asks her to do. She is the important woman behind every successful man. Without her command, Jason would not be the person he is. Therefore, she can destroy Jason whenever he desires with her power. She can be a femme fatale and reduce Jason’s life into rubble. Similarly, after Medea finds out she was being cheated on, she quickly creates and evil plan and destroys Jason. She murders his new