Medea And Antigone Comparison

In Sophocles’ piece, King Kreon prohibited the burial of Polynices, Antigone’s brother, because he was seen as a traitor to his country. Antigone blatantly disobeyed King Kreon’s proclamation because she thought that Polynices ought to be buried not only because he was blood- family, but because the gods law states that burial is a necessary ceremony. Her sister, Ismene, tried to warn her of the trouble she could find herself in, if King Kreon finds out that it was Antigone who had buried her brother, the traitor. (Blondell, 21). In addition, Antigone does not hesitate to admit to this illegal deed when the guards catch her in the act (Blondell, 37,38). While she acted out of respect for her brother and the gods, it was selfish in the fact that she was only thinking of herself. She did not hesitate to disregard King Kreon’s law and did not take any factor into consideration. Antigone accepted that her life was the price to pay for her civil disobedience, but her actions also, unintentionally, led to the death of two other people. Although, in the end, King Kreon sees that Antigone was right, the reason for which she had fought, and ultimately lost her life for, had no significant positive effect on anyone else.

The female characters portrayed in Aeschylus and Sophocles’ works have considerably different personalities and roles, yet those females all have the common weaknesses of being short-sighted and stubborn. They intensify the conflicts within their families while being inconsiderate of the impacts that they may bring to their nations and societies, which leads to consequences that they are incapable of taking responsibilities for. Clytemnestra and Antigone, two major characters in their respective author’s works, possess different motivations for their deeds in the stories. While Clytemnestra is driven by the desire of revenge to murder her husband Agamemnon, Antigone acts against Creon’s will and strives to properly bury her brother. Despite having different motivations and personalities, Clytemnestra and Antigone both commit

First off, Ismene, Antigone’s sister, actually was the one that incited Antigone's actions that led to everything else that happened in the story. Without Ismene, there would not be a plot. In lines 52-59, Ismene said to Antigone “What? You'd bury him— when a law forbids the city?” Antigone replied “Yes! He is my brother and—deny it as you will—your brother too. No one will ever convict me for a traitor.” Ismene said “So desperate, and Creon has expressly—” and Antigone interrupted with “He has no right to keep me from my own.” Here Ismene is telling Antigone that her actions are not something that are legal and that comply with Creon’s laws. Antigone, being hard-headed, decides that she is not going to let a law determine what she does for

She knew that in her mind, knowing her fathers fate that this was definitely the right choice. She did not care about other people’s options and the consequences were not affecting her at the time they were decided. Antigone feels, as though that this is a good way to die, it’s a way that she is going to be remembered for what she has done. “ Sister, forbear, or I shall hate thee soon, and the dead man will hate thee too, with cause. Say I am mad and give my madness rein to wreck itself; the worst that can befall is but to die an honorable death.”(92-96). Because Antigone approaches her consequences (death) without regret, her demise takes a tone other than the tragic feel of the suicides of Haemon and Eurydice.

Revenge is a kind of wild justice. Throughout many texts, the notion of justice has been debated on whether it is an act that vindicates those who have been wronged or an excuse to pursue revenge. Through Medea, Medea’s actions have been judged and criticised whether her murders are an act of justice that she deserves or simply the idea of inflicting pain on those she loathes.

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

     Antigone's decision to bury her brother caused harm to many people. First, she tried to convince her sister Ismene to help her. She did this by trying to make Ismene feel guilty if she did not; stating it was Ismene's brother too. She says after Ismene tells her she is on a hopeless quest "If you say so, you will make me hate you and the hatred of the dead, by all rights, will haunt you day and night."(Act I: Scene I: Line 57) This threat brings Antigone farther apart from the only living family member that she has left. She has her mind set so much on burying her brother that she will stop at nothing, not even threatening her opposing sister to do it. Since Ismene has been through the same

Antigone wants to be redeemed in the afterlife through her act of burying Polyneices. This is especially clear when she decides that she will bury him and die before she has even appealed to Creon. The only route she can see is one that results in her death. Not until she is directly confronted by her uncle does she attempt to dissuade him from dishonoring Polyneices. Even then, she seems to be simply defending her own actions rather than accusing him of being wrong, as she so adamantly has done with Ismene. He needs to implore her to “Speak!” (166, 442), and when she does, she is flippant and prideful. Antigone only engages in real dialogue with him when he forces her to. This could be interpreted as her simply understanding his position and accepting it, but I find that unlikely. She clearly fundamentally disagrees with him and his interpretation of the gods, but instead of trying to persuade him to recant his decree and bury her brother, she capitalizes on the position she’s in and thrusts herself into martyrdom. Even by the gods’ standards, this does not seem to be justice or “rightness”. Her surface level loyalty to her family may initially appeal, but I find it insincere and not right when I explore it more closely.

Retribution is a monster of appetite, eternally bloodthirsty and never filled. Rage, resentment and envy does not change the heart of others. A massive success is the best revenge for a woman. It is the only way to get back at someone for a pain they have caused. In Euripides’ Medea and Ovid’s’ Metamorphoses, Medea and Juno exhibit vengeance to defend their dignity.

Antigone chose to give her brother Polyneices a proper burial even though it was against the king’s law. She tried talking her sister Ismene to join her on her quest because Polyneices was both of their brothers, but Ismene did not want to disobey Kreon’s order (Blondell 19-24). This left Antigone to handle this on her own, which takes a lot of courage and dedication to what she believes in. Antigone went on with her plan to bury Polyneices and his body was eventually found by a guard (Blondell 30). When the guard brought the news to Kreon he was furious and the Chorus had suggested it was a Gods doing, which led me to believe that they did not think anyone one else was willing to risk it all by not listening to their kings orders (Blondell 32). A good lesson to learn from Antigone is that even if you break the law you have to admit your doing especially when you know what you did was morally right and what you stand for as an individual. When Antigone was accused of breaking the law and burying Polyneices she did not even hesitate saying, “I don’t deny it; I admit the deed was mine.” (Blondell 38). She even goes on to tell King Kreon that his choice to not allow the burial of Polyneices is morally wrong and how he is disobeying the God Zeus who is offended by improper treatment of a corpse (Blondell 38). Though Antigone knows the consequence for disobeying the king, she continues to fight for her brother’s honor and makes sure to point out the king’s foolish decision. Even in her last words she questions what kind of men can make suffer and then gives her respects to the town, gods, and rulers.

Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.

The Greek plays Antigone and Medea both feature a female protagonist who confronts dire circumstances, and, in order to escape them, must resort to an extreme course of action to save herself. In the case of Antigone, the cause of her troubles is a royal edict issued by her uncle, King Creon, which prohibits the people of Thebes from administering her fallen brother, Polyneices, a proper Greek burial: “whoso disobeys in any way, his doom is death by stoning before all of the people.”(pg.92) As such, Antigone’s crusade for justice revolves around her defiance of Creon’s authority, as she does go on to violate the edict, and the consequences that befall on Thebes because of this. Similarly, Medea’s conflict, though inspired primarily by the actions of her

Euripides and Sophocles wrote powerful tragedies that remain influential to this day. The vast majority of work recovered from this time is by male authorship. What remains about women of this time is written through the lens of male authors’ perspective and beliefs about the role of women in Greek culture. The works of these two playwrights frequently characterize women as unstable and dangerous. Agave, Antigone, and Medea are all undoubtedly the driving force behind the tragic action in these plays. It is their choices that lead to the pain and death of the people around them. Through an examination of the evidence from three separate works, Antigone, The Bacchae, and The Medea, the role of women in ancient Greek tragedy becomes clear. The actions of Agave, Antigone, and Medea repeatedly prove their characters instability and danger.

This tragedy was to be expected because of Antigone and Creon’s personalities. Antigone is stubborn and rebellious. She loved her brother, Polynices, deeply and was devastated when he died. Creon used brute divine right to punish Antigone by not allowing Polynices to be buried, devastating her even further. I feel that both characters were wrong. Antigone loved her brother and I’m sure she made that perfectly clear whilst he was alive. Because of this, Antigone should not have risked her life to defend her brother’s

Medea and Antigone are very determined people who will get what they want no matter what. In the play, Antigone defies the king and buries her brother at night. She says “You may do what you like since apparently the law of gods mean nothing to you” to Ismene which clearly states that she is doing it for spiritual reasons. For if she does not, Polyneices will not be accepted into heaven. Medea allows her sons to be killed and purposely kills Creon’s daughter to spite her husband. She is driven by her desire for revenge and her heart has been poisoned by the betrayal from Jason. Love and infatuation also plays a big role in both stories. Antigone’s love for her brother caused her to bury him whereas Medea killed people because of her infatuation