Medea As A Misogynist

Euripides’s plays often featured uncanny insight into the human condition and the struggle that his characters bore due to their expected roles within society.

Medea, foreign bride to Jason of the Argonauts fame, is troubled by the ethnocentric marriage customs of the Greeks in which marriage is seen as an institution for heirs. As a foreigner in Corinth, Medea is already faced with judgment from native Greeks. Medea’s history of crimes such as, the death of her father by chopping him into pieces reveals her capabilities and more importantly her abandonment by her husband Jason reveals the culture of male supremacy. Because of this, Medea attempts to gain sympathy from the women of Corinth, appealing to their shared experience of being marginalized by gender.

Euripides was interested in how culture affected things. He was not the typical writer and his characters confirm this. In Medea, Euripides wanted his characters to participate in a culture that was under extreme stress, perhaps the same stress that his culture was experiencing. He exhibited this by writing as if his characters were transplanted into a different culture, unique from their own, as if to use the unfamiliarity as psychological strain. Therefore the strain would immortalize or distort them. The way in which Medea meditates the murder of her children is much admired, however Euripides' interest is in the collapse or derangement of culture that makes the murder both possible and necessary (Arrowsmith 357).

The duty of women portrayed in Greek society is a major subject in Euripides Medea. In old Greek society, ladies are delicate and compliant as per men, and their social position is viewed as exceptionally mediocre. Feminism is the hypothesis of men being viewed different in contrast to women and the male predominance over ladies in the public eye. Women's lives are spoken to by the parts they either pick or have forced on them. This is obvious in the play Medea by Euripides through the characters of Medea and the medical attendant. During the day and age which Medea is set ladies have exceptionally restricted social power and no political power by any stretch of the imagination, despite the fact that a ladies' maternal and residential power was regarded in the protection of the home, "Our lives rely upon how his lordship feels." The constrained power these ladies were given is diverse to present day society yet parts are as yet forced on ladies to acclimate and be a devoted spouse. Ladies have dependably been dis engaged because of their sex in present day and antiquated circumstances alike. In Corinth they are required to run the family unit and fit in with social desires of an obedient spouse. Medea, being an eternal and relative from the divine beings has a specific power in insight and guileful keenness. Being an outsider, Medea's wayward nonsensical conduct was normal in this play as she was not conceived in Greece and was viewed as an exotic foreigner. She goes over to the group of onlookers as an intense female character regarding viciousness. Some of Medea's responses and decisions have all the earmarks of being made a huge deal about as creators for the most part influence characters to appear to be overwhelming; this makes a superior comprehension of the content and the issues which are produced through the characters. Medea's ill-conceived marriage and the double-crossing of Jason drive Medea to outrageous vengeance. Medea acts with her immortal self and confer coldhearted demonstrations of murder instead of legitimize the results of her actions. Medea see's this choice as her lone resort as she has been exiled and has no place to go, "stripped of her place." To make sensitivity for Medea, Euripides

Medea’s conflict with Jason proves to be the main conflict in the play, which really sheds light into the fact that Euripides created this play to challenge the notion of feminism. After Jason’s betrayal, Medea decides to take control. It is evident in the way she manipulates other characters within the play, and how she handles situations she is in, that she is quite intelligent. Her motivation and will to accomplish her own goals, portrays Medea as the complete opposite of a typical patriarchal woman who embodies the norms of patriarchy in Greek society. In the play, Jason says, “I married you, chose hatred and murder for my wife – no woman, but a tiger…” (1. 1343-44) This quote shows the misogyny with Jason, because he is saying that him and the society have made Medea this way. But maybe Medea started acting

Euripides was one of the most well-known playwrights of ancient Greece. He was known as a modern playwright because he wrote with realism, and had a doubtful way of portraying the gods in his plays. Euripides’s plays had women as the main character because he had a sympathetic way of portraying women. The women were mainly strong and are passionate in their motives for their actions. Although Euripides is well known now, during ancient Greece Euripides wasn’t an appreciated playwright. When there were play performances men would be the audience since women weren’t allowed to take part in or watch the plays. So with the focus of women in his plays, he gave them a voice, which would throw men off, mainly because they would be terrified if their wives did and said the same things. Euripides supplied a philosophical thought to the women he has written about.

When women are degraded, they are deprived of their value and reduced to a lesser status than what they actually are. Degrading women show misogyny because it devalues women based on hostile and prejudiced beliefs. This is evident in the text such as when Medea complains to the Chorus of Corinthian Women, "We were born women - useless for honest purposes but in all kinds of evil skilled practitioners." (29) This quote reduces women to only cunning and malevolent artists who have no other value in society, showing inferiority. Women are useless and essentially have no other purpose other than fulfilling evil tasks. By having Medea make this comment, it shows her consciousness of women's place in Euripides' own society. Medea's entire first Women of Corinth speech is a primary indicator of the misogyny. In his own society, he is free to express his own views and have it taken as fact. Additionally, misogynistic views are furthered developed when Jason, a strong symbol of patriarchal beliefs, complains to Medea, "If women didn't exist, human life would be rid of all its miseries." (34) This quote makes women culpable for all calamities in society. Life would be purged of impurity and men would reign supreme without any worry of misfortune if women were gone. By doing this, Euripides paints women as the problem maker of society. This hateful view towards women discourages

Jason?s chauvinist beliefs are put under the microscope. Jason airs his views about what all women want: "If they?re (women) happy in bed, they?re happy everywhere". By comparing Medea?s pure feminism to Jason?s selfish chauvinism, Euripides brokers sympathy and support for feminism from the audience.

Charlotte Bronte once said, “Women are supposed to be very calm generally, but women feel just as men feel. They need exercise for their faculties, and a field for their efforts as much as their brothers do. They suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow minded in their more privileged fellow creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags”. In the play Medea, Euripides diverged from the traditional role of Greek women through Medea’s characteristics and response to her plight. In delineating the role of women, Medea was unlike any other Greek character. Medea was portrayed

Euripides Medea is a play that largely embodies themes of sex and gender within Greek life, marriage and society. Lars Von Trier, Danish Screen writer, controversially took on and altered Euripides' classic Medea in the form of film. Although complex and compelling, Von Trier's film fails to capture major themes and qualities presented in the text version of the infamous Medea and relay them to an audience. Through the use of close reading and comparison, it can be proved that Lars Von Trier's film depiction of Euripides' Medea does not allow an audience to see the complexity and major themes of gender and masculinity that Euripides originally portrays to his audience, but rather depicts a story of lost love and femininity within the protagonist.

In the play Medea, the author Euripides emphasizes that the harsh treatment the main character, Medea, receives throughout the play reflects how women are treated in Greek society. The hardships of women in Greek society can be mainly seen by Medea passionate soliloquies. Medea speaks about how looked down upon, due to the fact that she a woman from a foreign country that holds more intellect than most men in the city where she currently resides. Even Jason, her husband, betrays her trust by marrying another woman because he deems her as useless to him. Though it causes Medea great despair, the people who surround her do not frown upon Jason for finding another woman even though he already has one.

Through this play the topics of Killing of children and playing on gender roles is presented, an example of playing on gender roles is how Euripides has portrayed the character of Medea throughout the play, she is portrayed as a woman that through her pain has become strong, cold and in control of her emotions and this has resulted in her transforming into a dangerous woman who would do the unthinkable. Euripides played on the perspective of a woman being in complete control over herself, in contrast to how the society that Euripides lived in, that perceived a woman to be less than a man. ‘Greek women had virtually no political rights of any kind and were controlled by men at nearly every stage of their lives’ ‘Colum’ (2002) http://www.penn.museum/sites/Greek_World/women.html

Amongst Euripides' most famous plays, Medea went against the audience's expectations at his time. Indeed, the main character of the play is Medea, a strong independent female who neglected moral and . She was therefore in all ways different to how women were perceived in Ancient Greece. This essay will explore how Euripides' controversial characters demonstrate that his views were ahead of his time.

Medea, a classic play by the Greek writer Euripides explores the Greek-Barbarian dichotomy through the character of Medea, a barbarian princess from the land of Colchis. As the story progresses, it becomes noticeable to the reader that Medea is not a traditional woman by Greek standards, this comes as no surprise as she is not native to the region. Central to the play’s plot are Medea’s barbarian origins and characteristics. These are related to and may indirectly influence her to perform acts such as misleading the King of Corinth, Creon and murdering her own sons. Despite these terrible acts, Medea still behaves heroically, as she breaks traditional and cultural barriers thus freeing herself from a doomed and lonely life.

Euripides employs the technique of dialogue between two solo actors on stage throughout Medea to dramatize the core values underlying these conversations. In particular, through the conversations that Medea holds with three different males, she shows herself to be a person of great intellect. Females were rarely valued for their intelligence because the Athenians had a "complacent pride in the superiority of the Greek masculinity" (page 641 ). Men and women were considered to have very different roles in society with men being the far superior species. Thus, Euripides uses Medea's [Note the specific claim/thesis conversations with Kreon, Aigeus, and Jason to showcase her