Medea Tragic Hero

In the first conversation the reader sees between Medea and Jason, it is clear that Jason is not suffering from the situation at all and even goes to call Medea an idiot for speaking baldy of the king and his daughter, whom he is marrying. Jason claims that the reason he left Medea for the King’s daughter is because he is looking out for the best interest of Medea and their children. He even goes on to tell her, “However much you hate me, I could never wish you any harm.” Although his justification seems like a good excuse and a smart plan, it does not seem genuine seeing as to how quick he dismisses her and does not want to stick up for her by talking to the Creon about letting her stay and not exiling her and their

She continues to describe her state, “A typically unfair attitude, I suppose…” (316). Later, in the tragedy, Medea boldly leaves the house after murdering her own children in pursuit of satisfaction. Medea shows audiences the horror that can come when one lets the desire for revenge rule his/her life.

The third issue Luther and Zwingli were at odds concerning is whether or not Christ is sitting at the right hand of God. Luther and Zwingli each looked at the idea of Christ sitting at the right hand of God from a different perspective. Luther looked from a figurative perspective and Zwingli from a literal perspective. Zwingli said since Christ has a human nature then one has to abide by that human nature, therefore Christ literally sits at the right hand of God in heaven. He believed the right hand of God to be a circumscribed place. Luther however heavily disagreed with Zwingli’s stance believing that Zwingli was giving too much power to the human nature separating the human from the divine nature of Christ. Luther said, “You must not believe

“She did something that in our society is unspeakable: she kissed a black man” (page 272). It is easy to interpret this character as a villian in To Kill a Mockingbird, but is she honestly a victim? This girl has grown up in poverty, has been beaten, and has had to take care of an entire household. Unfortunately, there is nothing that can be done to change that. She lives a painful lifestyle, and that lifestyle has transformed her into the person she will always be. Mayella Violet Ewell’s important character attributes, mistreated, skeptical, and melodramatic, have forged her into the villain that most people see.

these stories the Olympian gods in the stories play important roles that affect the lives of both Jason and Medea. The behaviors of these two character also have a great contrast between them. In the story of “Jason and the Golden Fleece”, Jason is the son of Aeson who is the legitimate king of Iolcus, in Thessaly. Aeson’s half brother Pelias steals the throne away from Aeson making himself the new king of Iolcus. Jason is the rightful heir to the thrown but his father feared for his life and sent him to live with the centaur Cheiron. In time Jason wanted to know of his parents and wanted to reclaim the royal

The major trait that leads to Jason’s downfall is his overwhelming pride. Medea knows she can use his ego against him and says, “I have reproached myself. ‘Fool’, I said, ‘why am I so mad?’” (p.53). Medea toys with Jason’s need to be above others and always right. Jason doesn’t even think twice about Medea’s sudden change to a servile attitude and accepts how her “mind has turned to better reasoning” (p.54). The arrogance of Jason makes him blind to what is happening around him. Medea is obviously manipulating this weakness to work to her just like how everything works for her: the children work to kill the bride and the deaths work to exact revenge upon Jason.

My theme of controlling, is a major issue in life today. A lot of people have dealt with this problem, and may have to deal in the future, but will understand that it will be present wherever a person is there. We need to accept that there is controlling everywhere, and we need be aware how to respond to it, or how we should control people. Through these four different passages, I learnt that controlling has different faces. They can be bad, such as how the government manipulated Winston, or how WICKED took over the Gladers brains. They can also be good, like how Maleficent protected Aurora for safety and love. I believe that controlling is one of the tools we humans use, like knifes, as they can be considered good or bad, depending on how

Medea's identity as a weak woman is emphasised at the very start of the play. It is made very clear that she has come to misfortune through no fault of her own and is powerless in her problem ("her world has turned to enmity"). Being unable to change her situation is an example of her portrayal as a weak woman figure. We are told that she has been

There are also parts in the play where one may begin to have an understanding of Jason’s motives. In Jason’s first argumentative speech to Medea, he claims that money, possessions and social status is of no importance to him. He declares that his choice to marry the royal Glauce is of good intention, not merely because he is bored with Medea’s bed. Later, when Medea begs Jason to forgive her for her foolishness, he shows kindness and understanding towards her. After all that Medea said about him and his new wife-to-be, Glauce, he states that he is still willing to provide Medea and their sons with anything they may need. Medea pleads for Jason to convince Creon to let their sons stay in Corinth and Jason agrees to try to convince both Creon and Glauce to allow the boys to stay. Jason is still compassionate, showing at least some loyalty to Medea and his family. At the very end of the play, after Medea has killed Glauce, Creon and their two sons, Jason admits that she has ‘destroyed’ him. Jason is completely shattered; everything has been ripped away from him. It’s also unfair when Medea refuses to let Jason bury and mourn the bodies of their sons. Some may feel it is impossible to feel no sympathy for him.

To conclude, Medea’s actions can be seen an act of desperation from her side, as she realises that her functional life in Greece is practically over: she is a woman with no man, therefore no rights. Although through her barbaric background and natural cunningness, she forges a plan to escape this miserable prospect of her life, her actions, as terrible and inhumane as they are, empower her to free herself from her discriminating

Ever since she found out she had been betrayed by Jason, she has had “no pleasure left” in living. The only purpose left in her “cruel” and “accursed” life is to “strike dead” Jason, Creon and Glauce. Medea ends up killing Creon and his daughter but doesn’t make any attempt to kill Jason. To “perish his whole house” and “work revenge on Jason for his wrongs to [Medea]”, Medea plans to kill her two son as “it is the supreme way to hurt [her] husband”. Although Medea feels sad as shown by her “dewy eyes” and “these tears”, the audience are positioned to feel less sympathetic towards Medea due to her murderous actions towards her “own little

She helped him in every way possible in his quest for the Golden Fleece, “Her heart on fire with passionate love for Jason... But now there’s hatred everywhere. Love is diseased.” (1) However, in a tragedy, the hero is supposed to make a single mistake which ultimately leads to their downfall. In this case, Medea is not a heroic character as she is a sorceress, murders her brother, and her own children. The hamartia is intended to bring down a character of high morality, but Medea can be viewed as a wholly evil character who is not guided by any moral principles. She is also manipulative and deceptive in the way that she treats the men around her, Creon, Aegeus, and Jason, while involving them in her plan for revenge. Euripides has shown this aspect of her personality through lines such as “Do you think that I would have fawned on that man unless I had some end to gain or profit in it?” (12) and “by a trick I may kill the king’s daughter” (25)

Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she

Euripides also carefully reveals the elements of Medea's past that demonstrate her readiness to violate solidarity of family ties in order to pursue her intractable will; Jason and Medea's original tryst, for example, required that she kill her own brother, thus choosing marriage ties over blood ties. Secondly, Medea's selfishness provides power to her fatal flaw. Medea's selfishness and lack of humanity is displayed through the act of killing her own two sons. Medea understands that the slaying of her children will make Jason miserable. During this time, the chorus recognizes her self-worship and states, “But can you have the heart to kill your flesh and blood” (Euripides, The Medea, 816)? Medea does not stop to think what pain she may cause to herself by murdering them. She is only concerned about her happiness that will be derived from Jason's grieving. Medea comes to the conclusion that it is worth the suffering just to see her ex-husband unhappy. Medea states, “Yes, for this is the best way to wound my husband” (Euripides, The Medea, 817). This exhibits Medea's selfishness by the slaying of her sons just to cause sorrow to Jason for her own pleasure. Medea's rage also leads to her fatal flaw of excessive passion. Her excessive passion, fed by rage, leads Medea to do uncalled-for acts of violence and murder.

The play Medea relates so much to conflicts going on today in all type of relationships. How would you respond to the betrayal from someone you love? Some would say that they would just walk away from the situation. Others would try to get revenge on that significant other. Medea is known to be the protagonist; the one who is in the external conflict with another character. The character she is in conflict with is Jason, known as the villain. The way Medea responded to Jason leaving her for another woman was very dreadful. Not only did Medea go after getting revenge for Jason, but she also went after everything Jason loved; his new wife, and her own kids. I guess you can describe Medea as very vengeful and violet.