Medea and Penelope - Strong Women in a Man's World Essay

Both Fifth century B.C. playwright Euripides and Roman poet and dramatist Ovid tell the story of Jason ditching Medea for another woman; however, they do not always share a perspective on the female matron's traits, behavior, and purpose. Euripides portrays a woman who reacts to injustice by beginning a crusade to avenge all who harmed her which she is prepared to see through even if it means resorting to the most contemptible methods. Ovid, on the other hand, tells of a much less extreme figure whose humble goal is only to persuade Jason to return. Despite these differences, both Medeas create trouble by acting with emotions instead of with reason, and as a result, put

Jason’s apathy is a trait that enrages Medea. Jason thinks that he is always helping Medea for nothing in return when he tells her, “I can prove you have certainly got from me more than you gave.” (p.42). Jason could never have captured the Golden Fleece if it was not for Medea’s valuable assistance and he doesn’t give her credit for it. The only thing he gave Medea was an oath of fidelity, which meant nothing to him because he breaks it after two children. Jason just decides to leave Medea for a new bride and banish Medea after all that she has done for Jason such as killing her brother and disgracing her father. Those insensitive words from Jason deeply hurt Medea, who has sacrificed so much for

However, no one in the play except the Nurse thinks for a second that Medea could bring herself to murder her children. Medea even has an internal debate over whether she could bring herself to commit such a crime, showing once again that she is not completely in control of her emotions. In the end, she decides to go through with it rather than leave them “to the mockery of my enemies” (78). In the end, Medea appears in the sky in “a chariot drawn by dragons” (84). She has already killed the boys and she attributes their death to Jason’s “weakness” (86) and his “lustful heart and new marriage” (86). The play ends with Medea disappearing from view with the children.

Medea’s strength is portrayed as her madness as she takes control and decides the fate of her enemies. She is a strong character and Euripides allows Medea to have a voice by allowing the audience to witness her break from the norm of what a woman of her time is expected to do. After giving up her family and former life to be with her husband, Jason, he decides to marry a younger princess while still married to Medea. Medea realizes that women are left to face the most miserable situations and says, “We women are the most unfortunate creatures” (229). Jason feels that Medea is to be grateful for what he is doing by marrying into royalty as it will afford all of them a better life. The representation of Medea by Euripides is powerful, manipulative, and extremely smart, yet because she is a woman she has limited social power.

In Medea, Euripides uses irony to convey the fact that the female protagonist is strong in the androcentric society and the male protagonist is weak. In the article “Male Medea,” Nancy Rabinowitz describes the protagonist as “the transgressive woman, [or man] inside the woman's body, and her story gives the lie to the gender story--of the woman as victim” (16). Medea, the female protagonist, has the power to control and manipulate any character in the play. This is proven when the Tutor says “Madam, your sons do not have to go into exile; the royal bride gladly took the gifts in her hands; there’s peace now, with her and the children” (1001-3). This represents irony because the sons do not go into exile, but are instead killed by their masculine,

It shows how she does have a heart and a conscience, which was something readers weren’t too sure about prior to this internal conflict, since she killed her brother without any issues. Euripides makes it obvious that she is strong, and headstrong about her decision to destroy Jason.

In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways. One of the things she does to help their cause is bring

In pursuit of greater social status within the Greek community, Jason betrayed Medea “for a royal bed” by marrying Glauce. Medea has a hard time coping in society, as the role of women is very low compared to men. They are forced to become their husband’s possessions in marriage. Once Medea was betrayed, she was left with nothing and forced by Creon “to leave this land and become an exile” as Creon was afraid Medea would “do some irreparable harm to [his] daughter”. Her psychological state

In the beginning of the play, the nurse discusses the horrible deeds Medea delivers to her own family in the following lines “my mistress Medea would not have sailed for the towers of the land of Iolcus, her heart on fire with passionate love for Jason; nor would she have persuaded the daughters of Pelias to kill their father, and now be living here in Corinth with her husband and children” (1). Ironically, before Jason leaves Medea, he needs her help in a great mission. By admitting that he needs her help, Jason falls short of the idea that a man is in control of the situation.

Medea has sacrificed everything for Jason, yet he shows no gratitude. She has been abandoned without a home, seen as an outsider from a

Euripides’ ‘Medea’ is a play based on the myth of Jason and the Argonauts. The play was

In Euripides' play the title role and focus of the play is the foreign witch Medea. Treated differently through the play by different people and at different times, she adapts and changes her character, finally triumphing over her hated husband Jason. She can feasibly be seen as a mortal woman, Aristotle's tragic hero figure and even as an exulted goddess.

Moreover, Euripides incorporates Medea into the relationship to convey the idea that females also possess power in an alliance, but the form of their authority is different compared to that of a male’s. Medea elucidates that even in arduous times, she assists Jason and supports their marriage. In a direct conversation with Jason, she tells him, “…after I’ve done all this to help you, you brute, you betray me…” (27). She explains that although she took care of Jason and supported him whenever he needed her help, he disabuses his power to overpower her and abandon her. Even after Jason abandons Medea, she thinks day and night of him. Medea demonstrates that the power females possess is not physical and totalitarian like the males, but rather is emotional and mental. She tries to keep the family together and in trying to do so, she does whatever Jason asks her to do. She is the important woman behind every successful man. Without her command, Jason would not be the person he is. Therefore, she can destroy Jason whenever she desires with her power. She can be a femme fatale and reduce Jason’s life to rubbles. Similarly, after Medea finds out that she is being cheated on, she quickly creates a malicious plan to obliterate Jason. She assassinates his new wife and his heirs. Although her love is “greater than

Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she

In the tragedy Medea, Jason is faced with realization of the death of his twin sons who were killed by their, mother, Medea; he falls into agony as he laments, inspiring a katharsis in the reader. Jason cheated on Medea, assuming that it was okay with her, saying, “…I/ Grew tired of your bed and felt the need for a new bride” (18). Jason desired a bride of title so that his current children and future children could be brought up “worthily” (26). He betrayed his family and Medea’s love for another woman, causing Medea began to seek revenge. She decides to do two acts: kill her husband’s fiancée and kill her own sons. “…I shall kill my own children. /My children, there is none who can give them safety,” Medea expresses, as she plots her plan (26). Jason is unaware of this act that his wife is ready to commit. No longer does he have a fiancée, but now he has lost his heirs to the kingdom. The tragic act occurring among family members, happens in Medea, which was highlighted in Poetics. The death of Medea and Jason’s sons leads to Jason’s