Essay on Medea by Euripdes

Euripides’s plays often featured uncanny insight into the human condition and the struggle that his characters bore due to their expected roles within society.

For Medea must fall in love with Jason and then she will use her great skill with magic to help Jason acquire the fleece. Because of Hera’s hatred towards Pelias Medea’s life is now destined for extreme agony, shame, and guilt. Her love for Jason causes her to tear away from her loving parents and dishonor her father by helping his enemy. Hera’s plan to avenge Pelias also flood Medea’s head with thoughts to keep her from straying from Hera’s plan. Unfortunately for Medea her decision to help Jason was not her own and was a careful thought out plan by Hera. Her life would never again be the same. Even though Jason promises to love her always and promises that she will be his wedded wife, he breaks this promise as soon as she become old and he is given the opportunity to marry royalty. Medea decisions were not in any way wise but if it were not for the arrows of Eros she would have had better judgment on the stranger. Medea’s behavior in this story shows that of loyalty and confusion in her heart. She is in agony because she can not conceive as to why she feels so much love for a stranger and does not wish to dishonor her father by doing so. But then she is constantly

In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth.

In addition to providing for his children, Jason also does complete the role of the protector. When Medea goes on her serial killing spree, Jason only knows that she has killed his new wife. Thus, Jason immediately thinks of his children and arrive as the palace “so [that he may] save the lives / Of [his] boys, in case the royal house should harm them / While taking vengeance for their mother’s wicked deed” (Euripides 391). He knows that the royal family of Corinth might see his sons and want to kill them because they are related to Medea; therefore, Jason wishes to whisk them away to safety before he loses them as well. However, he soon discovers Medea has also killed their sons, and he is absolutely stricken with grief. He mourns for “the boys whom [he] begot and brought up” and questions Medea on how she could have stomached such an unforgivable and sordid deed (Euripides 391). After many accusations from Medea, Jason then begs to see the sons’ dead bodies so that he may burry and mourn them, but Medea “prevents [him] from / Touching their bodies or giving them burial” (Euripides 393). Jason, left without a chance to mourn for the loss of his children, leaves Medea as she blames him for the deaths of their children.

From the beginning of the play the conflict between good and bad where Medea and Jason are concerned has been ambiguous. Both characters have done terrible things in order to attain what they want. Nothing could stand in the way of them including Medea’s father, whom Medea betrayed and to pile on the grieve she kills her brother and drops parts of him into the sea so as to delay her father thereby ensuring that Jason and his Argonauts could fulfil their quest to attain the Golden Fleece. When Jason betrays Medea and walks away from their marriage we immediately identify him as the villain, yet the reader fails to understand that during that time when this play was written it was still socially acceptable for the man to walk away from his marriage provided he gives back the dowry he attained from the wife’s father. In this case Medea did not bring any such items so it was even easier for him to leave her so as to empower himself. It was Medea’s role as a woman belonging to that age to accept Jason’s decision however she feels betrayed that he would break a vow made in front of the gods, and apparently she was not a regular woman even by the standards of that time as she had an intellect that could rival that of scholarly men. So to exact her revenge she destroys everything Jason loves leaving him to regret ever betraying the marriage.

Jason tries to reason with Medea by showing that his betrayal was for the sake of the children “so [that] [they’ll] be well off” (326) and be brought up “in a way that’s worthy/ Of [his] family” (325). Medea consumed in her grief is still unable to mediate with Jason’s betrayal and is determined to kill Jason’s new bride by sending her a poisoned dress and tiara. Understanding that displaying fury towards Jason will not accomplish her plans, she chooses to show that she “agrees with him about his marriage” (332). Confessing to her own stubbornness and “bad temper” (334), she is able deceitfully continue on to say she “realizes how wrong [she] [has] been” (335). Furthermore, she uses the children to cumulate sympathy, similar to how she initially gained Creon’s mercy. By “[admitting] [she] was wrong” (335) and telling Jason she “supports [his] [plans]” of their children “having royal brothers” (326), he becomes persuaded by Medea’s thoughtfulness. After Medea allows the children to “come out” (336) and embrace him, she asks whether his “new wife” (336) could ask Creon to “let [the] [children] stay” (336). Medea takes advantage of knowing it would be difficult for Creon to refuse a request from his own child to resume her agenda. After spotlighting how concerned she is about the children, she recognizes that Jason

Once she learns that Jason has married another woman, Medea's personality turns completely around. The strong loving wife turns into a barbarian huntress in search of revenge. After plotting and changing the course of her revenge a few times, she perpetrates an attack that will certainly kill the new bride. Her method is focused on the woman, but it may or may not affect others around her target. Medea knows that the poisoned dress and head adornment will be lethal to Jason's bride, but she cannot possibly know what will come of Jason, their children, or the king. Her rage knows no bounds and she sends Antigone and Ismene on with the poisoned gifts. Weigel describes the revenge of Medea in his critique of the writing: "Jason becomes entangled with a force that crushes his dignity and detachment, that tears his successes to tatters. At the end he is in exactly the same position as Medea. Both are bereaved of mate, children, and friends. Both are free to grow old without comfort. And both are utterly empty inside, except that Jason is now filled with the same burning hatred that possessed Medea" (Weigel 1391).

Commonly considered one of Euripides greatest pieces, Medea is an insightful depiction of how a woman’s love for her husband, churns into a gruesome revenge scheme against him. This tragedy illustrates a tale of a woman who challenges Greek societal norms. In the era that the story takes place; women are often seen in submissive roles. However, the play’s main character, Medea, challenges their customs through her actions against the Kingdom of Corinth and Jason.

In pursuit of greater social status within the Greek community, Jason betrayed Medea “for a royal bed” by marrying Glauce. Medea has a hard time coping in society, as the role of women is very low compared to men. They are forced to become their husband’s possessions in marriage. Once Medea was betrayed, she was left with nothing and forced by Creon “to leave this land and become an exile” as Creon was afraid Medea would “do some irreparable harm to [his] daughter”. Her psychological state

There are also parts in the play where one may begin to have an understanding of Jason’s motives. In Jason’s first argumentative speech to Medea, he claims that money, possessions and social status is of no importance to him. He declares that his choice to marry the royal Glauce is of good intention, not merely because he is bored with Medea’s bed. Later, when Medea begs Jason to forgive her for her foolishness, he shows kindness and understanding towards her. After all that Medea said about him and his new wife-to-be, Glauce, he states that he is still willing to provide Medea and their sons with anything they may need. Medea pleads for Jason to convince Creon to let their sons stay in Corinth and Jason agrees to try to convince both Creon and Glauce to allow the boys to stay. Jason is still compassionate, showing at least some loyalty to Medea and his family. At the very end of the play, after Medea has killed Glauce, Creon and their two sons, Jason admits that she has ‘destroyed’ him. Jason is completely shattered; everything has been ripped away from him. It’s also unfair when Medea refuses to let Jason bury and mourn the bodies of their sons. Some may feel it is impossible to feel no sympathy for him.

Moreover, Euripides incorporates Medea into the relationship to convey the idea that females also possess power in an alliance, but the form of their authority is different compared to that of a male’s. Medea elucidates that even in arduous times, she assists Jason and supports their marriage. In a direct conversation with Jason, she tells him, “…after I’ve done all this to help you, you brute, you betray me…” (27). She explains that although she took care of Jason and supported him whenever he needed her help, he disabuses his power to overpower her and abandon her. Even after Jason abandons Medea, she thinks day and night of him. Medea demonstrates that the power females possess is not physical and totalitarian like the males, but rather is emotional and mental. She tries to keep the family together and in trying to do so, she does whatever Jason asks her to do. She is the important woman behind every successful man. Without her command, Jason would not be the person he is. Therefore, she can destroy Jason whenever she desires with her power. She can be a femme fatale and reduce Jason’s life to rubbles. Similarly, after Medea finds out that she is being cheated on, she quickly creates a malicious plan to obliterate Jason. She assassinates his new wife and his heirs. Although her love is “greater than

Amongst Euripides' most famous plays, Medea went against the audience's expectations at his time. Indeed, the main character of the play is Medea, a strong independent female who neglected moral and . She was therefore in all ways different to how women were perceived in Ancient Greece. This essay will explore how Euripides' controversial characters demonstrate that his views were ahead of his time.

As such, Medea’s homicides and disposal of familial love is a testament of her total submission to Jason in that despite being a seemingly “clever woman” (26), she could be so clever as to being so patently acquiescent to her husband. Medea’s superficial independence evinces her latent yield to man. Once met with her husband’s infidelity, realizing there is no reciprocity, and, as a woman, is “useless for honest purposes” (29), she is then rendered

As the famous Greek playwright Euripides once said: “Stronger than lover's love is lover's hate. Incurable, in each, the wounds they make.” Such ideas are portrayed in one of him most famous plays, Medea. This play is a fascinating classic centered on the Greek goddess Medea. Despite its recent fame, during his time, Euripides was unpopular since he used what would be considered a ‘modern’ view where he would focus on women, slaves and persons from the lower classes. In the play, Medea commits filicide, which initially appears extremely horrendous, but as the audience is guided through the play, they develop sympathy towards Medea. In order to achieve this empathy and enhance the understanding of Medea’s pride and ideals, Euripides

Moreover, Euripides incorporates Medea into the relationship to convey the idea that females also possess a dominant role in the struggle over dominance, but their power form is different compared to males. Medea elucidates that even in the arduous times, she assisted Jason and supported their union. In a direct conversation with Jason, she tells him, “…after I’ve done all this to help you, you brute, you betray me…” (27). She explains that although she took care of Jason and supported him whenever he needed her help, he used his massive quantity of power to overpower her and abandon her. Even after Jason abandons Medea, she thinks day and night of him. Medea demonstrates that the power females possess is not physical and totalitarian like the males, but is emotional and mental. She tries to keep the family together and in trying to do so, she does whatever Jason asks her to do. She is the important woman behind every successful man. Without her command, Jason would not be the person he is. Therefore, she can destroy Jason whenever he desires with her power. She can be a femme fatale and reduce Jason’s life into rubble. Similarly, after Medea finds out she was being cheated on, she quickly creates and evil plan and destroys Jason. She murders his new