Medea is the daughter of king Aeetes of the island Colchis and granddaughter of Helios, the God of Sun. Colchis was an island in the black sea, the Greeks believed that Greece was the centre of civilisation and that they were more superior than others, they also regarded Colchis as an island of barbarians - hence Medea’s barbaric nature.
Due to the intervention of Aphrodite, Medea falls desperately in love with Jason and uses her magic powers to aid Jason in his quest to retrieve the Golden Fleece. Furthermore Medea went to great lengths to ensure that Jason had his hereditary rights by “put(ing) King Pelias to the most horrible of deaths by his own daughters’ hands”. Her love for Jason was so passionate that she “willingly deceived (her)
At the start of the play Medea stands an abandoned woman, the man she loved whom she sacrificed everything for including the lives of her brother and father is leaving her for another woman. We can see Medea’s anger strikes when her greatest desire, but to see Jason suffer. Medea
Once he began manipulating Medea, this made him realize, that he can manipulate anyone he chooses to. After he had captured the Golden Fleece, he abandoned Medea and married the princess of Corinth hoping to stable his wealth and gain more power. He, in turn, manipulated the royal family only to have the consistent power he needed and desired. This had then begun to escalate. Jason is now displaying a pattern of his manipulation. As Jason begins to free himself from his “evil” ex-wife, Jason manipulates the past into a lie and much bigger problem from his side of the story. His dishonesty makes his side of the story more believable and by doing so, his manipulation skills had become more deceivable. Jason is in denial of the many things Medea had done for him and when he told his story, he used omission in order to deceive his listeners. Jason then says, “Dark threats cast out against the majesties/ of Corinth, count as veriest gain thy path of exile.” (27). He then blames Medea and having Creon ban her from Corinth.
For Medea must fall in love with Jason and then she will use her great skill with magic to help Jason acquire the fleece. Because of Hera’s hatred towards Pelias Medea’s life is now destined for extreme agony, shame, and guilt. Her love for Jason causes her to tear away from her loving parents and dishonor her father by helping his enemy. Hera’s plan to avenge Pelias also flood Medea’s head with thoughts to keep her from straying from Hera’s plan. Unfortunately for Medea her decision to help Jason was not her own and was a careful thought out plan by Hera. Her life would never again be the same. Even though Jason promises to love her always and promises that she will be his wedded wife, he breaks this promise as soon as she become old and he is given the opportunity to marry royalty. Medea decisions were not in any way wise but if it were not for the arrows of Eros she would have had better judgment on the stranger. Medea’s behavior in this story shows that of loyalty and confusion in her heart. She is in agony because she can not conceive as to why she feels so much love for a stranger and does not wish to dishonor her father by doing so. But then she is constantly
Moreover, Euripides incorporates Medea into the relationship to convey the idea that females also possess power in an alliance, but the form of their authority is different compared to that of a male’s. Medea elucidates that even in arduous times, she assists Jason and supports their marriage. In a direct conversation with Jason, she tells him, “…after I’ve done all this to help you, you brute, you betray me…” (27). She explains that although she took care of Jason and supported him whenever he needed her help, he disabuses his power to overpower her and abandon her. Even after Jason abandons Medea, she thinks day and night of him. Medea demonstrates that the power females possess is not physical and totalitarian like the males, but rather is emotional and mental. She tries to keep the family together and in trying to do so, she does whatever Jason asks her to do. She is the important woman behind every successful man. Without her command, Jason would not be the person he is. Therefore, she can destroy Jason whenever she desires with her power. She can be a femme fatale and reduce Jason’s life to rubbles. Similarly, after Medea finds out that she is being cheated on, she quickly creates a malicious plan to obliterate Jason. She assassinates his new wife and his heirs. Although her love is “greater than
Soon after this, Medea is able to manipulate Creon as well. When Creon banishes her, she tells him of her great concern for her children and eventually convinces him to allow her to stay in Corinth for one more day. This allows Medea to continue with her plan to take out revenge on Jason. Medea acts and speaks like a Homeric Greek warrior, but tricks Jason by acting submissively like the ideal Greek woman Jason wished her to be. Medea approaches Jason with gifts for his new wife, apologizes, and tells him that she realized he was right. This move allowed Medea to remove all skepticism from Jason's mind, and he willingly took the poisoned dress to his bride. In the course of a few hours, Medea's ultimate manipulation skills enable her to exploit four individuals who are crucial to her murder plot.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth.
There are also parts in the play where one may begin to have an understanding of Jason’s motives. In Jason’s first argumentative speech to Medea, he claims that money, possessions and social status is of no importance to him. He declares that his choice to marry the royal Glauce is of good intention, not merely because he is bored with Medea’s bed. Later, when Medea begs Jason to forgive her for her foolishness, he shows kindness and understanding towards her. After all that Medea said about him and his new wife-to-be, Glauce, he states that he is still willing to provide Medea and their sons with anything they may need. Medea pleads for Jason to convince Creon to let their sons stay in Corinth and Jason agrees to try to convince both Creon and Glauce to allow the boys to stay. Jason is still compassionate, showing at least some loyalty to Medea and his family. At the very end of the play, after Medea has killed Glauce, Creon and their two sons, Jason admits that she has ‘destroyed’ him. Jason is completely shattered; everything has been ripped away from him. It’s also unfair when Medea refuses to let Jason bury and mourn the bodies of their sons. Some may feel it is impossible to feel no sympathy for him.
However, no one in the play except the Nurse thinks for a second that Medea could bring herself to murder her children. Medea even has an internal debate over whether she could bring herself to commit such a crime, showing once again that she is not completely in control of her emotions. In the end, she decides to go through with it rather than leave them “to the mockery of my enemies” (78). In the end, Medea appears in the sky in “a chariot drawn by dragons” (84). She has already killed the boys and she attributes their death to Jason’s “weakness” (86) and his “lustful heart and new marriage” (86). The play ends with Medea disappearing from view with the children.
She helped him in every way possible in his quest for the Golden Fleece, “Her heart on fire with passionate love for Jason... But now there’s hatred everywhere. Love is diseased.” (1) However, in a tragedy, the hero is supposed to make a single mistake which ultimately leads to their downfall. In this case, Medea is not a heroic character as she is a sorceress, murders her brother, and her own children. The hamartia is intended to bring down a character of high morality, but Medea can be viewed as a wholly evil character who is not guided by any moral principles. She is also manipulative and deceptive in the way that she treats the men around her, Creon, Aegeus, and Jason, while involving them in her plan for revenge. Euripides has shown this aspect of her personality through lines such as “Do you think that I would have fawned on that man unless I had some end to gain or profit in it?” (12) and “by a trick I may kill the king’s daughter” (25)
Moreover, Euripides incorporates Medea into the relationship to convey the idea that females also possess a dominant role in the struggle over dominance, but their power form is different compared to males. Medea elucidates that even in the arduous times, she assisted Jason and supported their union. In a direct conversation with Jason, she tells him, “…after I’ve done all this to help you, you brute, you betray me…” (27). She explains that although she took care of Jason and supported him whenever he needed her help, he used his massive quantity of power to overpower her and abandon her. Even after Jason abandons Medea, she thinks day and night of him. Medea demonstrates that the power females possess is not physical and totalitarian like the males, but is emotional and mental. She tries to keep the family together and in trying to do so, she does whatever Jason asks her to do. She is the important woman behind every successful man. Without her command, Jason would not be the person he is. Therefore, she can destroy Jason whenever he desires with her power. She can be a femme fatale and reduce Jason’s life into rubble. Similarly, after Medea finds out she was being cheated on, she quickly creates and evil plan and destroys Jason. She murders his new
In addition to providing for his children, Jason also does complete the role of the protector. When Medea goes on her serial killing spree, Jason only knows that she has killed his new wife. Thus, Jason immediately thinks of his children and arrive as the palace “so [that he may] save the lives / Of [his] boys, in case the royal house should harm them / While taking vengeance for their mother’s wicked deed” (Euripides 391). He knows that the royal family of Corinth might see his sons and want to kill them because they are related to Medea; therefore, Jason wishes to whisk them away to safety before he loses them as well. However, he soon discovers Medea has also killed their sons, and he is absolutely stricken with grief. He mourns for “the boys whom [he] begot and brought up” and questions Medea on how she could have stomached such an unforgivable and sordid deed (Euripides 391). After many accusations from Medea, Jason then begs to see the sons’ dead bodies so that he may burry and mourn them, but Medea “prevents [him] from / Touching their bodies or giving them burial” (Euripides 393). Jason, left without a chance to mourn for the loss of his children, leaves Medea as she blames him for the deaths of their children.
When Medea’s husband, Jason, plans to marry Glauce, a daughter of King Creon, for wealth and power over the kingdom, Medea becomes angry with Jason for breaking their vows of eternal love. She decides the best way to hurt Jason was by murdering his bride-to-be and their own two children.
Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she
From the beginning of the play the conflict between good and bad where Medea and Jason are concerned has been ambiguous. Both characters have done terrible things in order to attain what they want. Nothing could stand in the way of them including Medea’s father, whom Medea betrayed and to pile on the grieve she kills her brother and drops parts of him into the sea so as to delay her father thereby ensuring that Jason and his Argonauts could fulfil their quest to attain the Golden Fleece. When Jason betrays Medea and walks away from their marriage we immediately identify him as the villain, yet the reader fails to understand that during that time when this play was written it was still socially acceptable for the man to walk away from his marriage provided he gives back the dowry he attained from the wife’s father. In this case Medea did not bring any such items so it was even easier for him to leave her so as to empower himself. It was Medea’s role as a woman belonging to that age to accept Jason’s decision however she feels betrayed that he would break a vow made in front of the gods, and apparently she was not a regular woman even by the standards of that time as she had an intellect that could rival that of scholarly men. So to exact her revenge she destroys everything Jason loves leaving him to regret ever betraying the marriage.
In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways. One of the things she does to help their cause is bring