Why Is Media Piracy Good Or Bad

Piracy has become a major issue in the United States. For every motion picture that has been featured in theaters also has been pirated onto the Internet the next day, and for every new musical album that is released, yet there is a free torrent file of the album within the same hour. Even though these online pirates steal music and movies from other companies and make a drastic profit, yet these “rogue” websites receive 53 billions visits a year from across the globe according to Creative America. The persistence of the thieves that break copyright laws of the productions has lead the entertainment business to place a definitive complaint to the U.S. government of the constant notion of piracy. While the notion of piracy was not left

The Internet has transformed the music industry. Sales of CDs in retail music stores have been declining while sales of songs downloaded through the Internet to iPods and other portable music players are skyrocketing.

There are many forms of digital content. All of them can be stolen and this is illegal as is any other form of stealing. Digital piracy is the sharing and downloading digital content illegally. The problem with digital piracy has been around for over 20 years, however due to many factors such as the recession and the increasing development of technology the problem is becoming increasing difficult to manage (QUIGLEY, 2008). However the ability to buy the content online has boosted the profit for many creators of digital content.

How does download a song illegally, sharing it amongst friend affect an artist who is worth millions. Take for example, if one download a song from an album, instead of purchasing the album, how will this affect the millionaire star? It makes sense to not have to pay for something that is in the public’s grasp anyway through the gateway that is the internet. The issue is not that it affects the artist dramatically, but can negatively influence the songwriter’s astronomically. The one song in particular being downloaded, isn’t reason enough for a songwriter to complain, but it is the fact that every song is being downloaded for free, where songwriters start seeing the negative effects on their incomes. Phil Galdston, a current songwriter, writes “Internet Piracy Harms Artist” in order to show the public how music piracy is negatively influencing the songwriters dramatically. Galdston’s argument, strives because it is backed by claims, appeals, a concession, and a refutation, in order to display to the public how the effects of piracy are affecting him, and makes a suggestion that the issue must be addressed.

Australia has begun to stand in favor of censorship by banning such things. Though Australia's efforts seem noble, they're so fundamentally flawed, it only increases the negative effect on the distribution of this malicious medium. The Electronic Frontier Foundation expounds on how this primarily valid idea is poorly constructed and will further increase the adverse consequences of this time of illicit dissemination: ".. filtering does little to curb the trade of child pornography, much of which is traded across peer to peer networks and VPNs" (EFF, 3). This same concept can be applied to piracy. Piracy is prevalent on the Internet, but by forcing regulations, people will only become more devious, and the effects of this will become more widespread. Furthermore, it can be argued that piracy helps small musicians and film studios gain recognition. David Blackburn, a PhD graduate of Harvard in economics did an extensive study on the projected amount of albums sold by indie artists in correlation to their piracy rate. Blackburn discovered that albums with a higher piracy rate sold more albums than those that didn't (Blackburn 21). Furthermore, artists that were not previously pirated resulted in up to a 10% sales increase when their content started being distributed illicitly (33). There is no

Singer argues that if legislation stopping piracy does not happen "most creative people will need to earn a living doing something else, and we will all be the losers." He’s assuming that without legislation, publishers/artists/authors etc. will continue to lose money from pirating of their works but he has no real proof that this is true.

Though it doesn 't receive as much attention in terms of media attention and public discourse as it earlier in the 2000s, the issue of copyrighted music and its illegal consumption over the internet still continues to be a major issue. With the advent of the internet, digital music, and mp3 players, one of the drawbacks for many of those in the music industry was the subsequent increase in pirated music that occurred. As illegal torrent sites appeared, such as Napster and Limewire, people were discovering that they could now download for free what they once paid for. Of course, as a direct result, music companies and artists both saw a significant decrease in sales in terms of the physical medium, with CD sales beginning to show sharp declines. In fact, this had a carryover effects of also closing down many of the mom and pop record stores that existed, since they did not have the financial means to withstand a restructuring process. Major chain stores were also not immune to the decline sales, as some once-prominent stores, such as the Virgin Megastore and the Wall, had to close down. Once Apple Inc. released its iPod and created the iTunes Store, the music industry was finally beginning to adapt itself to the digital realm, as Apple began signing agreements with most of the major music labels to release their songs on a digital platform as well. With songs being available individually for just $0.99 cents and whole albums able to be purchased, people now had a legal

What an average person probably would not understand is that watching an illegal movie is not just some simple thing. The film industry, or the movie making business, supports well over 2.5 million of the world´s jobs. Which goes to say, the film industry holds a huge part of the nation´s economy. The sale of movies and their proceeds leads to taxable revenue, taxable revenue that goes towards new roads, wages, development of advanced neighborhoods, schools, and bridges. The supporting action of those not creating the illegal films, are also affecting the economy. Basically, stealing from the filmmakers by purchasing illegal copies of their movies. Instead of paying the filmmaker for their movie, so they can then pay their studio and they can in return pay their actors, producers, crew, crew help, and more. The production of illegal copies of movies are one thing. The support of these productions is an entirely different action, but yields a similar result. A knock in the worlds money flow system, pay the creator, so the creator can pay the staff and the people watching can continue to pay to watch. When that system is affected, those getting paid to continue the production of these films, might not be able to be paid the same, or some of them might not

Since the iTunes music store was introduced on April 28, 2003, gross music sales have plummeted in the United States - from $11.8 billion in 2003 to $7.1 billion in 2012, according to the Recording Industry Association of America (Covert). Counterintuitively, during that time consumers were buying more music than ever. How is that possible? It 's because iTunes had made digital singles popular and was selling them cheap. This would change the music industry forever. In 2000, Americans bought 943 million CD albums (Covert), and digital sales didn’t even make a dent in comparison. But by 2007, those inexpensive singles overtook CDs by a wide margin, generating 819 million sales compared to just 500 million for the CD.

Online piracy is commonly referred to as a threat to businesses in the creative industries. The WTO Agreement on Trade-related Aspects of Intellectual Property Rights (a.k.a. “the TRIPS” agreement) defines piracy as:

We all know that downloading pirated music and films is illegal, but what exactly is it? The term piracy refers to the copying and selling of music, films and other media illegally; in other words you are copying and selling copyrighted media without the permission of the original owner (NiDirect, n.d.). With the massive growth of the internet and its ability to store and capture vast amounts of data, we have become much more reliable on information systems in all aspects of life, but it does not come without the risk of information technology being used unethically. With the number of IT breakthroughs in recent years “the importance of ethics and human values has been underemphasised” often resulting in various consequences. Not surprisingly one of the many public concerns about the ethical use of IT is that “millions of people have downloaded music and movies at no charge and in apparent violation of copyright laws at tremendous expense to the owners of those copyrights” (Reynolds, Ethics in Information Technology, 2015). This essay covers the ethical issues of downloading pirated music and films and the impact it has on music corporations and recording and film companies.

Over the last decade, sellers of digital products have actively fought the availability of pirated copies of their products. Nevertheless, digital piracy rates are still high and increasing in many markets, despite a continuous increase in the availability and sophistication of copy protection and digital rights management technologies. It 's a problem that many businesses, specifically entertainment industries, have a problem with. Although a relatively new problem to the business world, cases against digital pirates and websites supplying torrents, a file that is constantly moving across a large network. In order to download the file, the downloading file segments must at the same time be uploaded to other users requesting the file.

The rise of the Internet era opened the whole new market for traditional media full of opportunities as well as threats. Online piracy being one of them because the music and film industry loses £5.4bn in a year and if it was reduced by 10% it could have created up to 13 thousand jobs in the UK. There are various attempts taken to fight with online piracy; a case study of Anti-Counterfeiting Trade Agreement will be considered as well as other legislations attempting to regulate copyrights in the Internet. This

This research project was inspired by continuous media coverage on the rise of digital piracy in Australia, the creation of new legislation related to piracy, in addition to the losses of local film creators and the familiarity of digital piracy within my peers. As a result of my research, I discovered that digital piracy has become common in response to delayed releases and high prices exclusive to Australia, and piracy has severe economic consequences for the film industry. My outcome is in the format of a formal report, following the structure of government reports, explaining the motives and consequences of digital piracy while providing evidence answering my question. My key findings conclude that digital piracy is

In recent years, internet piracy or "file sharing" of copyrighted material has gained much popularity. It has been the recent advances in our technology that has made it main stream in the eyes of the general public. “Film makers, record companies, and many other entertainment industries suffer from billions of dollars in lost profits every year… this loss comes as a direct result of internet piracy” (Cherry 1). There is rising debate on the issue of file sharing as an unethical crime. Many consider it to be no different than downright theft. But are internet pirates being looked upon like criminals? For years, American authorities have made numerous attempts to stop piracy in its tracks. However, many court cases involving software theft have shown that not all pirates are being punished equally. With piracy becoming a rising issue between American authorities, it