Media 's Influence On The Film ' Maus II '

To be engaged in war is to be engaged in an armed conflict. Death is an all too ordinary product of war. It is an unsolicited reward for many soldiers that are fighting for their country’s own fictitious freedom. For some of these men, the battlefield is a glimpse into hell, and for others, it is a means to heaven. Many people worry about what happens during war and what will become of their loved ones while they’re fighting, but few realize what happens to those soldiers once they come home. The short stories "Soldier's Home” by Ernest Hemingway and "Speaking of Courage” by Tim O'Brien explore the thematic after effects of war and how it impacts a young person's life. Young people who

The thought of going to war excites many young men that have not experienced or have been a part of one. Individuals want to find a way out of the routine, mundane lifestyle that plagues many suburban households. People that just want some excitement enlist in a military branch that will not benefit them or anyone for that matter. In Philip Caputo’s book titled A Rumor of War, the true side of how war demolishes the human spirit is shown. His nonfiction novel captures the nasty side to war. Philip informs us how the mentality of a young man can change with the constant thought of death and fear as a daily ritual. Men do not think about death occurring to them at a young age. This changes when death is surrounding them on a daily basis during wartime. Caputo intended to inform the young public about the horrible nature of war. Mistakes are doomed to repeat themselves if people are not well informed and Caputo is trying to avoid future mistakes. Death surrounded him and many of his comrades during the Vietnam War. When the life of anyone is on the line, one tends to do drastic and sometimes unthinkable things to cope with the fear of death.

There are two types of people that fight in wars; those who consider their patriotic duty an honor and those who entered the war by force. In 1990, twenty years after returning from the Vietnam War, Tim O’Brien published The Things They Carried, a disturbing and remorseful collection of short stories that gives detailed, yet fictional, accounts of the horrific events that occurred during the war. Later in 2012, after his tour of duty, Chris Kyle released American Sniper, a humble and passionate memoir that describes what Kyle had to face during his tour. While The Things They Carried utilizes symbolism and similes to inform the reader about the horrors of war, American Sniper uses flashbacks and imagery to demonstrate that some people “come alive” during the war.

From the earliest times, war has existed as a painful reality. Stories are passed down from generation to generation about brave men fighting epic battles in ancient civilizations. Occasionally a different type of legend emerges: the homefront hero. Leaders in Ancient Greece and Rome are documented preventing panic and raising supplies for their distant armies. From then on through history, those left behind, from the leaders of countries tested in resolve and commitment by wars to the ordinary citizens who rise above their routines to serve their countries, are powerful forces behind victories. World War II was no exception. While the soldiers abroad were undoubtedly true heroes of the war, the parents, siblings, and children they left behind also assisted in the war effort. No one remained truly unaffected by the war. Without the labors of women, the efforts of schoolchildren, and the institution of rationing, World War II could not have been won.

Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.

Beginning my love of reading an early age, I was never the type of child who was drawn to fictional stories. As an 8 year-old child in West Virginia, I was recognized by the local library for my love of biographies, autobiographies and recollections of world events. This love has continued throughout my adult life, desiring to read novels such as “We Were Soldiers Once…and Young” by Lt. Gen. Harold G. Moore rather than watch the major motion picture “We Were Soldiers” starring Mel Gibson. Even though the motion picture received multiple awards, when reading the recollection of Mr. Moore’s accounts, the feeling of loss, distress, anxiety and fear can be felt in each word that he has written while reliving this horrendous war.

Even though the soldiers join the war as naive youths, the war rapidly changes them and they develop into young men. Surrounded by death, the boys are bound to foresee the fragility of their own lives and are stripped of the carelessness and brazenness of youth. The dreadful horrors around the boys bound them to consider a world that does not accommodate to their childish and simplistic view. They want to only see a separation between what is right and what is wrong, they instead find moral doubt. Where they had wanted to see order and meaning, they only found senselessness and disorder. Where they wanted to find heroism, they only found the selfish instinct of self-preservation. These realizations destroyed the innocence of the boys, maturing and thrusting them into their manhood.

The Spiegelman family and their comrades were trying to be compassionate and help someone that they identified with, someone who, through a shared desperate situation (or so they thought) they tried to befriend. Unfortunately, he was so quick to turn his back on the people who had treated him so kindly.

Not every man who 's fought in a war planned on doing so. In fact, not all of them even want to. It 's rare to find enough people voluntarily willing to lay down their lives for their country, so more often than not militaries used what we would call “citizen soldiers.” Citizen soldiers are exactly what they sound like, regular citizens taken from society and turned into people capable of serving in the military. Although it may seem obvious when plainly written out, citizen soldiers had vastly different experiences compared to career soldiers, and Stephen Ambrose attempted to pin down that specific experience in his book Citizen Soldier. Ambrose uses oral interviews from World War II veterans and other materials to explain the experiences of the common American soldier who served in WWII between D-Day and the eventual surrender of the German forces. However, when examining his book, it 's important to ask how successful Ambrose was in painting an accurate picture of this kind of soldier 's life during his service. Is the information he uses specific to the men who served in Europe, or can it also be linked back to the soldiers in the Pacific? This paper will evaluate his work by comparing it to oral interviews from WWII veterans both from the same areas that Ambrose 's veterans serve in and in locations not included in his work.

was not the truth. This book showed the harsh reality of war that most people

Since the beginning of time, humans have sought after power and control. It is human instinct to desire to be the undisputed champion, but when does it become a problem? Warfare has been practiced throughout civilization as a way to justify power. Though the orders come directly from one man, thousands of men and women pay the ultimate sacrifice. In Randall Jerrell’s “The Death of a Ball Turret Gunner”, Jarrell is commenting on the brutality of warfare. Not only does Jarrell address the tragedies of war, he also blames politics, war leaders, and the soldier’s acknowledgement of his duties. (Hill 6) With only five lines of text, his poems allows the reader to understand what a soldier can go through. With the use of Jerrell’s poem, The Vietnam War, and Brian Turner’s “Ameriki Jundee”, the truth of combat will be revealed.

Deceased philosopher Bertrand Russell once said, “War does not determine who is right- only who is left”. Those left are the soldiers of the 1-502nd, specifically Bravo Company 1st plt, and the Janabi family and to a greater extent, the ever-changing global world we all live in today. The tragic events that conspired in a small Iraqi village became a microcosm of how leadership failures at every level shaped the actions of a few soldiers who committed atrocious acts. One can also see how a high operational tempo, along with prolonged violence and death, has on a person’s psyche. It is the ugly side of war that the average American citizen may not want to hear or talk about. For a soldier, it is inevitably what they train their

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.

This is a different sort of Pressfield book. Unlike the historical fiction genre in which he’s written such best-sellers as “Gates of Fire,” “The Afghan Campaign, and “The Profession,” “The Warrior Ethos” is the culmination of years of discussions Pressfield’s been having with Marines and others who were taken with the blend of courage-under-fire and humanity shown by Leonidas, Dienekes, Matthais, Gent, and the other characters in his books. “I wanted to give something back to our men and women fighting overseas,” Pressfield told Gazette, so I put together the best anecdotes and stories from all my research about the Spartans, Alexander's Macedonians, the Romans, and Rommel.”

Owen’s description of adolescent male soldiers being doomed augments his interpretation of young soldiers being extremely at risk within combat. ‘Doomed’ is a word that carries the effect and imagery of these young men being sent to their doom by propagandists and recruiters, and becoming denied of the remembrance they deserve as they lose their lives to the ruins of war.