Medieval Period : The Middle Ages

The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling,

Changes are an important part of history, and a natural part of life. In the case of geography throughout history, the world has made many changes to its borders and who has grievances with one another. From the High Middle Ages of olden Europe, to the twentieth century, change has occurred. These changes have unified and broken ties between countries and regions time and time again throughout history. There are many forces that push toward and against unity throughout time. The world map became what is today because of both unity and division marking change in the past.

Set in a 15th century England with rampant social and political significance, William Shakespeare’s play 1 Henry IV exhibits the existence of two juxtaposing worlds; the physical and the timeless. Qualities of the physical world are encompassed by the cunning Sir John Falstaff (Falstaff), whom upholds ideologies of humanism and Machiavellianism, demonstrating to the society that these intrapersonal concepts are useful in the preservation of one’s life. Falstaff also rejects the providential world of timeless honour and Kingship, believing that this perceptual world is not real, and instead, believes that that physical qualities of

Roles are played depending on the audience set before the actor, who must decide the characteristics they want to portray. These societal roles are often manipulated in a manner by which the actor feels as though they have control towards an end goal they wish to achieve. However, the roles are not always met in the way expected and the traits in the role an individual plays results in either personal destruction or salvation. In Shakespeare’s Henry IV, the importance of role portrayal and facades is essential for Prince Henry/Hal, King Henry and Falstaff because not only does it set their images in the public perception, but it allows the reader to see a glimpse into the true mind of the character.

In I Henry IV and II Henry IV, William Shakespeare brings together drama and comedy to create two of the most compelling history plays ever written. Many of Shakespeare's other works are nearly absolute in their adherence to either the comic or tragic traditions, but in the two Henry IV plays Shakespeare combines comedy and drama in ways that seem to bring a certain realism to his characters, and thus the plays. The present essay is an examination of the various and significant effects that Shakespeare's comedic scenes have on I Henry IV and II Henry IV. The Diversity of Society

Hal and Hotspur are the two most compared characters in Shakespeare’s King Henry IV: Part 1 because of the many similarities and differences that are portrayed by Shakespeare. The audience is presented with many aspects about each character very early on in the play, and it is then that they create expectations which can either be confirmed or contradicted as the play goes on. Shakespeare usually portrays a character through the use of literary and dramatic techniques throughout his work, either subtle or obvious. In this particular text, he has used a range of textual techniques to portray the characteristic of arrogance shared by both, portray Hotspur’s great honour, as well as Hal’s notable dishonour, and the ways that the two contrast.

In Henry IV Part I, Shakespeare presents a collection of traditional heroes. Hotspur’s laudable valor, King Henry’s militaristic reign, and Hal’s princely transformation echo the socially extolled values of the Elizabethean male. Molding themselves after societal standards, these flat characters contrast Sir John Falstaff’s round, spirited personality. Through Falstaff’s unorthodox behavior and flagrant disregard for cultural traditions, Shakespeare advocates one’s personal values above society’s.

King Henry V is one of the greatest kings that ever ruled England and was a favorite among his people. One of the reasons behind this is the presence of two men in his life; his father, King Henry IV, and Sir John Falstaff, his lowlife friend and bar companion. Both men represent two opposite father - figures to the young prince. It is the Prince’s ability to take and acquire the best traits in each that makes him surpass both of them and become great. Prince Hal’s relationship with both men is one of conflict. On one hand, his relationship with his father is tumultuous, while on the other his relationship with Falstaff is confusing.

The Christian religions rise to supremacy in the middle ages was the result of several factors. Christians had long been persecuted by the Roman Empire because the Romans felt that Christianity challenged and offended the Greco-Roman Gods and the Christians were prone to revolt against Roman rule. Christianity survived because it had many teachings that appealed to the downtrodden in Roman society, these teachings being that even though they were suffering they would gain equality and possibly superiority in the next life, Christianity gave them hope.

In Shakespeare’s Henry IV Part 2, the brilliant playwright introduces us to several complex and intricate themes, clever language, and a fascinating cast of multifaceted characters, including the thief Jack Falstaff, who may be as wise as his belly is big, and the young Prince Hal, who conceals his shrewd mind and physical prowess beneath a soiled reputation for “unthrifty” behavior. Perhaps the most dynamic character of the play is Hotspur, or Henry Percy, the idealistic rebel warrior, and Hal’s rival for power, glory, and the throne. Although the public perceives him to be just an intense, hotheaded he-man, Hotspur actually has many different dimensions to his personality. Hotspur shows,

One may ask, “What could have gone so wrong in their relationship to cause Falstaff’s close friend to abandon him?” There are many speculations to the cause, including, but not limited to, the idea stemming from Prince Hal’s soliloquy in 1 Henry IV, 1.2.173-195, that in order for others to see or believe his best, they must first see his worst. Prince Hal’s treatment of Falstaff leads one to question their relationship, introduced in 1 Henry IV. In this relationship one finds the notion that Prince Hal used Falstaff as a proxy father. The analysis of this concept will be based on textual scenes from The Norton Shakespeare and Orson Welles’ film, Falstaff Chimes at Midnight.

Foremost among the characters William Shakespeare develops in his series of historical plays is, undoubtedly, the character of Henry V. Henry, also at times referred to as Harry or Hal, develops through the course of four plays: Richard II, I Henry IV, II Henry IV, and Henry V. From the brief mention of Henry in Richard II to the full focus upon him in Henry V, a dramatic change clearly takes place: the playful carousing youth portrayed in the first play develops into a King and conqueror by the conclusion of the final play. In order to truly examine his development however, one must examine the growth and eventual fusion of two undeniable separate characters: the prince Henry, and the youth Hal.

The Middle Ages, often referred to as the Dark Ages, was regarded to be a time of despair, disease, and death. Just as the name the “Dark Ages” suggests, this period of European history seemed to be surrounded by darkness and hopelessness. Unfortunately, the majority of people only see this side of the Middle Ages when, in fact, the Middle Ages was a much more important era. Especially during the late Middle Ages, one can find a change in orthodox social structure, political instability mostly concerned with succession to the throne, and economic changes and how those changes went hand in hand with the change in society. After certain demographical changes and turning points such as the Hundred Years’ War, Europe began to transform

A set point in the historical time line stands as the medieval period. The medieval period in history was the era in European history – from around the 5th to the 15th century, coming after the fall of the Western Roman Empire, and preceding the start of the early modern era. This historical time period has been long since been the victim of film directors and romantic novelists, which has lead to the common, but false, idea of the medieval period consisting of knights and damsels in distress, wizards and dragons, and castles and battles. Although mainly wrong in most parts and being highly historically inaccurate – some aspects of the dramatic works do play true to the original time period.

Shakespeare deals with a parent-child relationship in the historical plays of Henry IV Parts One and Two in the characters of Henry Bullingsworth (Henry IV) and his son Hal (Prince of Wales, later Henry V). The fact stands clear in the development of the son, Hal: the son's success in life is not dependent on his relationship to his father politically, but success is demonstrated when there is a realization of both parties on the level of parental love. Hal is not living up to his name, but also to blame in his father's failure to love. Our discussion is based solely on the text itself, based primarily on three main dialogues between Hal and his father.