Medusa Research Paper

In 1903, British archaeologist Arthur Evans found the faïence figurine, which is known as, “The Snake Goddess,” in Minoan archaeological sites in Crete. The faïence figurine was made between 1600-1580 BCE and the creator remains unknown. What is the meaning of the “The Snake Goddess?” That question is the exact reason why I chose for this artwork to be my topic. This artwork has many theories behind it and I want to go into depth and view all the theories about this faïence figurine. My interpretation of “The Snake Goddess” is that it represents the renewal of life and the empowerment of women.

In the beginning there was nothing. But soon everything appeared. Trees, mountains, and kingdoms with their kin. Over a long period of time 5 kingdoms appeared. Out of these kingdoms only 2 exist today.

Painted by a Naples painter in 420 BC, the Terracotta Lebes Gamikos is an intricately painted vase that depicts the preparations of a wedding. Attributed to Attic during the Greek classical period, it is now found in a gallery at the Metropolitan Museum of Art. This terra-cotta vase emphasizes the role of women in Greek society through the illustrations depicting the actions of women as they prepare for a wedding, highlighting their role in the oikos. At a first glance, the illustrations between the register capture all audience’s attention. Although there are geometric patterns lining the top and bottom of the central illustrations, they hold no comparison to the intricate detail placed in the central image on the vase.

Nike of Samothrace is a sculpture from 190 BCE, first found on Samothrace, a Greek island, in 1863. This statue is a female figure with wings, wearing a flowing gown. It’s said to represent Nike, the Greek Goddess of Victory, and her winning in battle. It shows various elements of the Hellenistic period, such as the use of space and dimension. The Snake Goddess is a 1600 BCE figurine found in 1903, in Knossos, Crete by the British archaeologist Arthur Evans. It’s made of Faience, a glass-like material, and it shows a large breasted women whose holding two snakes on each of her hands supporting a feline-like figure on her head, and it’s wearing what seems to be a long layered skirt with a metal looking accessory or girdle on her waist. The biggest similarity between these two sculptures is that both represent femininity through this new sensual female form as well as strength, and both sculptures are

An example of perfectly malleable woman is The Lady with the Primroses, a marble statue attributed to Andrea del Verrochio and kept in the Museo Nazionale del Bargello in Florence (Fig. 2).1 Quite unusually for a Quattrocento bust, the statue represents an anonymous young woman from the head to the navel, and it is about sixty centimeters high (explain why it is unusual). By being presented with an entire life-sized torso, the viewer would have been particularly struck by the life-like qualities of the statue, which, if skillfully displayed, would have emanated a real presence. The woman's round face and youthful look give her a chaste appearance, heightened by the whiteness of the marble and the posy of primroses, which are usually white, that she holds close to her chest, which evoke virtue and virginity.

The Metropolitan Museum of Art or The Met, for short, can be described as a place of extraordinary value to the study of the fine arts. The Met was established in order to encourage the study, application, and practice of the fine arts. As a result, numerous professors advise their students to visit The Met. Thus, it is for this reason on the 18th of March that my brother and I traveled to the museum with the purpose to analyze artwork from the Italian Renaissance, especially those that were created in the fifteenth and sixteenth centuries. Upon obtaining entry to the Metropolitan Museum of Art, I was intrigued by the vast amounts of artwork present before me and immediately began bask in the beauty of the sculptures, paintings, and sarcophaguses.

What happens when the government that promised to protect you oppresses you instead? The king who forces death onto his own people. The officials that represent the people use them as tools instead. I’m here to tell you that there is no other solution other than to purge that kind of government. There is no hope for reform once corruption has enveloped the core of what made the country strong.

(Ancientgreece) As college students it is our duty that we understand this sculpture and what a perfect depiction of Classical art it is. Artist of the Classical period worked hard to represent the anatomy of humans realistically. “It was the first time that

It is, of course, impossible to consider this helmet without discussing the detailed surface. All the other details — the simple, curved shape, the single, shiny sheet of steel, the riff on the classic burgonet — are in service of the carefully constructed surface design. Ancient Roman creatures and myths commingle to create a harmonious design which flows together with the overall shape. At the center of it all is a lounging siren, forming the crest. Her body travels the entire helmet, reaching down to the visor, where it is revealed that she is holding a severed head. Considering that this head has hair made of snakes (and the fact that it is severed at all) suggests this to be the head of Medusa. Evil and transfixing, it stares out at the viewer from the front.

Seated Nude is a terracotta sculpture on a black marble base. Housed at the Museum of Modern art it stands 6” long 8 1/8” tall and 3 ½” wide. The piece features a woman seated on a ground with her right arm extended back propping her up. Her other arm is bent and behind her head. The left leg is bent in an inverted “V” with her foot on the ground. The right leg is bent lying flat on the ground and going in-between the “V” of her other leg. Her face, hair, hands, and feet are not heavily detailed; however her features are clearly defined. The hair is pulled back with rounded hair in a circle around her head,

Hi Merysa! I also grew up in a very religious family. My father is retired from the army and now is a minister, and my grandfather and great grandfather were also ministers. I was taught many of the same ideologies that you discussed in your post. It was not until I was older that I began to challenge their beliefs and question their validity. Now that I am a mother myself, I try to teach my daughter pretty much the exact opposite of what I was taught. I try to teach my son and daughter that both girls and boys are responsible for themselves and that women should never be held responsible for the negative actions of men.

At Santa Sabina, we have links to many church agencies. We have links with Caritas. Every Lent we do activities and fundraisers to raise money for Caritas. Caritas is an international network of 165 Catholic relief, development and social service organisations, together they working towards building a better future for the poorest of the poor in over 200 countries and territories. They create programs for people in developing countries, to help people and families have a brighter future. Every Christmas we bring in can food for a charity. Each stage brings in food for a different charity. Middle years also does a service learning task. This can be doing a donation drive for a charity, volunteering somewhere or donating to something. Last year

My selection is over a dispute that is happening between the Sadducees and the Pharisees on the issue of false witnesses, those who had given false testimony, and when they should be executed. The decision comes down to two choices whether should be executed after the trial or after the accused had been executed. The Sadducees are arguing that the perjured witnesses should only be executed if they successfully get the person they accused executed. It is the official action of execution that should be the reason for the execution of the witnesses not just the intent and premeditated false testimony. The Sadducees arguing this position based on the verse, in the Torah, that states a “life for life” which essentially meant for the Sadducees that

Miliaria pustulosa: It is characterized by presence of pustules that occur due to inflammation, injury or bacterial infection.

The figure "Head from a Herm" is accepted to be portrayed from the Greek god, Hermes. The head is likewise accepted to have originate from some kind of a Greek sphinx. The face structure of this figure is exceptionally characterized. The figure has hair, which is by all accounts the style of that time period. The way the