Medusa by Carol Ann Duffy The poem Medusa explores the theme of jealousy and anger; the poet illustrates this using the extended metaphor of a Greek mythological creature Medusa, whose story describes her as a beautiful maiden that is turned into a hideous creature after being raped by Poseidon. The poet furthermore links this metaphor to the theme of feminism when she describes the women in the poem overpowering the man that hurt her. The language in this poem is quite harsh, emphasising the
Duchess’ and Carol Ann Duffy’s ‘Medusa.’ Jealous love forms a central concern of the poets, with each one focusing on different aspects, which the reader may come to identify the poems as exploring the intensity of human emotion. The themes of both poems show the complete mental consumption of the voice’s. Their pre-dominative behaviour appears to emerge from perverted good values. The paranoid voice of a woman, angered with her supposed cheating husband runs throughout the duration of ‘Medusa,’ seeming
"the Devils Wife" is a poem written by Carol Ann Duffy. The poem is written in first person, past tense narrative, The poem is a dramatic monologue from Myra Hindly's perspective of life in prison. the poem details Myra hindlys reflection on the crimes committed along with ian brady, known as the moors murders. Through the use of poetic techniques such as word choice, structure and imagery, Carol Ann Duffy creates a sinister atmosphere, the sinister atmosphere changes as the poem progresses and also
form this is shown through the poem not having one pure form. Carol Ann Duffy uses Medusa as a metaphor for pain, isolation and jealousy. This portrays love doesn 't always bring happiness it also portrays what hate and jealousy can do to a person. This poem is dramatic monologue from the point of view of a jealous wife. Carol Ann Duffy, tampers with the form making it fractured emphasising the brokenness of Medusa 's heart and mentality. I believe that this is written in free verse to
Discuss the ways in which the poets present character and voice in; ‘Medusa’ and ‘Les Grands Seigneurs’ The two poems; ‘Medusa’ and ‘Les Grands Seigneurs’ (LGS) have their similarities and differences. The most obvious being both speakers are women and how they subdue men. However, the most apparent difference is the way both poets present character, with ‘Medusa’ and her jealousy and mistrust towards her partner; ‘…a doubt, a jealously’. The standards of a woman are lowered; she is bitter, vicious
CLASS “a skittle of milk” The metaphor, “skittle of milk,” is very effective. The inclusion of the detail of, “milk,” is particularly effective. The white colour of the milk reflects the purity and innocent mind of the persona. Highlighting that Duffy is in her youth and is inexperienced. The comparison of milk bottles to skittles is also effective. It reminds us of games played at school highlighting how innocent the poet was. This shows how enjoyable school was for the persona which helps draw
as it was termed in the Victorian age. Four works that examine the role or view of women in society are John Stuart Mill’s The Subjection of Women, T.S. Eliot’s “Love Song of J. Alfred Prufrock,” Virginia Woolf’s A Room of One’s Own, and Carol Ann Duffy’s “Medusa.” Although each work examines a side of the woman question in its own way with a variety of views on the question, all of the works examine the fear that women incite in men, the idea that women are dependent on men, and the idea that women
presentation of female characters in A Streetcar Named Desire and The World’s wife In this essay, I will be exploring the similarities and differences of female characters in ‘A Streetcar Named Desire’ by Tennessee Williams; and ‘The World’s Wife’ by Carol Ann Duffy. Both texts denote women as somewhat weak and incompetent and as having a predatory attitude towards the mainly dominant male characters. A Streetcar Named Desire was written in 1945 and it initially connected with America’s new found taste for
Compare the central characters in ‘Medusa’ and ‘My Last Duchess’ Carol Ann Duffy’s ‘Medusa’ and Robert Browning’s ‘My Last Duchess’ are two entirely different poems in many respects. Written in entirely different eras, some would say that they are as opposite as poetry could be. However, their central characters have some remarkable similarities that strike a chord with the reader and represent a common theme. In each of the poems, both Medusa and the Duke of Ferrara represent the fickleness
Heterosexuality is not normal, it’s just common. (Dorothy Parker) Carol Ann Duffy’s The World’s Wife (1999) takes a very common relationship – that of man and wife – and presents a collection of poetic monologues from the perspective of the wife. Written on the pretext, ‘If his wife could speak, what would she say’, Duffy’s monologues gives a voice to women who are usually defined by their men. Thus we hear from the wives of famous, and infamous, men such as Mrs Darwin, Pilate’s wife, Mrs Aesop