Meena Alexander Fault Lines Essay

As one is passionate towards their heritage they will not identify or label themselves something there not. They will show pride and courage by showing they are willing to fight for their cultures independency. In the story “Borders” by Thomas King, King illustrates the idea that one should be proud of their heritage and to never give up. The story expresses this through the mother’s pride and her personal identity.

Many writers explore the notion that cultural differences may inflict feelings of disconnection for their central characters. This is shown in the two texts ‘Neighbours’ and ‘Migrant Woman on a Melbourne Tram’, as both protagonists struggle to cope with their newly exposed environment. Despite this, we learn that it can be resolved through the acceptance of one another, yet others may remain to dissociate themselves from society.

For more than 300 years, immigrants from every corner of the globe have settled in America, creating the most diverse and heterogeneous nation on Earth. Though immigrants have given much to the country, their process of changing from their homeland to the new land has never been easy. To immigrate does not only mean to come and live in a country after leaving your own country, but it also means to deal with many new and unfamiliar situations, social backgrounds, cultures, and mainly with the acquisition and master of a new language. This often causes mixed emotions, frustration, awkward feelings, and other conflicts. In Richard Rodriguez’s essay “Aria: Memoir of a Bilingual Childhood”, the author

The novel Signs Preceding the End of the World by Yuri Herrera brings to light many issues faced by immigrant women. The novel follows the young Makina in her quest to find and bring home her brother from what she imagines to be a mystical far away land. While the novel focuses on the challenges of immigration, the underlying meaning is much more complex. In Yuri Herrera’s Signs Preceding the End of the World, the common misconception that women cannot be the strong character in the novel is challenged. This is achieved by having the female protagonist, Makina, go on a quest to save her brother, be a vital individual in her community, and fight the misogynistic society she lives in.

Gloria Anzaldua’s short essay, Towards a New Consciousness, begins with the description of her mixed culture, a mestiza, and the conflicts she faces in being torn between being Mexican and Native American. Anzaldua expresses her struggle of her torn heritages by describing herself as being caught between two cultures and their values. Instead of being able to love and respect both cultures, Anzaldua feels as if we people feel the need to take up one side of our heritage and end up hating the other part. She paints an image as standing on an opposite side of a riverbank, yelling back and forth answers and questions showing that we eventually end up favoring one side and only getting pieces of the other

In the poem Heritage by Linda Hogan, Hogan uses the tone of the speaker to demonstrate the shame and hatred she has toward her family, but also the desire for her family’s original heritage. The speaker describes each family member and how they represent their heritage. When describing each member, the speaker’s tone changes based on how she feels about them. The reader can identify the tone by Hogan’s word choices and the positive and negative outlooks on each member of the family.

In a world where seven billion people can communicate in fractions of a second across the globe, share thoughts and exchange cultures, the way we choose to identity ourselves can often ‘’mark’’ us. You can often tell a lot about someone who proclaims to be Quebecois before being Canadian. And theses thing are often present in areas that have a clash of cultures, such as Québec in the former example. But the author Thomas King dives deeper into the subject with his short story Borders. King’s characters do not attach themselves to the place they were born, instead they take pride in their parents’ legacy, their heritage. By writing through the eyes of a twelve year old boy and using opposition, King displays the importance of such things and how minorities are slowly losing them.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

Throughout life, every individual must face obstacles; some more difficult than others. In the story “The Trip” by Laila Lalami, poem “Exile” by Julia Alvarez, and article “Outlaw: My Life as an Undocumented Immigrant” by Jose Antonio Vargas, there is a main character who has to face many challenges because of the fact that they’re immigrants. In all three texts, it is evident that being an immigrant has many affects on their lives. However, this label and the obstacles that come with it didn’t stop each character from pushing forward.

In Gloria Anzaldua’s Borderlands/La Frontera, she uses her own personal experiences growing up and living near the border that separates the United States and Mexico. Anzaldua makes us reexamine the purpose of a border and the negative effects that come with it. Since she lives close to the border, she cannot completely identity herself as an American nor would she be able to call herself Mexican. As a Chicana, she did not know where she belonged in society. The two cultures she lived under put her in this constant state of transition. The struggles she faces strongly resembles the ones that Piri Thomas faces in his novel Down These Mean Streets. Despite the fact that Thomas was actually of Puerto Rican and Cuban descent, many people failed to recognize him as such and saw him as an African-American.

But, for the first time, her daughter stares into her eyes, and her response is astounding as well as startling, considering her age. She says, “Mommy, there's a world in your eye. Mommy, where did you get that world in your eye?", and for the first time since the beginning of the piece, we experience Alice’s confidence once again (6). She realizes her self-worth, and that it is not determined by her appearance, she says, “Yes indeed, I realized, looking into the mirror. There was a world in my eye” and although she went through a good portion of her life believing that she wasn’t beautiful, or sufficient, it was all worth it because it taught her to love herself even more now (6). To end the piece, she illustrates a dream she had: it’s her old self-doubting self and another her, confident and radiating, coming together. She is once again able to speak of herself in a positive way, she states that the latter self is “beautiful, whole, and free. And she is also [her]”, which, in a way, exhibits that same attitude she had as a two-year-old (6). Twenty-seven-year-old Alice completely contradicts twelve-year-old Alice, who would “abuse [her] eye” and who did “not pray for sight” but “for beauty” (4); she now speaks of herself

Traditions and old teachings are essential to Native American culture; however growing up in the modern west creates a distance and ignorance about one’s identity. In the beginning, the narrator is in the hospital while as his father lies on his death bed, when he than encounters fellow Native Americans. One of these men talks about an elderly Indian Scholar who paradoxically discussed identity, “She had taken nostalgia as her false idol-her thin blanket-and it was murdering her” (6). The nostalgia represents the old Native American ways. The woman can’t seem to let go of the past, which in turn creates confusion for the man to why she can’t let it go because she was lecturing “…separate indigenous literary identity which was ironic considering that she was speaking English in a room full of white professors”(6). The man’s ignorance with the elderly woman’s message creates a further cultural identity struggle. Once more in the hospital, the narrator talks to another Native American man who similarly feels a divide with his culture. “The Indian world is filled with charlatan, men and women who pretend…”

Sandra Cisneros’ short story, “Never Marry a Mexican”, indirectly underlines her perspective, her interpretation, judgement, and critical evaluation of her subject, the work and its title. This perspective is evident in her use of literary devices, diction, and language structure in her narrative. The purpose of the use of these elements in the way that she does is ultimately linked to understanding her viewpoint on the subject. The author’s perspective is embedded in the meaning of the story and its theme. Her interpretations are valid, and justified in detail throughout the story to add color and vibrancy to her characters. Her judgment is lightly touched upon but only clearly and directly given at the end of the story, to allow the

For thousands of years, waves of immigrants continue joining the developed countries in the world, bringing with them the unique cultures, languages, and ideas. Over time, those unique values might be faded away with each generation because of the new culture exposition. The second-generation immigrants experience a cultural conflict between that of their parents and that of host society. Most of them are unable to preserve and empower their origin cultures. Many differences between the first-generation and the second-generation immigrants arise. Through the analysis of the mother in “Death of a Young Son by Drowning” and the Das family in “Interpreter of Maladies”, I would like to demonstrate the differences between the first-generation immigrants, who travel from other countries, and the second-generation immigrants, who were born and raised on the immigrated land. These differences include the purpose of being in the foreign land, the connections to their homelands, society’s view, and the culture differences.

The border between the United States of America and Mexico always had been always a theme for a lot of discussions. And, in the book “Sunshine/Noir II” Juanita Lopez and Michael Cheno described, through texts, their point of view about the topic. Both authors represent that the control of the border has become way more restrict and militarized. In that sense, Michael Wickert presents his idea in a poem form, text named “The border Is a Fight”, that describes the dramas of a Mexican family that has to cross the border every day in a hope to get a better future. Whereas, Juanita Lopez demonstrates it through an essay that uses personal narratives of the author’s relatives to illustrate her point of view. Therefore, the both authors exploit their point of views using different text forms, and figurative images, like metaphors and personification, for delivering their ideas in the way they do.