Meeting Of David And Abigail

First of all, Rubens uses dark and light colors throughout the painting to emphasize movement and fluidity. The most obvious use of movement through color appears on David. David’s bright red drapery is what draws our eyes in first because David is the most important object in the painting. The different shades of red emphasize movement because it accentuates the folds of the drapery, making it flow. The warmth of the red in his drapery contrasting with the darkness of the ground gives off intensity and seriousness of the scene. Furthermore, there is bright red blood on Goliath’s forehead, where David struck him with a rock. The red blood sticks out, making the scene a bit more realistic and exciting. The dark and light colors used in the sky also shows

Abigail becomes comfortable with avoiding the death of her daughter, putting up a wall that her family cannot break through. As Abigail distances herself from her family and refuses to comfort them, this foreshadows to the reader her ability to walk away and leave her children later in the novel. Through her actions, it is made evident that the defence mechanism of avoidance and denial has a negative impact on Abigail and her family.

Peter Paul Rubens’ masterpiece, Venus and Adonis, is not only a significant artwork of the baroque-period in Europe during the seventeenth century, but it also tells the mythological story that begins with love, and ends in tragedy. Displayed in the Metropolitan Museum of Art, this painting is admired for representing the unique baroque-style of this era, as well as Rubens’ particular use of the medium and how it reaches those who are viewing it. His attention to detail and crafty use of symbolism within the painting assist viewers in deciphering the story, along with the values of the period in which Rubens was living. In studying the composition of the work and noting the historical context from which it came, one can ultimately

perspective is used very well to make the mountains in the far distance appear quite a bit hazier than the church that is supposed to be a little closer to the viewer, and that is even slightly hazier than the brick wall, shrubs, and trees that are right outside of that archway. David also makes the objects that are meant to be closer much larger. That mountain, of course, would be massive. But, because of the perspective he uses, it appears to be only about the size of the top of the church. Additionally, almost all of the figures in the painting lead the viewer's eye right to the baby Jesus. Each of the angels, except the one playing the guitar, are looking directly at him so that when the viewer looks at them, they immediately look over to Jesus. Even Mary, who is also the subject of the composition, is looking down at the baby. Renaissance paintings often used tricks like that to draw the viewer's eye to the main subject, which was usually Jesus.

However Abigail takes pride in her hysteria. This highlights the fact that the age difference between these 2 women is phenomenal. “He have his goodness now. God forbid I take it from him!” Elizabeth is much more composed than Abigail, even though she is losing her husband she is happy for him, as she believes he is now at peace. Throughout the play John struggles with his feelings that he was not a good man. Hale tried his best to save John from being hanged to death but Elizabeth believes that he is finally going to be cleansed of his sins, as he has finally come out the dark about his affair. She loves him so much that she is willing to let him go. She feels that he is doing the right thing. She takes the name of God to justify herself.

To begin, Abigail’s background story must be explained for anybody to truly understand her character. Abigail is an orphan who witnessed her parents’ brutal murder as a young child and was taken in by her uncle Reverend Parris (148). Abigail has grown up without a proper mother and father figure to guide her through the trials of life. When Abigail is first introduced into the scene, the narrator uses an intriguing choice of words to describe her. Some literary analysts may argue that Abigail’s childhood living situation is the reason that she behaves the way she does; however this is not the case. Abigail has a tendency to victimize herself to gain and receive attention whenever she pleases. Throughout acts I and II, Abigail has made herself the victim in a multitude of different ways. For example, Reverend Parris accuses Abigail of having a blemished reputation around the town of Salem. She denies this statement; however, when Parris calls her bluff, she blames the

The city of Florence has gone through many invaders, illnesses and many other deaths not related to the battlefield. They had survived it all they believed that they had God on their side and have always come out on top, much like the biblical story of David in battle against Goliath. This influenced Florence to take on David as their symbol and used it to portray the success of Florence. Many artists have created sculptures portraying works of David. It has been depicting it in so many different manners, that there is at least one surviving example from each major art periods. Although there are many we will only be focusing on two works of David. First is Donatello’s classically inspired youthful boy depiction of David, and the second is Bernini’s heroic warrior.

The main point of this chapter was to showcase the religious, family-oriented background that Abigail was raised in. It explains why she is so focused on her family and John later in her life. It also explains her penname “Diana” and her love for literature and being involved in politics, after being taught to read at a young age.

During this essay I will introduce the main points involved in answering the proposed question. I will explore the certain aspects of Abigail’s personality and how it is an important role in portraying her reasons for her actions. I will also analyse the ways in which Abigail’s personality changes through the progression of the play. I will sum up which points have a bigger effect on her intentions and motivations and the effect she has on the characters of the play. I will support my reasons with quotations to justify its relevance.

Paolo de Matteis’s esteemed work The Adoration of the Shepherds is a large painting, depicting a classic Christian Nativity scene, that is displayed in the Dallas Museum of Art. In the piece, a dozen or so individuals surround the newborn Christ and his parents, gazing at him in admiration and paying him homage while animals look serenely on and angels assemble around the heads of the Holy Family. The artist employs several classic artistic elements in his painting, such as line, light, color, and shape, to draw the viewer’s focus directly to his intended point of emphasis, the infant Jesus.

Abigail Williams does not physically appear in Act 2 of The Crucible but she still casts a long shadow in the act. Abigail had a huge impact on the Proctors marriage. During court Abigail was sewing Mary’s doll and slipped a needle into her doll for a later reason. When Abigail later met John in the woods Abigail stabbed herself with a different needle to seek revenge on John Proctor's wife Elizabeth. Abigail testified that Elizabeth’s spirit pushed the needle into her.

Mary, Abigail, Elizabeth, and John all have unique relationships to one another in the play The Crucible. The symbols that best represent John Proctor and Elizabeth Proctor are a sun and snowflakes. The symbols that represent Abigail Williams and Mary Warren are a split mask and the character Dobby from the Harry Potter series. These symbols are the best choice to represent these characters.

In the painting it is evident that Goliath's head is ⅔ of David’s body alone. Leaving it up to the viewers imagination to show how big he was compared to this small boy David. The shaping of the bodies were made to be slightly different. The shape size of David's body was smaller to that of Goliath. As well as the form. While David has a body considered small and scrawny, Goliath's head alone the viewer was able to see his form had muscle and he was a bulky man. This element has shaped the artists message in allowing for the difference between David who is portrayed as small and weak, and Goliath who is depicted as a giant who was most likely powerful physically. Thus, allowing the reader to further the admiration of what David had done, which was best this giant although him being a scrawny young

Bernini's David represents the Baroque time shift in art. The shift towards the baroque art period seemed to have a change within the overall narrative of the sculptures. Prior to Bernini’s version of David there existed David’s sculpted by Donatello and Michelangelo. Donatello’s David was sculpted during the time of humanism, where a large influence came from the ancient Greco-Roman culture. The overall emotion of the sculpture is soft and youthful and creates the image of David after he had beaten Goliath. There really is no distinct emotion within David himself in this sculpture. In the high renaissance period Michelangelo sculpted his version of David. This sculpture began to form some energy which was seen in David’s tensed facial expression,

When I see the painting the shape is symmetric in the sense that there are the same amount of people on both sides of Jesus. The genre of this painting is Christian art.There are also four panels on both sides of the walls. In my opinion, the target audience that this painting was intended for are those who are believers of Christ. I feel this way because I think that this painting portrays the event that is talked about in the bible in the scripture Matthew 26, verse 21 where Jesus says “…"Truly I tell you, one of you will betray me.". He then continues in verse 23 saying, “The one who has dipped his hand into the bowl with me will betray me”. In the painting, you can clearly see the man two seats away from his right reaching for the bowl at the same time as Christ. This event lead to the Holy Eucharist, also known as communion or the Lord’s Supper where Christ takes the bread which was to symbolize his body and wine which was to symbolize his