Memento Personal Identity

Thomas Reid’s argument is that identity is attributed only to the things that have continued existence, and since consciousness is transient and often interrupted, it cannot constitute personal identity. Reid gives an example of consciousness being transient when a person is either asleep or unconscious. Reid states that when a person is sleeping or unconscious, his/her consciousness is interrupted temporarily during that period of time. Locke can respond to this objection by questioning if consciousness is really transient. He can question if it is undeniably the case that we are unconscious when we are sleeping. Many other philosophers and psychologists argue that even though our conscious may be numbed during sleep, it is still functioning and has not been interrupted, that is why we are able to hear loud sounds and wake up from our sleep. Secondly, Locke only requires that it be possible and that there is a disposition to remember the

Through Nolan’s application of editing, such as flashbacks, in Memento, the story of Sammy Jankis can be linked back to Leonard’s past as well as the central theme of the fragility and unreliability of memory. Leonard’s unreliable memory is clearly conveyed as the sequence rhythmically displays scenes showing that the protagonist’s wife survived the assault, which is evident as she removes the shower curtain from her head in a flashback. This indicates the unreliability of Leonard’s memory and the devastating result of ‘Conditioning [himself] to remember, learning through repetition’. Nolan’s employment of flashbacks within the sequence expresses Leonards desperate attempt to escape guilt through the fragility of his memory. This is exemplified in the flashback when Leonard’s memory of pinching his wife adjusts to him injecting insulin into her. Nolan’s utilisation of editing illustrates the fragility and unreliability of Leonard’s memory, specifically when he learns that he

371). This responds to the objections raised by Thomas Reid in the 18th century (Shoemaker, 2008, p. 340), however, the Memory Theory did require a modification to include the possibility of temporarily forgetting the experiences of an earlier person-stage, “as long as one has the potentiality of remembering it” (Shoemaker, 2008, p. 340). In the conversations held by Gretchen Weirob, Sam Miller and Dave Cohen in Perry’s ‘Dialogue on Personal Identity and Immortality’ (Perry, 1977), this concept is addressed in depth. Miller relays a chapter written by Locke – “the relation between two person-stages or stretches of consciousness that makes them stages of a single person is just that the later one contains memories of an earlier one...I can remember only my past thoughts and feelings, and you only yours...take this relation as the source of identity” (Perry, 1977, p. 343). These concepts are logical possibilities in my opinion, and are far less unstable than those presented within the Body/Soul Theory, as these concepts do not require the senses of others, but the individual’s first person perception of their personal identity.

In the film Memento, written by director Christopher Nolan, the main character Leonard Shelby, is a confused and damaged man that wants the revenge for the murder of his wife. We can say that Lenny lives in his own world uniquely different from everyone else. The reason for this is his inability to store short term memory and convert into long term memory. This disability renders Lenny’s life into a repeatable lifestyle and has to start from scratch about every 15 minutes. The only source he has is to go back to is his notes and tattoos he discovers every morning on his body. It seems as though he only has his past memories but the only memories we learn about in the movie is about Sammy Jenkins and the murder of his wife. I think that

According to many different philosophers such as Descartes and Locke there has to be more to the mind than just the materialistic view. There are many different parts to the brain which make it a whole according to science, so thinking about the brain from a philosophical standpoint, there must be different parts to make up the minds identity. According to John Perry, the memories and personality traits as well as beliefs and intellectual skills make up a personal identity and the body is just a vessel that holds this identity (TP, 197). Certain people might believe that if one were to get a brain transplant they would wake up the same person they were before they went in for the surgery. I, on the other hand concur with Perry and the idea

The first scene we see in Memento, is Leonard, in color holding up photo of a man he just killed to serve as a memory of what he had done. Throughout the film, both in color and in black and white, we see various forms of memories Leonard has manufactured such as photographs of people, notes, and tattoos on his body. Christopher Nolan does a good job of utilizing this mise en scene and timeline structure to help influence our perspective of characters like Natalie, Leonard and Teddy.

Time can be a thinker’s most thought-provoking yet infuriating concept to grasp. Infinitely complex, time plays a crucial role in everyone’s life. We do not know much about it, other than that it is there. What is before time or after time? Most movies move through a linear fashion. There is a beginning, middle, and end. Narrative structure can slightly be bended or modified, but for the most part it follows the same basic formula. The movie Memento (2000), directed by Christopher Nolan, follows Leonard Shelby, the main character with short term memory loss, trying to avenge his fallen spouse. He only remembers up until the time his head was bashed into a mirror after his spouse was sexually assaulted. The movie is told in a unique way through two stories that do not make complete sense until the end. Memento’s unconventional narrative structure puts the audience into Leonard’s shoes, which is apparent in the movie’s convoluted flashbacks, out of sequence story, and bleak ending.

Memento is a movie directed by Chris Nolan. It was released in 2000. The leading actor is Guy Pearce. Carrie Anne Moss and Joe Pantoliano are also in this movie. Memento is a perplexed thriller.

Film Analysis of Memento Columbia Tristar Films starring Guy Pearce, Carrie-Anne Moss, and Joe Pantoliano released “Memento” in 2001. The movie was produced by Suzanne and Jennifer Todd, and was directed by Christopher Nolan. Christopher Nolan also wrote the short story and screenplay. This film is about a man named Leonard, played by Guy Pearce, who suffered a major brain injury to the hippocampus that left him with a rare memory disorder called anterograde amnesia. This disorder causes Leonard not to be able to form any new memories.

Locke's view on personal identity has strengths but it also has several weaknesses or limitations. One important strength is when Locke states that a person should be held responsible for his/her actions if he/she recalls doing those actions. In this case, the person

Memento is an American psychological thriller adapted from a short story, Memento Mori written by James Nolan. The story displays the life of Leonard Shelby. Shelby has anterograde Amnesia brought about by an injury to his head. He suffered this injury while confronting two people who attacked his wife at their home in the middle of the night. Leonard kills one of the attackers during the attack, although the second one escapes. Due to the injury and resultant amnesia, the last thing Leonard remembers is his wife dying. He is unable to remember new information after that day. The movie shows how he devotes his life to finding and killing the second attacker.

A question that I have towards Locke's view is that if you have some kind of accident and lose all memory of your past permanently, are you really a new person? Locke states that you are a different person because your consciousness was no longer active after the accident, it was not continuous. Further on from that, so if a person is living their life with many memories, and then they are placed into a coma. When they wake up from that coma, and they do not remember anything at all, they now have a different identity according to Locke. Two things cannot have the same beginning according to Locke: “When we see a thing any thing, of whatever sort to be in a certain place at a certain time, we are sure that it is that very thing and not another thing existing at that time in some other place. We never find and can’t even conceive of two things of the same kind existing in the same place at the same time” (Essay II.xxvii.1). So if that person then begins to start remembering things, is that person still the same person that they were before the coma? Or does that person now have an even newer identity due to them not being the person who did not remember anything previously. In other words, as that

The question on personal identity has been a philosophical debate for a long time. Philosophers over time have tried to argue what being a person that one is, from one day to the necessarily contains. In their endless search for philosophical bases on the same, multiple questions on the issues of life and death arise such that the correct answers to personal identity determine the changes that one person undergoes, or may undergo without being extinct but rather continuing to exist. Personal identity philosophical theory confronts the most ultimate questions on our existence as well as who we are and if by any chance there is a possibility of life after death. In attempts to distinguish change in a person in survival and after death, a criterion of personal identity over time is given. Such criterion specifies all the necessary and sufficient conditions that must prevail for a person to continue to exist (Perry et al,103)

At the start of the film, the story is shown to be presented backward as one scene is color and another in black and white, and narrated in two different ways. In the beginning scenes, there is an introduction of a Polaroid fading back to white and blood running up the walls which correlates to Leonard's memory and how the fading polaroid relates to his fading memories. There is a close-up on these scenes showing that the film is concentrating on this intensely, which captures the attention of the audience. Memento’s editing structure connects to Leonard’s personality by showing close-ups of his tattoos and polaroids. This relates to the plot as important information is revealed from his mini-notes on each picture, such as the “Don’t believe his lies” or “He’s the one, kill him” which ultimately lead to Teddy’s death. What Leonard wrote regarding Teddy stains the relationship they have and causes Leonard to misunderstand his relation with Teddy. Other close-ups are the shots of tattoos, where one was “Remember Sammy Jankis” which shows as a constant reminder of his situation and medical condition, but also give the audience a sympathetic feeling toward his past. The little notes Leonard gives himself convinces him that he is on the right path, however, as the audience, we can tell that the information he is receiving is skewed. The constant reminder from the close-ups shows Leonard’s reasoning of the motivations for his actions, although his constant need for his notes and living the way he does gives off the idea that he is unstable. Leonard’s close-up in the mirror of the reflection of his tattoo “John G. raped and murdered my wife” shows the audience what his motive and desires are without needing Leonard’s narration for this. The use of the

In Memento, Leonard Shelby has short memory loss resulting from an injury in a confrontation with his wife’s murderer. He is able to remember everything before the injury but cannot form new ones. Leonard learns to cope with his injury by repetition, leaving notes on his body, the Sammy Jenkins, a person with the same injury that his company investigated prior to the accident. Leonard ever since the accident, his sole purpose has been to get revenge on his wife’s murderer. Leonard has a handful of facts about the murderer, the biggest one being that the murders name is John G. Along the way, Leonard gets help from two people, Teddy and Natalie, but each time he meets them, he doesn’t remember who they are, why they are helping him or even if they are helping him or leading him down the wrong path. The film starts with Leonard killing John G. and throughout the movie we see how Leonard gathers the close to find and kill John G.