Memi And Sabu Statue Analysis

The statue of King Sahure and a Nome god is an interesting piece of Ancient Egyptian art ( c. 2500 BC ) that shows signs of Ancient Egyptian culture and beliefs. The statue is a small relief sculpture, meaning the sculptural elements are attached to the solid background of the sculpture and appears to be emerging from the material. The piece clearly depicts two figures side by side, one standing on the left and one sitting on the right (facing foreward). The purpose of this piece was probably to depict a certain symbolic interaction between the two characters.

It is a very large piece made from Limestone. Limestone is a sedimentary rock which means it is formed by the accumulation of sediments, and it is very hard. The statue itself is not very detailed and is pretty simplistic. It is a statue of a human body. The statue is 71 in. (180.4 cm) which is

If you want something to last for a long time, there are not many better ways to do it than in stone. Though they are separated by hundreds of years and miles, two sculptures make an interesting study in the similarities and differences in such attempts to last the test of time. The Royal Acquaintances Memi and Sabu, from approximately 2500 B.C. Egypt, captures two individuals, a male and female in simple clothing, standing and holding one another with some hieroglyphic writing on the base (Metropolitan Museum of Art, n.d.a). The Statue of Gudea, from 2090 B.C. Mesopotamia or modern-day Iraq, is a statue of a sitting male wearing seemingly special clothing and a robe upon which text is inscribed. Visual observations of the pieces may suggest some similarity, but an understanding of each with context seems to drive them further apart from one another.

Sculptures came in a variety of shapes and sizes. They were often made of wood, metal, cloth, or clay. These sculptures served as personal protection figures, symbols for supernatural powers, and representation of ancestors. Most sculptures were made to represent the human body, but some cultures never carve human faces so it resembled any individual in fear of accusations of witch craft. A great example of one such sculpture is Cango and Zaire.

The piece is a red-figured, wine bowl that is attributed to the Niobid Painter. It was made in Athens, Greece around 460-450 BC, and found in Altamura. Puglia, Italy (British Museum). There are two scenes on top of one another that occur in the piece. The top scene is the creation of Pandora. She is standing rigid while five of the gods are standing around her. Athena is about to put a wreath on her head. The scene below displays a frieze of dancing and playing satyrs. Because the vase is round it isn’t possible to see all the figures in the piece. But looking at the piece from the front, six gods are portrayed in the top scene. The gods in the scene from left to right are: Zeus, Poseidon, Athena, Pandora, Ares, and Hermes. The gods in the piece are identifiable because of distinguishable traits that certain characters

The Depiction of Divine Power in Votive Statue of Gudea Votive Statue of Gudea, is one of a series of votive figures commissioned by the Sumerian ruler Gudea, circa the year 2090 BCE . It was found in the modern city of Telloh, Iraq, formerly called Girsu, the capital city of the ancient Sumerian city-state of Lagash . The statue is carved from diorite, a hard, dark-colored stone that must have been imported to the city from other parts of the region . The votive statue is relatively small in size, measuring only two and a half feet in height . In the sculpture, Gudea stares directly at the viewer with large, pupil-less eyes.

The statue is meant to appreciate his youthful beauty and images such as this one worked as erotic images. Theses types of statues are used as grave markers and the are meant to celebrate the possibility that never was - the beauty that was lost in

www.metmuseum.org) “Statue of Gudea” (Gudea) is a sculpture carved from diorite, produced around 2090 BCE in Mesopotamia. This sculpture is about 17 inches tall and about eight inches wide. (2016. www.metmuseum.org)

The two sculptures presented for this assignment are the Statue of Gudea, which dates back to 2090 B.C. (“Statue of Gudea,” 2000) and The Royal Acquaintances Memi and Sabu, which dates back to 2575–2465 B.C. (“The Royal Acquaintances Memi and Sabu,” 2000). Both statues represent people; however, they depict different types of people from completely different time periods and cultural backgrounds. The Statue of Gudea shows the ruler of southern Mesopotamian, Gudea, whose reign was from 2144-2124 B.C. (“The votive statue of Gudea: A formal analysis,” 2011) sitting in a praying position with his hands locked and his eyes forward. He is dressed in what appears to be a lavish robe with an inscription that clearly depicts what Gudea thought of himself and his successes during his time as ruler. The Royal Acquaintances Memi and Sabu represent what is thought to be a married ancient Egyptian couple who are lovingly embracing each other. Aside from looking at

The Seated Statue of Gudea shows a ruler sitting before his people. It is sculpted from

The statue was found on the Island of Samothrace in the Sanctuary of the Great Gods, in the Provenance area north of the Aegean. “The colossal work was placed in a rock niche that had been dug into a hill; it overlooked the theater of the Sanctuary of the Great Gods. This niche may also have contained a pool filled with water in which the ship appeared to float. (Marie-Bénédicte)” This extraordinary piece of art was discovered by Charles Champoiseau in 1863. “He was a keen amateur archaeologist, and hoped to find some attractive relics for the imperial museum in Paris. (Hamiaux)” But the statue did not always look like it dies today. There was a restoration done on it in the 1880’s to try and recreate what it would have looked like in it’s former glory

Untill recently, it was thought that this was from the Fifth Dynasty. However, it has more in common with the fourth Dynasty statues of Great Pyramid of Khufu at Giza. The figures are regarded as a representation of Memi and Sabu in the afterlife. In Egyptian culture of the time, people had great

Standing with great height and muscular texture, this statue seems to be an imagery of a very young warrior. The sex of the statue cannot be determine due to the facial features. The facial express of the sculpture can be either a young male or a female. His physical traits might be powerful, but looking at it proves that he might be a leader. Looking at the sculpture with more emphasis, it seems like it is a sculpture of the biblical character David. The attribute of the image that look like David is the head the lays beneath his feet, which look like Goliath. The physical traits of the sculpture look to be a very shy person. Standing in a contrapposto pose with a little smirk of his face looking as if he is not looking at the designer. Unlike other renaissance sculpture, this statue is fully clothed. Wearing an armory vest, right hand is on the sword, and left hand is on his waist. This masterpiece seems like it was carved from marble. The color of the marble might be white or black, but the carving of the statue is really vivid. Back in

Statues, along with other types of concrete ornamentals, are a nice addition to help accent different things. They are especially appealing when used in various places in your landscaping.

It is moreover pyramidal in structure with the vertex coinciding with Mary’s head. The base of the sculpture depicts the rock of Golgotha and is broader than the progressive