Memi And Sambu Essay

The roman sculpture is quite confusing than the Greek Sculpture which is collected by the lovers of art of the religion they follow which is basically the Rome and they displayed unique picture of roman sculpture on the wall

It is important to first begin with the basics of each piece of artwork. The graywacke statue of Menkaure and a Queen was made between c. 2490-2472 BCE during the Old Kingdom period in Giza, Egypt. Although the artist is unknown, it is understood that the time during which this artwork was made was during the Old Kingdom period, which lasted from c. 2575-2150 BCE. This statue is smaller in height than the average human being, being 51 ½ inches tall, which is a little over four and a quarter feet tall (Stokstad and Cothren: 60). The stone that it is made from is a rocky, rough stone, that took a considerable amount of sanding to get the statue to look as smooth as it is. The second set of statues I will be comparing and contrasting to the Menkaure and Queen are the limestone statues, Anavysos Kouros and the Peplos Kore. Both were made in c. 530 BCE during the Archaic period in Athens, Greece. Similar to Menkaure and a Queen, the Anavysos Kouros and the Peplos Kore do not have a known artist, however it is known that the time period in which the statues were made was during the Archaic Period, which lasted from c. 600-480 BCE. These statues are more life-like in size. The Kouros statue is around the size of a tall male, six feet four inches tall. On the other hand, the Kore statue is smaller in stature, about four foot tall . Both statues were made from carved marble, although some of the other kouros and kore statues that were made were from terra cotta, wood, or limestone

The “human form” has changed through art over long periods of time and how each civilization uses their own style to create these pieces is how art gets its depth. I'm going to be talking about one of each sculpture from every major period and explain how each one has its own flavor and own unique style. I will be talking about the Prehistoric period, Egyptian style, Greek style and Roman styles. I also have a list of vocabulary words i will be pointing out in bold to explain how these are used in sculptures.

The statue of King Sahure and a Nome god is an interesting piece of Ancient Egyptian art ( c. 2500 BC ) that shows signs of Ancient Egyptian culture and beliefs. The statue is a small relief sculpture, meaning the sculptural elements are attached to the solid background of the sculpture and appears to be emerging from the material. The piece clearly depicts two figures side by side, one standing on the left and one sitting on the right (facing foreward). The purpose of this piece was probably to depict a certain symbolic interaction between the two characters.

Sculpture of this period again was to create a sense of movement. The sculptures took into consideration the spaces created by the sculpture not just the piece itself.

The Statue of Gudea is a prehistoric piece created in 2090 B.C. The Statue of Gudea is a sculpture in the round made of Diorite. This piece was made in the Neo-Sumerian period (“Statue of Gudea | Neo-Sumerian | Neo-Sumerian | The Met.”). The Statue of Gudea uses pattern and depth to create an intriguing and complex ancient piece.

The Royal Acquaintances Memi and Sabu statue was used in the ancient tombs and burial grounds of Ancient Egypt. The purpose of the statue was to give the deceased spirits a home and a place where they could received the gifts of food that used to be laid outside their tomb after they had passed away (Metropolitan Museum of Art a, 2016). The Statue of Gudea was used to honour the lives of the rulers in Ancient Iraq. The statue was one of many that were placed in temples throughout the Lagash region of Iraq honouring the great leader (Metropolitan Museum of Art b, 2016).

Polykleitos' sculpture of Diadoumenos similarly relates to some of the most famous sculptors, like Praxitiles' statue of Hermes & Dionysos, in that they both display contrapposto, use struts for support and to make sure that none of the parts of the sculpture that they are balancing and supporting, dont fall off, since marble is very heavy and can easily break apart in bad weather or with physical contact.

If you want something to last for a long time, there are not many better ways to do it than in stone. Though they are separated by hundreds of years and miles, two sculptures make an interesting study in the similarities and differences in such attempts to last the test of time. The Royal Acquaintances Memi and Sabu, from approximately 2500 B.C. Egypt, captures two individuals, a male and female in simple clothing, standing and holding one another with some hieroglyphic writing on the base (Metropolitan Museum of Art, n.d.a). The Statue of Gudea, from 2090 B.C. Mesopotamia or modern-day Iraq, is a statue of a sitting male wearing seemingly special clothing and a robe upon which text is inscribed. Visual observations of the pieces may suggest some similarity, but an understanding of each with context seems to drive them further apart from one another.

Starting with Bastet, this free-standing statue hails from Late –Ptolemaic Period (664–30 B.C) from Egypt. Medium used was bronze, precious metal and black bronze inlays. The dimensions are H. 5 cm (4 1/8 in.); W. 3.2 cm (1 1/4 in.); D. 3.9 cm (1 9/16 in.). This statuette was donated to the Museum by George and Florence Blumenthal in 1934 and is on view at The Met Fifth Avenue in Gallery 134.

Sculptures came in a variety of shapes and sizes. They were often made of wood, metal, cloth, or clay. These sculptures served as personal protection figures, symbols for supernatural powers, and representation of ancestors. Most sculptures were made to represent the human body, but some cultures never carve human faces so it resembled any individual in fear of accusations of witch craft. A great example of one such sculpture is Cango and Zaire.

(883-859 B.C.). This statue is about ten feet tall with a lion body and a human body followed by some wings. The statue is rather large and though the whole picture is not there for one to see all the palace, it seems to be at a foyer of some sort. What is known is that during this time most of the building were built from a type of mud rock which could have made this lamassu. The Human Headed Winged lion is made from things like mud, rock, and limestone. Mesopotamians did believe that this statue scared away dark forces and brought peace and safety to people’s homes, something that people have been doing for many years. This statue is from the Nimrud which is modern day Iraq, the ruler at the time was Assurnasirpal the second. From the book, it had said that Assyrians rose to dominance in Mesopotamian and they extended their most of their influences into Egypt. Even though it was after The Great sphinx it does give us an idea about how much culture and religion spread throughout

The two sculptures presented for this assignment are the Statue of Gudea, which dates back to 2090 B.C. (“Statue of Gudea,” 2000) and The Royal Acquaintances Memi and Sabu, which dates back to 2575–2465 B.C. (“The Royal Acquaintances Memi and Sabu,” 2000). Both statues represent people; however, they depict different types of people from completely different time periods and cultural backgrounds. The Statue of Gudea shows the ruler of southern Mesopotamian, Gudea, whose reign was from 2144-2124 B.C. (“The votive statue of Gudea: A formal analysis,” 2011) sitting in a praying position with his hands locked and his eyes forward. He is dressed in what appears to be a lavish robe with an inscription that clearly depicts what Gudea thought of himself and his successes during his time as ruler. The Royal Acquaintances Memi and Sabu represent what is thought to be a married ancient Egyptian couple who are lovingly embracing each other. Aside from looking at

I am originally form Egypt , so I am familiar little bit with these kind of sculptures. So effectively, The Royal Acquaintances Memi and Sabu was Egyptian in the dynasty 4 of the old kingdom. It was discovered in 1948 by Rogers Fund. The sculpture statue shows husband and wife in the hidden statue chamber which often found in nonroyal tomb of the Old Kingdom. From my point of view, that sculpture was an indication of the social status and large wealth in the Old Egyptian Kingdom. Actually, that piece was not originally created for a purpose of royalty however this was effectively made obvious by resting place in the non-royal tombs. There would be other evidence that hints at the level of wealth of its owner. Another important point that made

     Like African paintings, poetry, and woodcarvings, sculptures tell a tale and immortalize cultures and beliefs. Different artists have different styles (African Arts Information). Materials and styles differ from village to village. Most sculptors use green wood, copper, tin, zinc alloys, bronze, ivory, or terra cotta, a kind of earth ware. Most sculpture figures are believed to contain ancestor’s spirits. Others represent sacred ideas or events (Fetzer 106). Some objects are said to be magical and believed to have magical powers (African Arts). Africans carve figures, make masks, and decorate articles for ceremonies (Fetzer 106).