Memory in Virginia Woolf's Mrs. Dalloway Essay examples

In the essay, "Westbury Court," by Edwidge Danticat describes his past experiences in Westbury Court. An otherwise undesirable place to live with no consistent hot water and trash pilled up in front of the apartments, as his home. Danticat uses expressive and literary purposes, along with classification and narration, to convey his theme that individual experiences shape us and how we interpret things.

In Alice Sebold’s novel, The Lovely Bones, the Salmon family learns that their fourteen year old daughter, Susie Salmon, has been raped and murdered. Because of this her father, Jack, sister, Lindsey, and mother, Abigail, all go through their own respective journeys in order to accept this ordeal. During this time of grievance for Susie’s family, her father, Jack, believes that the person responsible for the murder of his daughter is his neighbour, a man named George Harvey, and reports this to detective Len Fenerman. However, Len Fenerman becomes too preoccupied with his affair with Abigail to aid Jack with his suspicions. Meanwhile, Susie’s younger siblings Lindsey and Buckley, try to learn how to cope with the loss of one of their very own, without their parent’s attention to aid them. In The Lovely Bones, Susie’s father, mother, and sister, all explore the theme of grief by going on their own pathways through the five stages of grief; denial, anger, bargaining, depression, and acceptance, in order to come to terms with the brutal murder of their beloved Susie.

The story of Sarah touched the lives of many characters in the book “Sarah’s Key” by Tatiana De Rosnay. Sarah had such a profound impact on every character in the book, whether it is the scarring and unforgettable memories they have of her or new information they have gathered from the past. Julia invested her entire life into finding out more about Sarah, her life, and what happened to her after a daring escape from a concentration camp. She sacrificed her marriage and many personal relationships because she cared so deeply and passionately about Sarah and what had happened to her. Julia blocked out all of the negative opinions and people telling her to stop and worked nonstop to learn the truth, to never close her eyes on the past. The brutal past of Sarah left a

Power Struggles are very common is many marriages. In Who's Afraid of Virginia Woolf?, by Edward Albee, the relationship or marriage between George and Martha is based in power. The power struggle between George and Martha has become the basis of their relationship. Their love has turned into hate. The only connection they have is through their insults and the series of games they play. The power struggle between George and Martha develops is reveled and is resolved through out the play.

‘Mrs. Dalloway’, by Virginia Woolf is a derivative text of ‘The Hours’, written by Michael Cunningham. The novels both share an important theme of mental health. The circumstances of mental health are commonly sympathetic, and empathetic. The characters Septimus and Clarissa in ‘Mrs. Dalloway’ and Richard, Laura Brown, and Virginia Woolf in ‘The Hours’ show the strongest symbols for this theme. Most of the problems and treatments these characters face are in direct result of the age they live in. Both novels express a relationship between era, illnesses and treatments.

Throughout her life, novelist Virginia Woolf suffered with mental illness, and she ultimately ended her life at age 59. As art often imitates life, it is not surprising that characters in Woolf’s works also struggle with mental illness. One of her novels, Mrs. Dalloway, recounts a day in the life of Clarissa Dalloway, a high society woman living in London, and those who run in her circle. As the novel progresses the reader sees one of the characters, Septimus, struggle with post-traumatic stress disorder brought on by serving in war. At the end of the story, he commits suicide. While there is no explicit articulation of any other character suffering from mental illness in the novel, Septimus is not alone. Through her thoughts and actions, we can deduce that Clarissa also endures mental and emotional suffering. Though Clarissa does not actually attempt to end her life in the novel, her mental and emotional suffering lead her to exhibit suicidal tendencies. To prove this, I will examine Clarissa’s thoughts and actions from a psychological perspective.

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

In Virginia Woolf’s Mrs. Dalloway, Clarissa Dalloway and Septimus Warren Smith are perceived as completely different people, but as one looks deeper, their characters become hard to differentiate from one another. While Septimus is a young, male, middle class veteran suffering from post traumatic stress disorder, Clarissa is an older woman in the upper class who enjoys throwing parties. However, as the day continues one can see these two characters share more in common than previously determined. All in all, Clarissa and Septimus are an unlikely pair of characters to relate to each other, but the two are more alike than different.

Edward Albee was an American playwright producer and director. He was born on March 12, 1928 probably in Virginia. He was adopted at an early age, which influenced him to write about characters that are different. His writings were characterized by realism; fidelity to life as perceived and experienced, and were considered to be absurd dramas. Albee, in Who's Afraid of Virginia Woolf?, portrays a primitive sex struggle between a middle aged couple; the relationship between George and Martha is acted out in a series of games in which one sex dominates the other through unapparent love, weapons that each have mastered, and the most hurtful insult, the revealing of the hidden truth.

From the beginning of Mrs. Dalloway, Woolf establishes that Clarissa’s bright and hopeful spirit has become dulled and burdened when subjected to the oppressive nature of marriage. During a glimpse into her younger years, the reader is able to see Clarissa. With each flashback into Clarissa’s youth, the reader is provided another image of Clarissa before marriage, one that highlights her passion and curiosity for life. While Clarissa felt a passion and connection with Peter, she could not bear to live in a marriage where her freedom was something she had to sacrifice. The decision she makes is logical in some ways, but her choice also brings into question the fault of her marriage in the first place. In Clarissa’s world, the option for passion and the security of her freedom was not available nor would it ever be; therefore, she was forced to choose between the two. Men, however, were not forced to make such decisions and were given the liberty to wait well into their later years to find a spouse suitable to their liking. By choosing to marry Richard over Peter, Clarissa forsook the option of passion in

  Clarissa Dalloway, the central character in Virginia Woolf's Mrs. Dalloway, is a complex figure whose relations with other women reveal as much about her personality as do her own musings. By focusing at length on several characters, all of whom are in some way connected to Clarissa, Woolf expertly portrays the ways females interact: sometimes drawing upon one another for things which they cannot get from men; other times, turning on each other out of jealousy and insecurity.

During the time of a young modern society, there were ideals and social standards that led people to feel isolated from their own expressions and thoughts. In Mrs. Dalloway, identity is a significant theme depicted in the novel and is prevalent between the characters portrayed throughout. One character in particular that represents the image and reflection of identity in the British society during the first world war is Clarissa Dalloway. All the attributes such as her love for flowers, her lavish entertaining parties, and the bonds she has between her friends and lovers reveal something about her identity that she discovers about herself at the end of the book. Clarissa’s personality is complex and moving as her emotions and life events are unraveled in the moment as things happen.

In Mrs. Dalloway, references to life and death are seen frequently throughout the entire novel. It would not be correct to claim that Mrs. Dalloway focuses more on one or the other, for the novel brings attention to both life and death. Virginia Woolf exhibits these profound ideas through the thoughts of her characters in Mrs. Dalloway. The thought of death is constantly lurking in the thoughts of each character, and it makes even the most ordinary events become meaningful, and sometimes threatening.

In the book Mrs. Dalloway, Virginia Woolf wanted to cast the social system and bash it for how it worked. Her intricate focus is focusing not on the people, but on the morals of a certain class at a certain historical moment.

They fail to express to the outside what it is exactly that they feel inside. The problem of expression is one of the reasons the characters fail at communicating with each other. It is central to the character of Clarissa Dalloway who feels isolated in many ways as “She had a perpetual sense...of being out, out, far out to sea, and alone” (Woolf 7). She enjoys her marriage to Richard although sometimes thinking whether it would have been a better choice to marry Peter Walsh. As she contemplates her relationship with Richard, she admits to lacking “something central” in their marriage: the feelings of attraction that are “a sudden revelation, a tinge like a blush” like “an inner meaning almost expressed”(Woolf 26) but she believes that "in marriage a little licence, a little independence there must be between people...which Richard gave her, and she him…But with Peter everything had to be shared; everything gone into. And it was intolerable" (Woolf 6). This shows how important privacy is to Clarissa and the importance it takes in her relationship with others. Peter himself described Clarissa as having a “coldness” and “woodenness” about her that creates an overall “impenetrability” (Woolf 50). Unlike Peter who wanted to know all about Clarissa, all her inner thoughts, Richard gives her the necessary space because he believes that