Menil Collection Observation

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

It must have been 13 years or so since I have been to the art museum, back in elementary school, on a one of a kind field trip. 13 years is way too long to have been away from the art museum, as my experience this year reminded me that. It was a beautiful, sunny October day, although it felt like July, and it was an even better day to talk a walk through the vast, mesmerizing pieces of art that the museum has to offer. The North Carolina Museum of Art provides an abundance of artwork from various time periods, cultures, and one can find art anywhere from Egyptian, to classical, to modern and contemporary art. The artwork that the museum provides not only displays an abundance of artwork, but

By each exit door, a small box requests that visitors write their opinions on the collections and what they would like to see in the future. The museum’s desire to be relevant in the community has shown, as locals were excited to see artwork that they had requested in an earlier trip.

When I was younger, my dad and I used to go on dates to the Nelson-Atkins Museum of Art. Although I haven’t been there for over five years now, I still remember one piece of art that took my breath away; not because of the beauty of the artwork, but because of the shiver it sent down my spine, and the uneasy feeling I had when I looked at it. The piece of art that made me so apprehensive was a wax model of a museum security guard. The intricate detail of the figure, including the pores in the skin and the hair on the knuckles, left me wondering if this man were going to suddenly leap forward and yell, “Gotcha!”

On July 15, 2016 I visited the Isabel Anderson Comer Museum and Arts Center in Sylacauga, AL. The atmosphere was warm, welcoming, tranquil, enlightening, and reflective. I had a few sensory experiences which were hearing because of the sound the wood floors creaking as you walked through and the fact that it was so quiet you could hear the traffic right outside, sight because of all the many different displays of artwork and displays, and smell because of the almost overwhelming odor that I couldn’t pin point. There was one woman working there but she was in the basement cleaning up from an event from the night previous. The woman gave a brief introduction and rushed back off into the basement so I didn’t get a change to get her name. My overall

During our visit to the El Paso Museum of Art, our docent (insert name) took us on a tour of their current exhibitions: Robert Delaunay and Albert Gleizes: The School of Paris from Modern Master Series: Highlights from the Solomon R. Guggenheim Museum, The Immaculate Conception, Amplified Abstraction, and Modern Stone Totems. In addition to our expedition we observed art of Mexico and New Spain that showcased 17th and 19th century paintings and sculptures. European art with includes paintings and sculptures from the Samuel H. Kress Collection. As well as, early American art from the 19th century to the mid 20th century.

When I visited the Ringling Museum of Art it always surprises me to see the amount of people that go to visit from different backgrounds and of all ages. This recent visit there were mainly just people of little to no art background except there was a group of college students along with a professor from the University of South Florida Sarasota-Manatee campus there viewing the art and took a tour along with me. I talked with them and as I saw there reaction to each gallery it was fascinating. They were amazed by the sight and described it as “ elegant and beautiful” and when they viewed the artwork unclose with only a few inches from the canvas to evaluate the small details of each piece. Inbound this very interesting so I began to do this

Museum/Gallery Critique: A museum, gallery, or private collection visit followed by a written critique, two-page minimum, typed and double-spaced are required for this course. Detailed instructions will be distributed and

“This world is but a canvas to our imagination”; which always has been throughout the years. Art has been separated in different categories such as architectures, sculptures, photography and paintings. For my semester project, which was to visit an art or historic museum; my classmates and I went to the Reynolda House Museum of American art which provided us both the art and history. At first, we all assume that the visit would be boring or the art gallery would be dull. What shocked us the most was the actual experience being in the museum instead of just talking about it. We experienced multiple feelings during our visit in the art gallery as well as the historic area. From the art gallery which held many paintings of artist, to the house that R.J Reynolds and his family once occupied. Furthermore, it also showed us the legacy of R.J Reynolds and his family has left behind for the people of Winston-Salem.

In the Robyn Autry article, it mainly focuses on the national conflict of museums mainly focusing towards African American. The author travel to 15 museums around the United States that focuses towards African American. She mainly talks about how the African American were facing numerous hardships in the U.S and how the museum represents those issues to the general public. She believes the way to tell the hardship of African Americans is by exhibiting through a museum. When traveling through these museums she focused towards “centered on three traumatic episodes: capture and displacement from Africa, enslavement, and racial segregation” (Autry 64). The author of the articles wants to show that over time that museums meanings has changed over

17. On my museum experience, I took it in like every other visit to the museum I have ever had: much like other children expressed wonder and amazement at a circus performance or sports game; I was awestruck and mesmerized by the colors, the atmosphere, and the same restrained joy that I felt evident in the eyes of all the other observers. My girlfriend and I made our way through the museum, blending in with crowds of other viewers to see Cezanne, Gauguin, Brueghel, O’Keefe and the like in the permanent collection, making time to go from one end of the spectrum to the other. But my heart has always had a soft spot for

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

After getting over my initial reluctance, I got butterflies in my stomach. This was only the 2nd time I’d been to an art museum, so I wanted to make the most of it. When we first arrived, we looked around at some paintings. I visited an exclusive temporary exhibit of Edvard Munch which included a surprising amount of paintings of naked women. Nothing caught my eye in the first few galleries, but then I stumbled on an exhibit called “In Character” by Nam June Paik. As soon as I walked in, I got embarrassingly excited. I constantly had to stop myself from running around the museum like a madman. All the TV sculptures and simple, childlike drawings had been just so incredible to me. The piece that I really enjoyed the most was a sculpture called “Self-Portrait.”