Last year, I visited the Menil Collection located in Houston, Texas. Overall, the general atmosphere of the museum was very dignified. When observing the illustrations, the only sounds audible were the wood floors creaking as each step I took increased. As with each step I took, a tacitum guard placed in each room had their eyes set on me and followed me as if they were my very own shadow. I was a bit intimidated, but I understood they did not want an incident such as the vandalism act in 2012 to occur once again. Despite the uncanny tone at times, I felt as if the formal ambience helped create an attentive connection with the artwork and I. Once adjusted to the silent atmosphere and presence of the guards, my sole focus jumped to the paintings
One of the most prominent aspect of the Great Depression was that the people of United States lost confidence in the banking system and the banking crises of the 1933 followed. Until 1930s, unregulated banking system existed with the notion that increased competition would make the market more efficient increasing the consumer choice base and thus would promote resource allocation and growth. Since people at that time weren’t too supportive of centralization, there was division of power and all the states and regions had their own banks to mobilize resources and carry out investments. This led to increasing competition to attract the same resources which escalated the rates offered to depositors and induced lenders to invest in high return, high risk areas. As a result, the financial system became fragile and there were frequent mortgage
For my first museum paper I went to OSV since it was my first and only choice of venue. I went to the Towne’s House since I was told I would be able to find what I was looking for. After struggling to find a painting that I could read the information on, I saw the various the paintings along some walls and ceilings.
This Summer, I had the opportunity to spend my entire break attending conferences and interning at a lab at UCSD so I thought to myself I would never have the time to visit any art museum or do my summer assignments for that matter. That was until I realized I was living at a campus who had an art piece practically on every corner of their six colleges. I then began my journey, on scooter, to discover the hidden and the not so hidden gems The Stuart Collection at UCSD had to offer. It was then that I fell in love with 2 specific art pieces throughout the campus, those being Do Ho Suh’s Fallen Star, which depicts an immigrant’s transition into American culture, and Kiki Smith’s Standing, which depicts a seemingly tortured woman.
During our visit to the El Paso Museum of Art, our docent (insert name) took us on a tour of their current exhibitions: Robert Delaunay and Albert Gleizes: The School of Paris from Modern Master Series: Highlights from the Solomon R. Guggenheim Museum, The Immaculate Conception, Amplified Abstraction, and Modern Stone Totems. In addition to our expedition we observed art of Mexico and New Spain that showcased 17th and 19th century paintings and sculptures. European art with includes paintings and sculptures from the Samuel H. Kress Collection. As well as, early American art from the 19th century to the mid 20th century.
What's awesome about this nation is that America began the convention where the wealthiest customers purchase basically the same things as the poorest. You can be sitting in front of the TV and see Coca-Cola, and you can realize that the president drinks. There are several museums and art galleries in Houston with its unique and priceless exhibitions going on all over the year. The Menil Collection is one of the most famous art museums due to its unique exhibitions every year. It is located in, at 30-acre neighborhood of art with beautiful surroundings of downtown Houston. When I went there to have a look of the museum, I witnessed that there were large number of students there with their families and teacher for the exhibitions and they were
Upon entering the room, visitors’ eyes dart to that mysteriously empty frame centered on the opposite wall. In such a painstakingly designed museum, this frame looks out of place. On these walls hang the memoirs of revered artists, but the empty frames scattered throughout remember something more tragic: the largest property theft in world history (Menconi, 2012). Head of security at the Gardner, Anthony Amore, refers to these empty frames as “placeholders, not memorials” and urges visitors to see them as a “testament” to their belief that they will reacquire the stolen paintings someday (Menconi, 2012). Whether they do or not, the 1990 Gardner theft greatly impacted
On July 15, 2016 I visited the Isabel Anderson Comer Museum and Arts Center in Sylacauga, AL. The atmosphere was warm, welcoming, tranquil, enlightening, and reflective. I had a few sensory experiences which were hearing because of the sound the wood floors creaking as you walked through and the fact that it was so quiet you could hear the traffic right outside, sight because of all the many different displays of artwork and displays, and smell because of the almost overwhelming odor that I couldn’t pin point. There was one woman working there but she was in the basement cleaning up from an event from the night previous. The woman gave a brief introduction and rushed back off into the basement so I didn’t get a change to get her name. My overall
17. On my museum experience, I took it in like every other visit to the museum I have ever had: much like other children expressed wonder and amazement at a circus performance or sports game; I was awestruck and mesmerized by the colors, the atmosphere, and the same restrained joy that I felt evident in the eyes of all the other observers. My girlfriend and I made our way through the museum, blending in with crowds of other viewers to see Cezanne, Gauguin, Brueghel, O’Keefe and the like in the permanent collection, making time to go from one end of the spectrum to the other. But my heart has always had a soft spot for
Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of
It must have been 13 years or so since I have been to the art museum, back in elementary school, on a one of a kind field trip. 13 years is way too long to have been away from the art museum, as my experience this year reminded me that. It was a beautiful, sunny October day, although it felt like July, and it was an even better day to talk a walk through the vast, mesmerizing pieces of art that the museum has to offer. The North Carolina Museum of Art provides an abundance of artwork from various time periods, cultures, and one can find art anywhere from Egyptian, to classical, to modern and contemporary art. The artwork that the museum provides not only displays an abundance of artwork, but
When I visited the Ringling Museum of Art it always surprises me to see the amount of people that go to visit from different backgrounds and of all ages. This recent visit there were mainly just people of little to no art background except there was a group of college students along with a professor from the University of South Florida Sarasota-Manatee campus there viewing the art and took a tour along with me. I talked with them and as I saw there reaction to each gallery it was fascinating. They were amazed by the sight and described it as “ elegant and beautiful” and when they viewed the artwork unclose with only a few inches from the canvas to evaluate the small details of each piece. Inbound this very interesting so I began to do this
On September 4, 2016, I visited the Matisse in His Time exhibit at the Oklahoma City Museum of Art. This exhibit is home to a plethora of pieces by many different European artists from the 19th and 20th centuries. While it is focused on Matisse and his extensive works, containing more than 50 of his pieces, there are many portraits and sculptures by other influential artists from that time period including Renoir, Picasso, and Georges Braque. Three of the most appealing works that I encountered in this exhibit are Maurice de Vlaminck’s Portrait of Père Bouju, Pablo Picasso’s Reclining Woman on a Blue Divan, and Henri Matisse’s sculpture series Henriette I, Henriette II, and Henriette III.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
Picasso states that ‘museums are just a lot of lies, and the people who make art their business are mostly imposters’. This demonstrates his attitude towards art in a commercial environment. Breton describes a scene comprising of imagery of himself running through a museum setting. In ‘slippery floors’, ‘immovable walls’, and ‘too many scenes all at once’ you can tell that he feels overwhelmed by the thundering in of artworks and the structural space in which they are presented
Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.