Mental Health In Hamlet

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His diminishing outlook on women is, in fact, not the only attribute that affects Hamlet throughout the play. There are various conclusions in academic journals regarding Hamlet's mental state, all of them agreeing or refuting the theory that Hamlet is mad throughout the play. Despite having sufficient evidence, the analyzation of this play is subjective and no definitive conclusion has been made. Nonetheless, one opinion remains to be the most popular: Hamlet is not mad, yet encounters various feelings regarding mental and emotional health.
“When the Elizabethan era started… the most prevalent type of insanity was situational rather than biological ("Historical").Things like the death of family or loved ones was a big source of the madness.” ("Elizabethan Times”)
There were various ‘treatments’ used in the span of history to treat those who were affected by anything regarding mental health. Psychology, despite being one of the youngest sectors of science has a very undeveloped, horrific history when it comes to participants. “Madness is a generic term that includes behaviors considered deviant. Deviance is always culturally defined, and varies markedly from society to society.” ("Madness and Culture."). In the play, both Hamlet and Ophelia are affected mental health disorders deriving from the deaths of loved ones yet they both dealt with it differently. Arguments regarding Hamlet’s mental state are made based off his encounter with his father's ghost as well as his general behaviour. Hamlet’s friends often worry that when Hamlet and his father meet “there [King Hamlet] assume some other horrible form, Which might deprive your sovereignty of reason And draw you into madness?” (1.4.71-73). Nonetheless, this worry was often disproved throughout the play. Being described as having a ‘crafty madness’ by Rosencrantz disproves his madness theory. Moreover, there are various instances where Hamlet confesses to faking his apparent decent. With statements such as “I am but mad north-northwest” (Shakespeare 2.2.386) or “ not in madness, / but mad in craft” (Shakespeare 3.4.188-189) show that Hamlet is fully aware of himself and how others think of him, showing that his acts are done on purpose and he is, in
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