Mental Health in Slaughterhouse Five by Kurt Vonnegut

The plot of Slaughterhouse- Five revolves around World War Two, especially the bombing of Dresden from a soldier’s perspective. Vonnegut vividly describes the destructive nature of war through accounts of ambush, mistreatment of prisoners of war, and massacres. However, he also expresses the mentally and emotionally damaging effects of war with the pure insanity of Billy Pilgrim. One of many instances illustrating Billy’s altered state of mind in the war is when he arrives in a prisoner of war camp. The English prisoners put on a production of Cinderella for their American guests and following a comical line Billy loses control. “He not only laughed – he shrieked. He went on shrieking until he was carried out of the shed into another, where the hospital was” (Slaughterhouse 98). This is a single example of the deplorable state of Billy’s mental sanity. The reader is already aware that Billy also begins to hallucinate and have crazy notions that he was abducted by aliens. Billy even acquires a sort of catchphrase that clearly demonstrates how emotionally distant Billy has become because of the war. Every time death is brought up, Billy has only one thing to say about it: “So it goes” (Slaughterhouse 214). This shows that Billy has become numb to pain, anguish, fear, and even life itself. To Billy, the end of the war did not actually bring freedom, but trapped him inside the horrors of his memories and deranged

SlaughterHouse-Five is a book about a man named Billy Pilgrim who is stuck in time, and constantly travels throughout different events in his life. Billy accepts different values and sees traumatic and morbid events differently than others. Billy accepts a way of life that is not perceivable to other humans. Many would argue that Billy’s experiences make him insane, but Billy’s experiences with the Tralfamadorians actually allows him to preserve his sanity, and stay a very intelligent man.

Billy Pilgrim is the person that the book is written around. We follow him, perhaps not in a straight order, from his youth joining the military to his abduction on the alien planet of Tralmalfadore, to his older age at his 1960s home in Illum. It is his experiences and journeys that we follow, and his actions we read about. However, Billy had a specific lack of character for a main one. He is not heroic, he has very little personality traits, let alone an immersive and complex character. Most of the story is written around his experiences that seem more like symptoms of Post-Traumatic Stress Disorder from his World War Two days, combined with hallucinations after a brain injury in a near-fatal plane

Both characters, Billy Pilgrim and Roland Weary, are imaginative. Billy has a different type of imagining than from Roland. Billy’s way of thinking is to be more “out of the box” or fantasy. Kurt Vonnegut wrote in the book, “Slaughterhouse-Five,” about Billy Pilgrim saying, “And then Billy swung into life again, going backwards until he was

… Disorientation and confusion“ ("Trauma/PTSD"). Vonnegut writes, in one of the very first chapters, “Billy Pilgrim has come unstuck in time. Billy has gone to sleep a senile widower and awakened on his wedding day” (Vonnegut 23). Throughout the book we are taken on a spastic and wild journey from one moment in Pilgrim’s life to another. For instance, Pilgrim is walking through the horribly cold, bleak and depressing German landscape with “The Three Musketeers” and ends up being dragged by Weary most of the way. As soon as the two scouts ditch him and Weary and it seems their ordeal couldn’t get any worse, Pilgrim “time travels” to a moment in which he has just won the Presidency of The Lion’s Club and proceeds to gives an impressive speech. (Vonnegut 48-50). This sort of behavior, completely dissociating oneself from the horrible situation at hand, is typical of PTSD. Pilgrim wanted to escape completely from the cold and depressing “hell” he was in and be back in happiness, where he had just won a successful campaign for the Presidency of his club. This is what happens throughout the book and it is simply another example of Pilgrim’s widespread and horribly debilitating case of PTSD.

The reality in this novel is about how real it is to Billy Pilgrim (Kurt Vonnegut). He is never really time travelling it is just a part of his stage in life that he keeps replaying. Due to the devastation he had to watch it is hard for him to live everyday as a normal person. And again this all relates to PTSD. It is not a given fact that Billy had PTSD, however as you read the novel you understand more about his life and why he is the way he is.

Billy Pilgrim's life is far from normal. Throughout most of his adult life he has been moving backwards and forwards through time, from one event to another, in a non-sequential order. At least, this schizophrenic life is hard to understand. Because Vonnegut wants the reader to relate to Billy

Kurt Vonnegut’s novel Slaughterhouse Five shows the life of Billy Pilgrim through a twisted tunnel of reality. Pilgrim is raised in Ilium, New York and grows up to become an optometrist but shortly after is drafted into World War 2. This soldier’s life is not shown as a straight line where you’re born in the beginning and die at the end but rather as a scatter plot of time due to Billy’s time traveling ways. “ Billy Pilgrim has come unstuck in time. Billy has gone to sleep a senile widower and awakened on his wedding day” (Vonnegut 29). With Billy unstuck in time it leaves his body traveling back and forth through time. Kurt Vonnegut also uses elements of science fiction to highlight the ills of modern society and the perils of

People react differently to tragedies: some mourn, some speak up, and some avoid the sorrow. In Slaughterhouse-Five, Kurt Vonnegut suggests the danger and inhumanity of turning away from the discomfort by introducing Billy Pilgrim as someone who is badly affected by the aftermath of the Dresden bombing, and the Tralfamadorians as the aliens who provide an easy solution to Billy. It is simpler to avoid something as tragic as death, but Vonnegut stresses the importance of confronting it. Vonnegut, like many artists, expresses his ideas through his creations. The significance of art is not confined to helping and inspiring the general public; the process of creating art also becomes another form of coping mechanism for artists.

It is expected for arguments to arise when writing about controversial topics. Many times the meaning of a book is not as obvious as the author intended, which may lead to problems. Other times, books are challenged because they contain sexual or inappropriate material. When Kurt Vonnegut released Slaughterhouse-Five critics were quick to judge his peculiar way of writing. Although Kurt Vonnegut’s book Slaughterhouse-Five was oftentimes misunderstood, interpreted as inappropriate, and judged for the peculiar point of view, critics seem to appreciate and accept one aspect of it: the structure of the book.

The main event in the novel was the fire-bombing on Dresden during World War II, which both Vonnegut and Pilgrim took part of. Billy Pilgrim was constantly traveling back in time to WWII already knowing this tragedy was going to take place. But again, he went on with life because he knew he could not stop the bombing from

The phrase “so it goes” is repeated 106 times in Kurt Vonnegut’s Slaughterhouse Five. From “dead” champagne to the massacre at Dresden, every death in the book is seemingly equalized with the phrase “so it goes”. The continuation of this phrase ties in with the general theme on indifference in the story. If the Tralfamadorian view of time is correct, then everyone is continuously living every moment of their life and dying is not the end. However, if Vonnegut believed in this idea, then he wouldn’t have felt compelled to write about the firebombing of Dresden. It is clear that both Billy Pilgrim and Kurt Vonnegut are affected by the massacre they saw, but they have different ways of rationalizing it. Billy finds comfort in the Tralfamadorian view of life, whereas Vonnegut disagrees, and urges the reader to disagree too. The constant repetition of “so it goes” breaks the reader away from the Tralfamadorian point of view, and allows them to come to their own conclusion that although it would be nice to forget the bad parts of life, it is important to remember all of the past. Vonnegut helps the reader come to this conclusion by repeating the phrase after gruesome moments, and showing how meaningless life can be if the Tralfamadorian ideas are believed, as seen through Billy Pilgrim’s bland life..

While never a defeatist, Billy merely flows through his disjointed life without much heed to the event at hand. Billy realizes that he holds the power to create his own happiness and satisfaction out of life through appreciation of the present moment rather than contemplate the occurrence of past and future. Vonnegut develops Billy Pilgrim as a unique protagonist as a means of forcing the reader to question the application of free will upon society and gain a new perspective on the beauty of the present.

Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian

Slaughterhouse-Five, a novel written by Kurt Vonnegut, tells the story of the devastating effects of war on a man, Billy Pilgrim, who joins the army fight in World War II. The semi-autobiographical novel sheds light on one of history’s most tragic, yet rarely spoken of events, the 1945 fire-bombing of Dresden, Germany.