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Mental Renaissance: Ernest Hemingway And Winter Dreams

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Mental Renaissance In Ernest Hemingway’s Indian Camp and F. Scott Fitzgerald’s Winter Dreams, Nick Adams and Dexter Green, respectively, overcome obstacles — principally parting of ways with a loved one —and experience immense personal growth as a consequence. Nick Adams, a young, adolescent aged boy, journeys with his father to a secluded Native American encampment in order to treat a woman in labor. A journey that started with uncertainty and a sense of optimistic excitement, ended up being a profoundly traumatic experience for Nick. Nonetheless, the events of journey caused Nick to gain a feeling of mental liberty. Likewise, Dexter Green’s situation with Judy, his long-term love interest and his representation of utter perfection, initially, …show more content…

Hemingway typifies Dexter’s revelation through a juxtaposition between the tones of when Dexter initially learns of Judy’s new life and when Dexter learns that Judy has “faded away.” For instance, Fitzgerald creates an initial tone of excitement and nervousness through Dexter’s dialogue of “isn’t she - - a pretty girl?” and the description of how “he was possessed with a wild notion of rushing into the streets, [rising] to his feet spasmodically (Fitzgerald, 9).” The urgency featured in the initial tone is established through the “- -“ featured in the dialogue because it gives the reader a more tangible taste of Dexter’s hesitancy in regards to Judy. Furthermore, Fitzgerald uses the frantic feeling of Dexter’s first reaction to serve as a ballast to the nostalgic tone Dexter’s reaction has after learning about Judy “fading away.” The “sort of dullness [that] settled down upon Dexter” encapsulates the mood of the latter scene (Fitzgerald, 9). The realization, epitomized by the stark juxtaposition that Fitzgerald creates through tone, is clarified in the following passage, when Dexter describes how “the gates were closed, the sun was gone down, and there was no beauty but the gray beauty of steel (Fitzgerald, 9).” This striking imagery describes the brutal effects that the realization of Judy’s imperfectness has on Dexter, as it demonstrates the true reason for why Dexter reacted with such sadness and why Dexter held on to the thought of Judy’s idealism for such a long time: she gave him hope that he may, one day, become the ideal man — a hope that “faded away” just as she allegedly

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