Merchant of Venice: Comparison of the Marriage Plot and the Trial Plot

Without money, Bassanio believes himself an unfit suitor for Portia, unable to match any of her other, richer suitors in sexual appeal. It is doubly significant that though he speaks of love and sexual

In Elizabethan Society during the time in which William Shakespeare wrote The Merchant of Venice, many marriages were arranged by the parents of the betrothed couple to ensure the transfer of wealth as opposed to assuring true love. Once married, the woman was expected to be subservient to her husband and not control any matters of the estate. Although not necessarily written as a stance on women’s position in society, it is from this perspective that Shakespeare wrote The Merchant of Venice laying down an underlying theme of marriage for wealth within the play. Love in William Shakespeare's The Merchant of Venice is bartered like a tradable commodity in order to gain money, status, and resources.

In The Merchant of Venice, Grudges and Personal Rivalries in the trial scene has clearly been expressed with Shylock and Antonio. The central part and the twist of this novel are primarily caused by the rivalries between Shylock and Antonio. The “merry bond” that Antonio signed to help his dearest friend, Bassanio, was the main reason of the trial scene. According to Antonio, “Content in faith. I’ll seal to such a bond, and say there is much kindness in the Jew” (1.3.163-164) The bond which Antonio had willingly accepted was that if he failed to pay back 3 thousand ducats in 3 months, Shylock had the right to cut a pound of flesh from his body. As Antonio was a rich merchant and had plenty of ships coming in, with 9 times the money of the loan, he found no difficulty in accepting the bond. However, times were unfortunate for

Shylock is punished by the Venetian court for seeking to end Antonio’s life. He is charged under a Venetian law (of Shakespeare’s creation) and he is forced to give up his wealth and to beg the Duke to spare him his life. Viewed like this it seems simple enough; Shylock broke a Venetian law and, as a consequence, is punished. However, Shylock’s case is far from simple. Antonio’s demand that Shylock should renounce his Judaism and become a Christian and his insistence that Shylock should will his money to the Christian

In a book or play, it is usually very easy to distinguish who the victim is and who the villain is. The villain usually causes all the problems in the story line and the victim is the one who suffers in result of the villain’s actions. In the play The Merchant of Venice by William Shakespeare, we examine the life of Shylock as a victim. It is seen through three main events in the play. Shylock is ridiculed by his community and his family, he is betrayed by his daughter and the community he lives in, and he is forced to lose all his wealth.

In giving Bassanio her ring, Portia assumes the traditionally masculine role, both in giving the ring and in giving herself, a role usually belonging to the father of the bride:

We see how she is manipulated by men through her father, who though dead, still manages to control who she marries from his will. He states in his will that from three different caskets the suitors will have to chose, in each of which will contain either a letter to the suitor or a picture of Portia. In one of the three caskets, either the lead, silver or gold casket, there will be a picture of Portia the suitor picking the casket

This shows how Shylock is shrewd, by playfully suggesting the forfeiture of the bond which is actually a cunning plan to murder Antonio with the law on his side.

He declares, "I'm very glad of it. I'll plague him, I'll torture him, I am glad of it." (3, 1, 115-116) At the end of Act 3, scene 1, Shylock's true motive is revealed. Shylock says, "I will have the heart of him if he forfeit, for were he out of Venice I can make what merchandise I will." (3, 1, 125-127) All these comments clearly attempt to paint Shylock as a money-worshipping murderer and not as a person.

William Shakespeare’s comedy The Merchant of Venice tells the story of Antonio, a merchant, who borrows money from Shylock a Jewish moneylender to help his friend, Bassanio, marry a woman. The play highlights the tension between Jews and Christians in society through the interactions between Shylock and the Christians. In contrast, the play also highlights the positive aspects of both religions. The main point of The Merchant of Venice is to critique society’s treatment of religion.

His hatred for Antonio is also obvious and it is so strong that he refuses all offers of money so that he can cut off a pound of his flesh. In Act 3 Scene 1 Shylock makes his famous “Hath not a Jew eyes?” speech, and it is probably at this point that the audience

In the play the ‘Merchant of Venice’ by William Shakespeare the antagonist Shylock is both the victim and the villain. Shylock is a Jewish moneylender and is initially portrayed as anger filled and bloodthirsty but as the play continues we begin to see him as more human and his emotions become more evident. As the antagonist, Shylock is a fearful adversary to Antonio, the protagonist. But as good begins to win over evil, Shylock is crushed and we see evidence of his mortality in his grief. Shylock changes significantly though out the course of the play and he is formed into a too complex character to be labeled just victim or villain.

The Merchant Of Venice is structured partly on the contrast between idealistic and realistic opinions about society and relationships. The play tells us mercy is preferable to revenge. Shylock chose revenge over mercy against Antonio and how his choices affected him. The Court of Venice begging mercy of Shylock. Finally, Portia forgiving Bassanio for giving away his wedding band.

Although Antonio and Shylock command most of the play’s dialogues pertaining to law and justice, Bassanio does comment on law in two separate occasions. The first occurs when he is choosing between one of Portia’s chests. He recognizes the dangers of façades and asks, “In law, what plea so tainted and corrupt / But, being seasoned with a gracious voice, / Obscures the show of evil?” (3.2.75-77). This line is significant because it deals with law before the courtroom scene takes place and provides some foreshadowing to how the cases are presented. Shylock and Portia, especially, employ different rhetorical devices in order to sway the ruling in their favor. In a second reading, Bassanio’s observation forces the reader to ask who is “seasoned with a gracious voice” and who is morally right? During the courtroom scene Bassanio plays a less important role, yet he recognizes how the law operates. Even though he has no say with the ruling he pleads with Portia, “And… / Wrest once the law to your authority. / To do a great right, do a little wrong, / And curb this cruel devil of his will” (4.1.211-214). Bassanio has a huge desire to help his friend Antonio and knows, that at this point, only the law can help him. Thus, it makes sense that he asks Portia to establish a favorable ruling. Bassanio’s words seem to suggest that he has a less black-and-white outlook towards law: he

Even though some might consider The Merchant of Venice a tragedy, it has always been known to be categorized as a comedy. Comedies are not always plays that generate laughter. They usually involve normal, everyday problems where families are looking for resolution to the problems, often almost suffering a tragedy before they are successful. The comedies always have a happy ending and usually end with couples resolving their issues and falling madly in love, and then getting married to live happily-ever-after (Schnell). The love story of Bassanio and Portia plays an important role in The Merchant of Venice. There are struggles they must overcome to come together. Bassiano’s lack of funds was the first obstacle to overcome in this love story. He had met Portia on an earlier journey to her land and wanted to return to seek her hand in marriage. His dear friend, Antonio, made a bond with Shylock the Jew to secure the funds for Bassanio to travel to Portia’s homeland. If Antonio forfeited the bond, he would owe the Jew a pound of his flesh in payment. It never entered Bassanio’s mind, or Antonio’s either, that the bond would have to be paid in this