Mercutio A Good Friend Analysis

72), then draws his own sword to fight Tybalt. Bert Cardullo argues, “Impulsiveness is the real villain in this play that has no villains. It finally extinguishes itself, but not before Mercutio, Tybalt, Paris, Romeo, and Juliet are killed by it” (Cardullo 66). Therefore, this abrupt remark, along with his eagerness to engage in a fight with Tybalt, reflects Mercutio’s impulsivity because they ultimately lead to his

In William Shakespeare's Romeo and Juliet, the character Mercutio is a foil for Romeo. They are both young men who enjoy each other's company and meet their death in this tragedy. Romeo is an impulsive, hopelessly dramatic romantic who overreacts to most life events. While Mercutio is more realistic, grounded, carefree and serious, although he can be impulsive. With Mercutio being a foil for Romeo, it is easy to see Romeo's dramatic and tragic life story as compared to the more calmer tragic ending for Mercitio.

Tybalt intended to fight Romeo because he disliked his presence at the Capulet’s party but after Romeo refuses to fight Mercutio feels the need to fight for him instead. This is not the only time Mercutio is a display of masculinity in the play. As Romeo’s friend he likes to mock him, calling him an petrarchan lover and joking about his version of love. The difference to Romeo is also found when juxtaposing how Romeo and Mercutio speak. For instance, when Romeo talks about the girls he is in love with or has a crush on he talks in poetic sentences. In comparision, Mercutios:” Laura was a kitchen slave. Surely she has a better love to make rhymes for her. Dido was shabbily dressed. Cleopatra was a gypsy girl. Helen and Hero were sluts and harlots.

He is the one who tries to pick Romeo back up and dust him off. Even though Romeo may not have admitted it, Mercutio was portrayed as his rock. That is why when he dies, this triggers a turning point in the play for the worst, resulting in multiple deaths and even an exile. Romeo and Juliet’s plan was caused by the death of Mercutio, because if he had not fallen, Romeo would not have lost his temper and slain Tybalt in a fit of rage. Romeo feels to blame since Mercutio “…got his mortal hurt in [Romeo’s] behalf;” (III.i.106-107). In turn, Romeo strives for vengeance and achieves it through the death of Tybalt. Although Mercutio is considered to be a subsidiary character, the outcome of the story would have been much

The Role of Mercutio in Romeo and Juliet In William Shakespeare's Romeo and Juliet, each character plays a specific role in driving the action forward and shaping the play's theme. One secondary character, Mercutio, is essential to the play. Mercutio is the Prince's kinsman, but more importantly, he is Romeo's friend and confidant. Mercutio's concern is always for Romeo and for peace between the two families, the Capulets and the Montagues. Mercutio is the first to see that Romeo is deeply in love.

The relationship that Mercutio has with Romeo is sturdy in all areas except love. This opposition can clearly be seen when Montague talks about Romeo’s depression over Roseline. “And private in his chamber pens himself, shuts up his windows,

P.688-Mercutio is the type of person who knows a lot about love. He does have good advice for Romeo. Mercutio can be Romeo’s foil because Romeo has just have a different perspective than Mercutio about love.

He sees it as nothing deeper than the skin and he takes it as a joke. Shakespeare gave Mercutio these character traits in order to represent how most men in the Elizabethan Era saw love. The men seeing the play could relate to Mercutio in his actions and understand that there are other ways of going about things. “You are a lover. Borrow cupid's wings | And soar with them above a common bound” (Act 1 Scene 4 Lines 17 and 18). Here, Mercutio is being sarcastic with Romeo. Romeo feels that he is too heartbroken over Rosaline to go to the party, and Mercutio is mocking him for it. He does not see love as anything greater than physical need. “Throughout lovers’ brains, and then they dream of love” (Act 1 Scene 4 Line 76). Mercutio believes that love is brought on by a fairy called Queen Mab that goes into people's heads as they sleep. Mercutio does not believe in emotional love, simply a physical feeling. Mercutio’s view on love had no attachment, similarly to how men in Shakespeare's time period

Mercutio, while in neither of the houses, dislikes Tybalt. While it may have something to do with the fact that Romeo dislikes Tybalt as well, Mercutio—without reason to—still stands faithfully by Romeo’s side and closer to the house of Montague. From his first entrance, and his last exit, Mercutio stays a stable character by being a constant right hand man to Romeo.

They have made worms meat of me,” (3.1, 68-69). This quote exemplifies that although Mercutio is neither a Montague nor a Capulet he still dies in a battle fought between the families. This incident heightens Romeo’s fatal flaw, as his reckless act of heroism turned out to be a burden as it caused the death of Mercutio. Moreover, Mercutio’s plague towards the families also foreshadows further tragedy, as Romeo then gets banished from the Verona, along with additional events which later on result to his death. Last, even after his death, Mercutio acts as a foil character to Romeo by causing a shift in Romeo’s gentle character. For example, after Tybalt slays Mercutio, Romeo avenges his friend by killing Tybalt. This act shows his alteration in character, as he was never seen as a ferocious character in any previous scenes. This is evident in the play when Romeo says, “Away to Heaven, respective lenity, and fire-eyed fury be my conduct now,” (3.1, 125-126). This quote exemplifies Romeo’s new perception, as he claims he is finished with sympathy and gentleness. This change in Romeo’s personality is significant because not only is he going to attack Tybalt, but also he is going to kill him, which then entitles him a murderer. This is significant because it further leads to his banishment, which in all leads to his death. The transition in the persona of Romeo is highlighted by the character Mercutio, which leads to the

He isn’t always the nicest guy, but he goes for what he believes in without letting anyone get in his way. Mercutio is loyal in a violent way; although he is loyal, he is also skeptical. Mercutio is loyal to his best friend Romeo. In 3.1, Romeo says, “And so, good Capulet, which name I tender as dearly as my own, be satisfied.” (3.1.68-69) Mercutio replies with,” O calm, dishonorable, vile submission!

Mercutio is an anti-romantic type of guy while Romeo is a very romantic guy. Romeo believes in true love and fighting for the women he wants while Mercutio has a find another woman's attitude (there is other fish in the sea attitude). After the party at the Capulet's house Mercutio continues to taunt Romeo about Juliet and call him names like “madman” or “lover.” His aspect of Romeo’s love is negative while Romeo believes in true love. Mercutio says, “Romeo!

As a friend of Romeo’s, Mercutio supports the Montague’s in the ancient feud. An example of Mercutio defending the Montague’s is when Tybalt, a member of the loathed Capulet family, abuses Romeo and Mercutio intervenes on Romeo’s behalf. Attempting to restore peace, Romeo gets between the two combatants and Mercutio “hath got his mortal hurt” (Page 149; Act 3, Scene 1) on Romeo’s account. In spite of his “life shall pay the forfeit of peace” (page 17; Act 1, Scene 1), Romeo seeks revenge on Tybalt as he loves his murdered friend. As Romeo kills Tybalt out of love for Mercutio, Shakespeare suggests that love conquered the thought of being penalized with death.

Lastly, Shakespeare uses Romeo and Juliet to show true love. As a friend of Romeo and, Mercutio reinforces the Montague in the strife. Mercutio doesn’t express it, but he really cares about his friends. When Romeo was having a hard time getting over Rosaline, Mercutio was there to comfort

Mercutio is a relative of the prince and friend to Romeo. He is an eloquent man and becomes the center of attention whenever he appears in the play. It seems like he dominates Romeo with his teasing and irony. He mocks Romeo as he thinks he is too sentimental and tells him how foolish he is; he turns all of Romeo’s thought about love into sexual metaphors.