Metamorphosis Kafka Analysis

In Franz Kafka’s novella, The Metamorphosis, the travelling salesman Gregor Samsa wakes up one morning, in his family’s home, to find “himself changed in his bed into a monstrous vermin” (Kafka 3). While this immediate physical change, supported by ensuing physical imagery, suggests that the “metamorphosis” introduced in the title is purely physical, other interpretations are also possible. When the reader relies upon the extended and embedded metaphors present in this text, he or she may construe Gregor Samsa’s transformation as an emotional, mental, or internal change. It is a combination of both physical and nonphysical interpretations of Gregor Samsa’s metamorphosis, however, which produces a multifaceted,

In the life changing sermon, “Sinners in the Hands of an Angry God,” Edward Taylor uses many persuasive techniques to grab the attention of his congregation. By amplifying specific rhetorical devices Edwards intends to instill enough fear into his congregation for them to turn from their sinful ways and repent; He achieves this by repetition, imagery, and his use of hyperbole. An effective rhetorical device Edward Taylor uses is repetition; this allows him to deepen the personal effect his sermon has on his congregation. In his piece Edwards continually restates many phrases to keep the overall tone very clear and distinct.

In the 1930s the United Stated and Japan had a turbulent relationship as the result of Japan trying to expand into China and take their territory as well as take over their economy by force resulting in a variety of horrible events done to the Chinese. To reprimand Japan for their aggression towards China and to try to force them to end their aggression the United States put in place a system of economic sanctions and trade embargoes to cut off essential goods. Instead, this only made the Japanese more determined and after months of discussion no peaceful conclusion could be reached. This in turn led to the events on an island 2,000 miles from the U.S. mainland and 4,000 miles from Japan. The name of this island is Pearl Harbor, which was

Many times throughout our life, we wake up and do the same monotonous tasks every day and our lives rarely see change. We do not add any flavor or interest to our lives and consequently our expectations rarely change. But, how would you react if one morning you woke up and had somehow turned into a giant bug? Welcome to Gregor Samsa’s life. The Metamorphosis shines light on Franz Kafka’s own bitter life as his experiences are relived and reimagined through the timeline of Gregor Samsa. If the characters in this story were a representation of Kafka’s own life it reveals how truly awful it was. Indirect characterization intensifies the overall text by developing the characters and tying together Gregor’s fictitious world with Franz Kafka’s own reality.

The book Slaughterhouse-Five, written by Kurt Vonnegut, is an anti-war book about Vonnegut’s exposure to the vivid events that unfolded during his time at the slaughterhouse in Dresden, Germany and how it affected him. The story is told by Vonnegut through the perspective of the main protagonist, Billy Pilgrim. Billy was a survivor from WWII and the Dresden bombing, but after returning he claims to have traveled through time to explicit memories from life and had been abducted by Tralfamadorians (aliens). However, in the film Slaughterhouse-Five, directed by George Roy Hill, viewers see slight changes to the storyline. Viewers notice that in the opening scene that Vonnegut’s friend Bernard O’Hare and his wife, Mary O’Hare, are never

Franz Kafka’s The Metamorphosis (1915) is a novella about protagonist Gregor, a hard-working traveling salesman transforms into some a vermin overnight and struggles to adjust to his startling change. Kafka characterizes Gregor as a selfless individual whose profound love for his family misleads him about their genuine disposition. As he adjusts to his new change, he undergoes great difficulty to determine his identity and humanity. Gregor has deceived himself into believing that his family will love him despite his repulsive appearance. In The Metamorphosis, Kafka uses characterization and third-person narrative to demonstrate Gregor’s self-deception and self-awareness regarding his family and circumstances to establish the theme of identity.

Analysis of the story “The Metamorphosis”, by Franz Kafka was written back in the early 1900’s, but reflected a more modern way of thinking and lifestyle of today. Gregor felt that he was a slave to his job, isolated from his co-workers, and misunderstood by his family. Although that is the norm in today’s society, it was not the norm back then. In the story Gregor finds himself transformed into a cockroach and his internal struggles become a permanent reality. Kafka’s choice of the family member to play the role of the cockroach was necessary in portraying the curse of the working man only living each day in hurried lifestyle with no freedom.

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

“One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in bed he had been changed into a monstrous verminous bug.” (Kafka 3) That right there is the famous opening line to The Metamorphosis, that line drags people in and make them want to read more of the novel. Franz Kafka gave vivid details of the morning Gregor had woke up realizing that he had changed into a monstrous verminous bug. What people don’t realize is that Gregor is Franz Kafka, it all started during 1912. “The aftermath of the war (raging as Kafka composed The Metamorphosis) was the “Balkan slaughterhouse,” as it widely called at the time with well over 200,000 soldiers killed in a few weeks” (Stach 227). Franz Kafka started writing about the dejection, which led him to envisioning himself as a large insect which is what gave him the idea to write The Metamorphosis. “The protagonist of The Metamorphosis,Gregor Samsa, has declined from a respected army lieutenant into his present status as giant house pest” (Whitlark 3).

A metamorphosis can be described as a change in structure, form, or appearance, or as a change in form from one stage to the next in an organism’s life. In Franz Kafka’s novella, “The Metamorphosis”, change is a major theme. The theme of change is significant as the main character, Gregor Samsa, a traveling salesman, undergoes a metamorphosis of his own as he experiences changes living as a giant insect. However, Gregor’s journey through his new life is not subjective, as his transformation provokes significant changes in his family’s dynamics. In fact, Gregor’s transformation into an insect is not the main focus of the novella. Kafka uses Gregor’s metamorphosis as a way to emphasize the more significant metamorphosis within the Samsa

The Metamorphosis is a novella written by German author Franz Kafka which was first published in 1915. The novella tells the story of Gregor Samsa, a traveling salesman who one day awoke to discover he had transformed into an insect like monstrosity. Throughout the story, Gregor struggles with the horrible prospect of coming to terms with his situation, as well as coping with the effects of his transformation, such as the fact that his family is repelled by his new form, and that he is no longer able to provide financially for them. Through Gregor’s reaction to the effects of his transformation on his life, Kafka critiques the situation of the common man in a modern world.

There exists no one true approach to examine writing; consequently, Literature continually proves to be a misunderstood art. Emerging through time, theories have been conceived due to the study of literature, but different readers believe in different theories. For instance, Franz Kafka’s short story, The Metamorphosis, may be interoperated countless ways do to its intricacy, as well as by varying literary theorists. Kafka himself and historical background may even be scrutinized, when studying The Metamorphosis. Complexity in The Metamorphosis lies throughout the entirety of the story, for the story tells the telling tale of salesman Gregor Samsa and his time as a gigantic insect (Kafka). Despite their differences, Biographical Criticism, Historical Criticism, Psychoanalysis, and Marxism all provide methods by which to analyze Kafka’s The Metamorphosis.

Similar to Frost’s poem, Kafka’s novella, Metamorphosis explores the life of the protagonist, Gregor, as he encounters a sudden physical transformation which acts as a catalyst for his self-discovery. Kafka's incorporation of nature and social disconnection, through the metaphor of transformation of the protagonist from human to vermin, allows the audience to explore Gregor’s emotional instability in relation to his perspective upon himself, through the representation of his changing psychological state through the life of a bug. Kafka uses descriptive language such as “armour-like back… and brown belly, slightly doomed and divided by arches into stiff section” prompting thought and imagination amongst the readers, creating a lasting impact in the mind of the reader through the use of symbolism of the surrounding natural environment. The use of anthropomorphism emphasises the protagonist’s discovery and self-evaluation of his own worth and value both within society and his family. Kafka expresses the issues of prioritising a job and how the constant travel made to and from work restricts and individuals ability to have human interaction “…you can never get to know anyone or become friendly with them” as limiting the persona’s potential to discover. As evident within Gregor’s speech, the idea of self-discovery is illuminated through the abrupt change in appearance into his new insect body “Gregor was shocked when he heard his own voice… it could hardly be recognised.” In this dialogue Kafka reveals how the protagonist quite literally realises he has no say within his household to call out for help, or simply to voice his opinion. As Gregor accepts his transformative self-discovery, through his change in perspective as he reflects upon his ability to view life in a new light from the aspect of being an insect. Similarly, both

Franz Kafka’s, The Metamorphosis is a disturbing and complex novel which is about a salesman, named Gregor Samsa, who finds himself transformed into a monstrous vermin when he wakes up one morning. The transformation makes him view the true reality of the absurd world that he had always lived in but had been avoiding. The Metamorphosis is considered to be Kafkaesque meaning the writing style in this novel is extremely bizarre, nightmarish and illogical. Kafka already begins to fill the readers with ambiguity through the unexpected and shocking first line.

The deeper meaning of “The Metamorphosis”, by Frank Kafka, can be interpreted in many ways depending on critical theory is used to examine it. From a feminist criticism, one can observe how Gregor’s dominance as a male diminishes after he becomes a bug as his sister’s strength and role in the family grows stronger. From a biographical criticism, one can compare and contrast the traits of Gregor and the people around him with that of Kafka’s own life and his relationships. However, the focus of this essay will be applying a psychoanalytical criticism to the characters in “The Metamorphosis”, using the studies of Sigmund Freud to approach