Metaphors In An Age Of Entertainment By Neil Postman

The introduction of television casted a wave of change in the lives of the American public. In Gary Edgerton’s The Columbia History of American Television, he described the uprising of television, “involved the most extensive and ballyhooed series of public relations events ever staged around any mass medium in American history. “ (Edgerton, p.1) The first presentation of television played a pivotal role on how the American public adopted the new medium of technology and communication. I will explore the grand manner of how television was presented to the American public during the early years by the direction of David Sarnoff, and televised special of the 1939 World’s fair. In addition, how this presentation of television generated the acceptation

Postman uses an example of Aldous Huxley to demonstrate that our society has been molded into one where the people are too distracted by the media to examine their lives closer and understand that they are virtually powerless. "Huxley feared that what we love will ruin us"(2nd page of Foreword). We, as a society, love television. We watch it when we are bored, when we are tired, and even keep it on when conversations are being had as background noise. Needless to say we love it. Postman uses this quote to show that television, something that we love, is distracting

Charlotte, a teenager making her way through high school, undergoes a coming of age transformation through the teachings of her Mrs. Hancock and her mother in “The Metaphor” by Budge Wilson. As with most stories like these, Charlotte has a major conflict that determines how she will grow up. For the protagonist, the conflict is not so much between her teacher and mother, but more so the lessons they bestow upon Charlotte. Through her use of literary techniques, the author is able to craft this dynamic between the two schools of thought. The symbolism, diction, tone and metaphors that Wilson uses shows which discipline, flamboyant and exciting or controlling and passive-aggressive, she chooses to live by.

Before pinpointing what Postman means in his phrase, we can first clarify what he does not mean. Postman’s phrase, “the medium is the metaphor,” consists of a loaded word that, in the context of his book, necessitates clarification - metaphor. Postman uses the word ‘metaphor’ as opposed to ‘message’ because he believes that media does not truly communicate a message. “A message denotes a specific, concrete statement about the world. But the forms of our media. . . are rather like metaphors, working by unobtrusive but powerful implication to enforce their special definitions of reality” (Postman, 1985). Postman does not mean ‘the medium is the message.’

Budge Wilson’s, The Metaphor, is a bildungsroman that blueprints Charlotte’s transition from a young, moldable girl into an independent woman through juxtaposition, allegory, and symbolism. Charlotte is an awkward seventh grader, who transforms into a well-round tenth grader before the eyes of the reader due to the influence of her teacher, Miss. Hancock. Her mother, calculated and emotionless, is the foil to Miss. Hancock’s wild, unorganized spirit. Charlotte finds herself drawn to Miss. Hancock, who her mother despises, which causes Charlotte internal strife. She pushes down her feelings, but through a traumatic experience, she discovers Miss. Hancock’s lessons are the ones her heart wants to live by, not her mother’s. Miss. Hancock and

Jenkins argues that American popular culture will be redefined by the struggles over convergence and media. With the idea of profit in mind,

In Amusing Ourselves to Death, Postman uses an abundant amount of logos to argue his claim. The more that is read, the more difficult it is to dismiss his information. This is because of the consistent use of evidence presented in the form of logos. The entire book is incorporated with facts, statistics, dates, and general logical arguments. In chapter six, Postman stresses how television does not allow for the processing of thoughts. He states, “I should like to illustrate this point by offering the case of the eighty-minute discussion provided by the ABC network on November 20, 1983, following its controversial movie The Day After” (88). The discussion was broadcasted on television with intentions to have valued informational content, but failed miserably according to Postman. He argued this in a logical manner. The discussion lacked deep conversation and the speakers spoke in generalities, as the show did not allow an adequate amount of time. This is a great use of logos because it

Neil postman was a jack of all trades, he was an American Author, an educator at New York University, media theorist, and cultural critic. (PressThink 1) In 1985 Neil Postman published a book called Amusing Ourselves to Death: Public Discourage in the Age of show Business. The book provides a look at what happens when politics, journalism, education and even religion become subject to the demands of entertainment. In his book Amusing Ourselves to Death Postman says that the content of a culture is contained in its communication, and that the content of communication is affected by the medium of communication. In other words, Postman is saying that a culture is defined by its connection of people, and the connection of people is afflicted by technology. Sherry Turkle is another author that has written a book called Alone Together published in January 2011. Sherry Turkle is an award winning professor at the Massachusetts Institute of Technology where she focuses her research on human technology interaction. Alone Together is the results of Turkle’s nearly fifteen year exploration of our lives with technology, she describes new unsettling relationships between friends, family, parents and children, and new instabilities in how we understand privacy and community. There is a third author named Julia Angwin that has developed a book that connects with Postman’s argument. Julia Angwin is an award winning investigative journalist at a news organization called ProPublica. (About)

Furthermore, the author dwells into mediated popular culture which pertains specifically to movies, TV, songs, and advertisements along with the way they communicate

    The form of communication created by the television is not only a part of how our modern society communicates, but is has changed public discourse to the point that it has completely redefined it, argued Neil Postman in his convincing book Amusing Ourselves to Death. He viewed this as very harmful, and additionally so because our society is ignorant of it as they quickly becomes engulfed in its epistemology. When faced with the question about whether the television shapes or reflects culture, Postman pointed out that it is no longer applicable because "television has gradually become our culture" (79). What kind of culture is this? Postman warned that it is one in which we

The first suggestion that Postman gives is that a person must abandon any type of argument that television may be taken away. He writes that Americans will not abandon the many conveniences that are brought on by the vast forms of technology. They cannot be stopped from creating a more sophisticated technology item to substitute it.

Neil Postman is deeply worried about what technology can do to a culture or, more importantly, what technology can undo in a culture.  In the case of television, Postman believes that, by happily surrendering ourselves to it, Americans are losing the ability to conduct and participate in meaningful, rational public discourse and public affairs.  Or, to put it another way, TV is undoing public discourse and, as the title of his book Amusing Ourselves to Death suggests, we are willing accomplices.

In chapter one Postman introduces the concept of the "media-metaphor." Simply put, he posits that every civilization 's discourse is limited by the biases of the media it employs. He suggests that an oral culture will speak of the world differently than one that has printed language. One of the prime examples he uses is the primitive technology of smoke signals and the safe assumption that these signals were not used to discuss philosophical arguments (Postman, 1985, 7). “A Cherokee philosopher would run short of either wood or blankets long before he

Postman goes deep into television and its damaging effects on our culture. Postman says that when watching Television for entertainment only no harm is done, but when it tries to inform us that is when it can get dangerous. He goes into the history of technology and how it affected the past. His main focus throughout the book is that the media shapes our culture directly. We tend not to see just how media does this; we just keep thinking that everything that happens on TV is ?ok? and ?normal?

“The whole problem with news on television comes down to this all the words uttered in an hour of news coverage could be printed on one page of a newspaper”. The average news cast is only twenty-two minutes long,and that's not nearly enough time to cover the days events.In Neil Postman’s essay “The News” Postman talks about the structure,content,and goals and results of a television news cast. The news can be compared to the theatres in terms of its structure. According to Postman, “Music takes us immediately into the realm of the symbolic, a world that is not to be taken literally.”