Un Chien Andalou
Hands and ants repeatedly appear in the film. The metaphors behind them are meaningful for viewers to understand the whole film. In fact, the reason why I am interested in figuring out the metaphors of hands and ants is that I could not understand this film when I first watched it. Un Chien Andalou was created under the cultural movement called surrealism which was “drew liberately on Freud’s theories concerning the unconscious and its relations to the dreams.” (Chilvers, 2009). Without the background knowledge, how can viewers connect their unconscious mind and dreams to the film when they first watch it? With this question in mind, I try to dig into the shots in the films and figure out the metaphors behind these shots. However, the meanings behind the shots may be different from various points of views.
From Linda Williams’ view, “While the first appearance of the hole and ants emphasized the fear that woman have undergone castration, the excruciation of this same hand caught in a door emphasizes the more present and direct agony of undergoing dismemberment.” (Williams, 1992). According to Freud, when infantile males are able to distinguish the differences between women and men, they think that their mothers’ penises have been cut off, they become anxious because they are afraid that their penises will be cut off as well. However, when we analyze the metaphor behind this shot in a broader context, we will be able to tell that it is about females’ castration. After the first appearance of the hole and ants, a woman’s armpit hair showed up, which indicates the connection between these two shots. The connection could be associated with “castrating ‘feminization’ of the man” (Ramey, 2016). The agency of the ants “has been ‘penetrated’ by what Freud calls the ‘external coercions’ of civilization that turn ‘opponents of civilization into being its vehicles’.” (Ramey, 2016). Instead of demonstrating that the appearance of the hole and ants represent that woman have undergone castration, it is more feasible that they represent the castration of “feminization” that men have undergone. Because of the society turning the opponents of traditions and civilizations into being its vehicles, people
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