My Papa 's Waltz" In Theodor Roethke 's "My Papa 's waltz" the
reader finds a horrid experiance, the beating of a child by his father,
which is told in a way of a romantic and beutifull dance - the waltz. The
feeling one get from reading this poem is that the narrator, at least at
the time in which the poem is written, does not look at this experience as
something bad. He tries to beutify the experience by making it a waltz. He
also, by means of images and rythem, shows the conflict between the
readers, or the way any other 'normal ' man will look at this experiance,
and how he sees it, or wants it to be seen ( although he does not show his
father as completley innocent). It can also be looked upon as the Petty
Herst syndrom -
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One accusing finger does rise, and that is toward the
mother, who " Could not unfrown " her " countenance ", as if the poet 's
mother does not react in order to maintain this or that frown that will
leave her 'undignified ', as if stopping his father from beating him is not
of her duties - putting the blame away from his father. Another
explanation, farfetched as it may sound, is that of the Petty Herst
syndrom. The meaning of this syndrom is that one may enter into a state of
life,a 'reality ', that no matter how brutal or harsh it may be, once it is
in his mind as an absolute reality, this reality will look as the most
suitable reality, escape is not needable, and even when the person leaves
this reality it will still, in retrospective, be the best situation he was
ever been. It is possible that the narrator in this poem is 'afflicted ' by
this syndrome. He defends his father because to him it seems that this is
the reality he should be in. He describes the beatings as a waltz beacause
he sees it as such. Although the poem is narrated retrospectively,
from a grown up man point of view, something remains, the poet does not
hate his father for the beating, on the contrary, he shows us that the
love to his father is not, and never was lost. And twice during the poem -
he talks about " But I hung on " in the first stanza, and " Still clinging
to your shirt." in the fourth stanza,
The waltz done in the poem also corresponds with the way the poem has been written. A waltz is done in ¾ time which is “To start this off, think of a waltz. You might count it out like this: One two three one two three (and so on). That 's ¾ time; each measure is three quarter-notes long (or the equivalent number of notes of other lengths).” (Neilfein) As one reads there is a pattern that is known as an iambic pentameter, which means “a verse form consisting of
A waltz is a song in ¾ time, meaning that there are three beats in each measure. Accordingly, the poem is written to sound like a waltz, making use of different spacing and separation of the lines. Certainly, this conjures up ideas of dancing and excitement. The way Roethke uses the exact word from the title at the end of the poem ties it together, giving it a sense of peace. Although “such waltzing was not easy,” the boy’s love for his father did not falter. In many cases, when something we truly love becomes difficult, we do not give up on it. In short, the flow the author uses emphasises the presence of his adoration for his father. The words he selects highlight the wonderful memories he has of this man who played an important role in his life.Notably, Roethke provides eye catching words that illustrate scenes that appeal to the same
In the first stanza, the writer uses many techniques to convey the feeling of loss, when he says,
"We romped until the pans / Slid from the kitchen shelf" (5-6). In numerous poems different readers vista a variety of ways to interpret what poems actually mean. This is very much true in Theodore Roethke's poem "My Papa's Waltz." The quote mentioned has caused many misconceptions about what the poem; "My Papa's Waltz" actually refers to. The two superior interpretations of critics are that Roethke's poem describes abuse or a dance. The abuse seems much more apparent in "My Papa's Waltz" because of the language that Roethke uses. The dance is interpreted because the boy is innocent and knows nothing else therefore the abuse seems normal. The drunkenness of his Papa, the mother's
The diction within the poem also captures the bonding experience. Roethke's word selection uniquely relates the event to a dance making the poem pleasantly fun. The overall effect of words such as "dizzy," (2) "waltzing,"(4) and "beat"(13) turn the lines of poetry into a merry shuffle between the father and son. Words such as "step"(11) and "waltzed"(15) fully invoke
Theodore Roethke manipulates our emotions in this poem using literary convention. A Waltz is a lighthearted, easily accessible dance. In a waltz, a couple sways back and forth as they go in a circle. Our emotions of this poem seem to follow this same path as we can see comforting and
The last stanza of “My Papa’s Waltz” by Theodore Roethke summarizes and encompasses the full meaning and emotions conveyed in the
"My Papa's Waltz" uses great symbolism engaging the reader's own experience and senses. The author, Roethke lets his readers know the boy, now an adult, some occurrences happen as children that are hard to forget. In “My papa’s waltz” the reader understands how clear the speaker recalls this vivid encounter with is his father. The poem starts out with a nursery rhyme and short lines to demonstrate the innocence of the boy. The reader can experience the poem from a child's perspective. Roethke uses the “papa” to refer to the father because this is what a child would call his father, however; he does not allow the reader to forget this is an adult speaking when he uses the phrase “countenance.” “Countenance” a word an adult would use, not a child. The adult remembering the treatment of his father, year later he has not forgotten.
writing era. His poetry was inspired by his family’s history, a history full of abandonment,
Besides, I want to focus on the poet's use of comma and semicolon in the first
The relationship between a parent and child is potentially one of the most influential in a child’s life. A positive interaction often yields admiration, love or a sense of support. A negative relationship may yield distrust, animosity or a sense of solitude. Theodore Roethke’s poem, “My Papa’s Waltz,” describes the admiration of his hardworking father. The speaker, a young boy, depicts roughhousing with his father in the form of a waltz; expressing his desire to stay up and spend more time together though their relationship is detached. Seamus Heaney’s “Digging,” instills a sense of respect, pride, and a slight affliction for the speaker’s choice of the pen over the spade. The speaker has chosen a different path in life than that of his father and grandfather. Although written at different stages in life, both Roethke and Heaney write a poem about their families utilizing vivid imagery to demonstrate the love and pride they felt for these men.
"My Papa's Waltz" is a poem presented in a form that uses specific images and language to present a happy memory that a man has of his father, even in a situation where his father was drunk. Words such as "romped" (line 5), "waltzing" (line 4), "clinging to your shirt," (line 16)
The imagery of "My Papa's Waltz" also differs from the imagery of "Piano." The imagery in "My Papa's Waltz" expresses
without warning”. Then in the third stanza, where he illuminates the allure of letting go of
"The Mother," by Gwendolyn Brooks, is a sorrowful, distressing poem about a mother who has experienced numerous abortions. While reading the poem, you can feel the pain, heartache, distress and grief she is feeling. She is both remorseful and regretful; nevertheless, she explains that she had no other alternative. It is a sentimental and heart wrenching poem where she talks about not being able to experience or do things with the children that she aborted -- things that people who have children often take for granted. Perhaps this poem is a reflection of what many women in society are feeling.