Methods Of Mujerista Theology

In several cultures, women are seen as archetypes more than men. The proposition of women are instantly idealized and glorified and instantaneously ignore the true complexity of a woman. Countless of these superficial images can be seen across various cultures where the societies within these cultures define what it means to be a female and what type of behavior is and isn’t acceptable within those parameters. The persistent restatement of these stories throughout these generations reinforces the gender system. Women who step out of the norm in these societies are then held punishable for their actions. Alicia Gaspar de Alba pinpoints the three archetypal roles that are given to the women in the Mexican and Chicana cultures. These are,

When referring to Juana and the Garcia family, it is critical to pay close attention to the family roles. Juana’s family dynamic consisted of Lupe taking care of the home and family and Miguel being the breadwinner (Grande, 2007). The empowerment theory and feminist theory would really have some positive outcomes with the Garcia family. The feminist theory can really help Juana and Lupe to become more dominant and realize the power and strength in themselves as women.

First off, feminism is a diverse collection of social, political, legal and economic right for women equal of those of men such as equal pay. In the essay “On Becoming Educated”, Castro explains how she was introduced to feminism and how she was dedicated to it. Her professor was a feminist writer working on an article about Violence Against Woman Act. In 1994, Violence Against Woman Act

This narrative speaks volumes about the author’s culture, which describes her religion, as well as the lifestyle of typical Hispanic families. In Latino or Chicano culture, we find that gender as well as religion plays a huge role in the lives of many individuals, causing them to shape a stereotypical kind of culture. Catholicism is one of the major forms of religion in Hispanic and Latin countries due to the influence from the Europeans. This made many of the Latin American Countries adopt this religious practice regardless of their belief. To this day, many practice Catholicism as a way to appeal to cultural norms. We see the importance of religion to the girl’s family, especially her father. Throughout the story we see the girl’s search for her own religious relationship through her abuela instead of the one forced upon her by her parents. The other influence that culture has is on gender roles within the family dynamic. Throughout the story we see the girl made fun of for her hands and for being different. This is because in latin culture girls are supposed to be dainty and gentle. They were not meant to be violent or rash, like the young teenage girl was. The gender roles constructed by culture were what her father tried to assign her into, and her mother enforcing them,

Edited by several scholars such as Gabriella F. Arredondo, Aída Hurtado, Norma Klahn, Olga Nájera-Ramírez, and Patricia Zanella, this book in particular highlights the development of Chicana identities in the twentieth century by showing “how Chicana feminist writings move discourse beyond binaries and toward intersectionality and hybridity” (Arredondo e.al. 2). What is interesting is how the feminist scholars in this book used different epistemologies and methods in capturing the experiences of the Chicanas which include oral histories, poetry, theatrical performance, painting, dance, music and social science survey. Some of the contributors also combine “analytical tools and cross disciplinary boundaries” (5). The approaches used are very unique as they enables to unravel the Chicana experiences thoroughly and disrupt “the notion of Chicana identity as monolithic and homogeneous” (6). Also, the format of the book which presents articles and then the responses by another activist or scholars offers a very distinct way of presenting critical and provocative analysis. Such format allows the editors to “reaffirm the tensions and creativity of individual and group consciousness that underlie Chicana feminism and scholarship” (Salas 122). From this edited volume, I choose three articles along with their responses. Those articles are Cartohistografía: Continente de una voz/Cartohistography: One Voice’s Continent by Elba Rosario Sánchez (response: Translating Herstory: A Reading

“The Myth of the Latin Women” was writing by Judith Ortiz Cofer, a women born in Puerto Rico. Ortiz is a person who seems really Passionate about this specific subject. “The Myth of the Latin Women” points out the many stereotypes Latin women go through in their day to day lives. The things that upsets Ortiz is that there are so many people who are not a Latin background that don’t realize the importance of this issue. The main purpose of “The Myth of the Latin Women” is to get people to understand that their words will hurt someone and Ortiz convey this throughout the essay with the use of logos, ethos and pathos.

In almost every culture, machismo (or patriarchy) exists. Women are considered to be inferior and are treated as if they were objects. It is fair to assume that all women have or will face abuse or oppression for the mere fact that they are women. In Honduras, machismo is the backbone of society. In the book Don 't Be Afraid Gringo, Elvia Alvarado tells the story of the life of the Honduran campesinos (peasants) in the context of the military government of Osvaldo López Arellano and the installation of counterrevolutionary military bases between 1972 and 1975. The campesina women are expected to be servants for the men and provide for all of their children. If women dare to break away from these norms, they are denounced as a whore and

Through multifarious ways, female gender roles in Latin American countries have gradually begun to improve over time. These slight improvements have manifested through women’s increasing involvement in politics and presence in the labor force due to immigration, globalization, and global media. Women in Latin American countries have become

Anzaldua identifies as a part of an emerging new mestiza consciousness and community, which strives to move beyond simple dualistic thinking and endeavors to “act and not react” This important contradiction lies at the heart of Anzaldua’s analysis. “From this racial, ideological, cultural, and biological cross-pollicization, an ‘alien’ consciousness is presently in the making — a new mestiza consciousness, una conciencia de mujer. It is a consciousness of the Borderlands.” (Anzaldua, 1987, 420). Anzaldua’s proposition of the new consciousness mediates social relations, revolutionary social change, and its wider relevance to feminist theory through discussions of the Borderlands and its implications for ‘identity.’

Gender equality can be a very complex subject, throughout the years power has been correlated to gender. In Joaquim Maria Machado de Assis, “The Rod of Justice” gender inequities are represented with a great level of complexity and difficult understanding. Throughout the text one can sense Machado’s involvement over authority and control, and how the characters portray this subject. The story is focus on Damiao, who is the main character. Damiao was seeking escape from his seminary obligations, and he requests the aid of his godfather’s mistress, Sinha Rita. He knew that if she could use her sexual powers over his godfather she could help him escape his obligations. She is portrayed in the story as having a power over the people who surrounded her, as her authority was not questioned nor overruled. She had sexual power over Joao Carneiro, and also had to power to manipulate the actions of Damiao, but this power was interesting as in society in those times women had limited power which was not compared to the power men had. Nonetheless, Rita proves to be a well independent women, doing things under her own power. She would have been a women of great power, if she had the chance to live in the 21st century, and how society has altered the gender role of a woman since.

The call for feminism marks the beginning of an extensive journey with the quest to inspire women and to advocate women right in a male governed the world. Gloria Anzaldúa and Maxine Kingston both scrutinize feminism in the framework of “Borderland: La Frontera: The New Mestiza” and “The Women Warrior” encouraging women to occupy a strong position in the post-colonial male led civilization. The author both traces the journey of women struggle to achieve rewarding role within the structure shaped by men. The alliance of different voice from disregarded women gestures a strong theme that inspires Maxine Hong Kingston and Gloria Anzaldua to write enthusiastically within the feminist topic to dispute the patriarchal society.

The perception of inequality was evident in the colonial Spanish America, man belief that women were lacked in capacity to reason as soundly as men. A normal day for European women in the new world was generally characterized by male domination, for example marriage was arranged by the fathers, women never go out except to go church, women didn’t have the right to express their opinions about politic or society issues. Subsequent to all these bad treats European women try to find different ways to escape from man domination and demonstrate their intellectual capacities, for example women used become part of a convent, write in secret their desires and disappointments, and even dress as man to

Women of Latin American culture have incessantly ensued the potent gender roles that have become a social construction of their society over innumerable decades. The profound author of Insurgent Mexico, John Reed, imparts his experiences with the revolutionary leaders of the Mexican Revolution, like Pancho Villa, and was able to witness their culture and more specifically the roles these Mexican women were forced to render by their chauvinistic counterparts. This period of revolution, started to grant women new mantles usually reserved only for men, like participating in fighting for the success of the revolution; any preeminent changes would soon approach, but in the meantime Mexican society run by men enjoyed the regulated traditional

The purpose of this paper is to analyze to main questions. The first part of the paper will define transnational feminism and identify key factors within a transnational perspective. Another part will be discussing some transnational feminist critiques of mainstream “white/Western” feminism and will also give ideas that a transnational feminist would suggest in order to make positive changes for women. The second part of the paper will choose two concepts to define, as well as discuss how they relate to one another from a transnational perspective. In addition, the relation of how they related to gender or affect the political, social, and/or economic status of women in the world will be analyzed.

Several people find Mircea Eliade’s view on religion similar to Emile Durkheim’s, but in truth, it is similar to Tylor and Frazer’s. One of Eliade’s major works was The Sacred and the Profane. In his writings he explains that his understanding of religion are two concepts: the sacred and the profane. The profane consists of things that are ordinary, random, and unimportant, while the sacred is the opposite. The sacred “is the sphere of supernatural, of things extraordinary, memorable, and momentous” (Pals 199). When Durkheim mentioned the sacred and the profane, he was concerned about society and its needs. In Eliade’s view, the concern of religion is with the supernatural. To Eliade, the profane doesn’t hold as