Metropolis Essay

Life is very complex and often hard to define. However, this challenge does not stop people from trying to sum up the meaning of life in one word. In Paper Towns by John Green, the three metaphors the strings, the grass, and the vessel are used throughout the book to chronicle the protagonist’s, Quentin, experiences. The novel revolves around Quentin Jacobsen, a high school senior. When his former best friend and long time crush, Margo Roth Spiegelman, comes back into his life and then suddenly disappears, Q attempts to piece together the clues he believes Margo left behind for him. Each of these three metaphors represent what Q is feeling and allow him to view life from different perspectives. As

Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately

Such detail put into the description of these catacombs cause the reader to ponder the awful, and rancid areas that succumbing to your inner rage can take you. Revenge to Montresor brings him through “walls of piled bones”(376), in which to a reader, can thoroughly terrify them and pressure them into not ending up the same way, or not letting their instincts conquer their conscious. Blake uses a very similar imagery, the pleasing display of someone who has fallen due to unsuppressed vengeance. The main character of “A Poison Tree” endures a very conflicting time, a time where his rage becomes a small sapling and he “water’d it in fears”, “sunned it with smiles” till finally his rage was ready and strong enough to explode. This man’s rage envelops him and he finally pleases his rage and murders his enemy, leading to the image of his “foe outstretched below the tree”, otherwise known as the blossomed tree of his revenge. The eventual image of his murdered foe blissfully outstretched below the main character's rage is very difficult to read and imagine without the discouragement of be pushed that far as well, even while that anger may not end in such drastic measures. Describing the scene of the foe below his metaphorical tree put fear into the reader, and makes it clear that the author is attempting the discourage the reader from

Rebellion and revolution are ideas which connect Metropolis and Nineteen Eighty-Four. How do these two texts from different contexts reflect changing perspectives on this idea?

Dystopian science fiction films of the past have frequently presented a critical dystopia, by projecting future cities that perpetuates corporate capitalism’s prominent features. Examples of these features are urban decay, commodification, overcrowding, highly skewed disparities of wealth and poverty, and authoritarian policing. An example of a Dystopian science fiction film that project cities that perpetuates

The idea of progress being inspired by the past is revisited in Fritz Lang's 1927 film Metropolis.

Mike Davis, author of Planet of Slums, predicts the direction in which the world’s cities are headed, and how the changes in living conditions are only going to deteriorate if certain trends continue. The title of his book explains Davis’s vision for the future of cities as he feels there is enough evidence pointing towards an exponential rise in slum populations across the world’s largest cities. Additionally, he expresses his opinion on many issues regarding the rapid rise in developing cities’ slum populations, although he offers very one-sided arguments geared towards those who feel the current system is causing more problems rather than improving current conditions. This causes Davis to overlook the problems of slums as resolvable through different modes of assistance such as international aid programs. Instead, he views aid programs as the root cause of imbalance created during industrialization. Throughout the book, Davis presents information that confirms his preconceptions towards the slums. Therefore, all the evidence that is presented by him portrays confirmation bias as Davis fails to mention anything about the resolution of the problem of the growing number of slums and instead sees this problem as unavoidable. Particularly, Davis’ writing, although intended for the general population, is more geared towards critics who have similar ideas. Instead of providing the means through which the economy could be improved and the problem of slums could be resolved, it is

People always wonder why the City of Angels is different from other cities. This paper will answer this question and explain the uniqueness that makes L.A., “L.A.” Los Angeles, since its birth as an embryonic city, has become one of the most diverse metropolises, offering to the public what no other city can. This paper will emphasize the relationship between the federal government and the western United States. It will also illustrate how capitalism has flourished because of the prevalent 19th century Laissez Faire ideology. It will describe how the free market prevailed and expanded Los Angeles outward, while cultivating new public institutions and private enterprises.

Dystopia and Utopia can be explored in many forms of media such as artwork, film, music, poetry and even dance. The easiest and most vivid way to depict these genres to the audience is in films. Films specifically incorporate visual symbolism through colors and settings and screenshot width and filters. Films may also incorporate a subliminal message to the reader through background music used in different scenes. Displaying utopian and dystopian societies through film leaves some imagination to the audience while allowing them to visually compare with the real world around them. For the purpose of exploring aspects of utopia and dystopia through films, I have chosen the films Metropolis by Fritz Lang (1927) and the episode Nosedive from

The main element that made this film was the acting. It was necessary that all acting be overdramatic, it was the only way for the audience to truly grasp the emotions of the characters on screen. The best example is the scene where Freder wanders into the hall of machines and witness’ the

Firstly, one of the most notable of the features of the poster is the names of starring actresses. Unlike previous posters, the prominence of “Co[l]leen Moore” and “[M]ary Pickford” indicate the emergence of the star system, which gains momentum in the 1930s, soon after the release of these films. The poster also specifies that this is Pickford’s “only appearance this year” in an attempt to entice her fans, otherwise unable to see her theatrically. Moreover, the name of the production company for Twinkletoes is also foregrounded. Although the Universum Film AG logo and the local distributor for Metropolis are less stressed, they are still present. Together, these two instances reveal the growing importance of production and distribution companies in the industry.

     One might believe that because capital punishment plays such a large role in Charles Dickens’ A Tale Of Two Cities, that Dickens himself is a supporter of it. This just simply is not true. Dickens uses capitol punishment as a tool to define the evil embodied in both the French ruling class, and the opposing lower class during the French Revolution; as well as comment on the sheep-like nature of humankind.

The silent film, Metropolis directed by Fritz Lang, released in 1927, reflects the social situation of the time in Germany during the Weimar Period, before the rise of Hitler power. At that time, there was a new political climate, which was in favor of an equity-oriented fascism rather than liberty-oriented capitalism. The film clearly gives viewers an idea that fascism way of the political system is the preferable ideology for the society by depicting the class struggles between capitalists and labours. Thus, the movie was often interpreted as a propaganda movie and being criticized.

Metropolis is a silent movie by Fritz Lang made in 1927 Germany. The movie has multiple themes and implies many things about modern day theories and views. The movie entails many views on Marxism, capitalism, Industrialism, and organized religion, mostly. Marxism is supported in the movie, capitalism is not supported in the movie, Industrialism is partially supported, and Organized Religion is not supported.

The central theme of all Gothic novels is the presence and symbolism of the Gothic castle. Depiction of ruinous abbeys, monasteries, subterranean passages, vaults, secret panels, and the trapdoors is a standard method of achieving the atmosphere. Howells sees the Gothic castle as being ‘a shadowy world of ruins and twilight scenery lit up from time to time by lurid flashes of passion and violence ’(6). Therefore, the gloominess of the exterior and interior environment is illuminated by intense emotional and passionate moments of the characters that inhabit the castle. As Sage claims, the castle is ‘the lair of the villain’(166), and it is an accurate reflection of his dark and frightening character. Gloomy, dark, and dangerous, the castle reflects the emotions and psychological experience of many of the novel’s characters.