Meursault's Lack Of Punishment

The funeral director is the first to discuss this with him, critically stating, “You don’t have to justify yourself, my dear boy. I’ve read your mother’s file,” (Camus 4). By leaving Maman under the care of the senior home, Meursault should feel guilty for his actions since he was his mother’s “sole support” (Camus 4). However, he feels no guilt, similar to how he lacks any sentiment of sorrow during the processions. Individuals of society are conditioned to have a specific pattern of emotional responses elicited by inevitable yet critical life events. Regardless of whether genuinely affected or not, all are expected to conform to these behaviors. Thus, it is what Meursault does not do that makes his character such a prominent cause of concern in the context of the literary work. The absence of an emotional relationship with Maman develops justification as to why Meursault did not cry at her funeral, nor feel culpability for placing her in the nursing home. Camus develops the social outcast aspect of his character through these instances of defiance to social rituals. It is significant to consider how although Meursault 's preoccupations are unusual, he still runs through the motions of cultural norms. He attends the funeral, has a girlfriend, and enjoyed the companionship of his friend Raymond. The real threat of his

Rubin’s dissection of Meursault in The Stranger details that he “is a man condemned to death not so much for a criminal act as for his attitude.” In regard to this statement, the reader is presented with the idea that he is being put to death as a result of his “attitude,” which is that of an outsider, or someone “removed” from society, and his motives were based on an absurdist mentality that leads one to think of death as “just another thing” because of the pointlessness of life, as there is no hope. We are lead to believe that Meursault is some “sick and twisted” person without realizing his indifference to the emotional expectations of society. The murkiness of his conscience is like a black and white film over his eyes that open to the

Albert Camus’ The Stranger explores the philosophic ideology of existentialism in the character Meursault. Meursault is a man in the 1920s in French Algeria going through life seeing and acting through the lens of an existentialist. Without explicitly stating that he lives existentially, his life hits on many key characteristics of an existentialist. Perhaps the most defining of these key characteristics is that he does what he wants, because he can. He also does this because in existentialism there is emphasis on individual choice and freedom based on the assertion that there is no universal right and wrong. Meursault doesn’t always take into consideration what would be polite, or kind, but rather only

Meursault is a psychologically detached man on trial for murder. However, it is ultimately his psychological detachment, not the murder of another man, that proves to be most damaging to his reputation and judicial case. Deemed a monster by society for his lack of emotion and general indifference, Meursault is sentenced to public execution by guillotine. The Stranger, a philosophical novel by Albert Camus, explores the concept of alienation as a result of failing to adhere to society’s accepted moral standards. Camus begins with the idea of extreme indifference in a world that expects deep human emotions and feelings, continues with the murder of the Arab man, and ends with the concept of human life ultimately having no grand meaning or importance

In Albert Camus’ The Stranger, Meursault is seen as a very unique character, but not in a good way. Throughout the novel, he continually fails to show normal human emotions to things like his mother’s death, Marie’s love, and the man he killed. Most people in his town, along with the reader at first, are not able to reason out his actions but as the final events of the novel unfold, the reader begins to see Meursault in a different light.

His mind leads him to reflect upon the death of his mother, and this stirs a desire of his own within his heart: “So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too” (Camus 122). Basically, Meursault perceives his mother’s death as a way of escaping the current life and pursuing another life of with complete freedom. Although he displays the attitude of carelessness towards his life, Meursault does not want to live under the captivation of other people and desires to follow in the same footsteps of his mother. This is an abnormal act which contributes to his role as a stranger because many people are afraid of approaching death, whereas Meursault perceives death as a way of beginning an improved version of his current life. He is clearly detached from his feelings as he demonstrates no interest in staying within the

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

This easy-going, pleasant hedonism is interrupted permanently by Meursault's murder of the Arab on the beach. Not only is he incarcerated, but also he must examine the reality behind the illusion of his trial and, ultimately, of his life. Introspection has not been his metier. It takes him a while to realize that the judge, the jury, the journalists, even his own lawyer, do not wish him well. Meursault finally realizes that he is going to be convicted, not because he killed an Arab but because he did not mourn his mother's death.

Meursault was introduced as a young man whom recently found out his mother, Maman, died. He was not the most emotional person, but he dealt with his feelings the best he knew how. Meursault lived his life on the verge of truth and honesty. He was honest within every aspect of life, from women to freedom. He was never certain about anything in life ,but one thing he was sure of, death was inevitable. After murdering an Arab, he was on trial in front of many people being interrogated with many questions about why he did what he did, but also to evaluate his psyche about the situation. Unlike others, Meursault did not hide from the truth and that is what others could not cope with. Living his life the way others were afraid to, Meursault was the outcast in his society.

The story begins with “Maman died today. Or yesterday maybe, I don’t know” (3). The lines introduce Meursault’s key personality trait, his indifference. He simply states the facts and has little emotional expression when talking about his mother’s passing. At his mother's funeral, he felt others expected him to talk and show emotion and it made him uncomfortable.

In The Stranger by Albert Camus, the murder committed by Meursault is questionably done with no reason. Although the entirety of the second part is spent in society’s attempts to find a cause, Meursault has a durable existential mentality that proves that even he knows that there is no true reason for the crime. Through the use of light and heat imagery and diction in The Stranger, Albert Camus comments on the duality of society trying to find a cause for the murder and Meursault defying this because of his existential mentality. These elements heighten Meursault’s negative outlook on life by

In Algeria in the 1940s, Christianity was the superior religion, and with that came the after death traditions of mourning customs and grieving. The day after his Maman’s death, Meursault is shown meeting a girl and going to the movies to see a comedy. Later on in his trial, it is even reported that he had “shown insensitivity” (64) the day of his Maman’s funeral. Throughout the trial, it is more often seen conversations about Meursault and his mother than Meursault’s actual crime. This is because in that time, Arabs were treated unequally to French Christians and crimes against them were usually seen as less important.

He has no initial reaction to the news of her death, and at her funeral service he did not bother to even see her before she was buried. His lack of emotion is evident in the very first lines of the book, “Mother died today. Or maybe it was yesterday, I don’t know.” This shows that Meursault is hardly caring for his mother. Society’s standards would result in him to be in absolute mourning and wanting to go as fast as possible to her body. This is not the only example of Meursault’s lack of emotion and care for factors in his life. He does not care for love and marriage after having intercourse with someone; the society standard at this time was to get married if two partners had intercourse. He does not care for promotion and career advancement when his boss offers him a better job opportunity; the standard at that time and right now is to pursue the best career possible. In these scenarios Meursault is living free from the chains, and does whatever he thinks is right to do. Eventually, society rejects him and his ways, and he gets in trouble with the law. He is judged by society and his ways are ridiculed, making Meursault appear to be a monster.

In addition, Meursault cannot find a solid place in society. He lives alone due to the death of his mother. Society cannot accept the manner in which Meursault addresses his mother’s death. Since he thinks that “Maman died today. Or yesterday maybe, [he doesn’t] know” (Camus 3), society believes that he does not care that his mother dies. Everyone judges him because he does not relate to the rest of the people. Meursault receives immense criticism at his trial concerning his murdering another man. At his trial, Meursault can “feel how much all these people [the jury] hated” (Camus 90) him. The jury does not commend him or even regard him with understanding about his mother’s death. Some people react to death without actually reacting to it; Meursault subconsciously chooses to do so but receives condemnation. Both characters experience isolation from society.

In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.