Mexican American Stereotypes

The American Minority Authors opens the reader eyes of the struggles of acceptance within the society, and how their heritage and their American culture can coexist. Minority writers, Cisneros, Eastman, and McKay, through their stories, give us insight of their cultural heritage and the struggles they have with society embracing diversity. In Sandra Cisneros, story “Geraldo No Last Name”, speaks of a Latino immigrant who does not speaks English living in America. The narrator of the story even put a label on him calling him a ”brazer”(Cisneros,1989, para 4), is a slang word for a migrant worker(Garling, 2007).

Caminero-Santangelo, Marta. 2007. On Latinidad: U.S. Latino Literature and the Construction of Ethnicity. Gainesville, FL: University Press of Florida.

The flash collection Sudden Fiction Latino: Short-short stories from the United States and Latin America brings together Latino and Latin American authors who might otherwise remain separated by borders, recognition, nationality, age, gender, and even language. Some only write in English, others in Spanish and still others in Portuguese. The collection allows readers, whether they share a cultural consciousness with these authors or not, to travel to and intimately experience many diverse worlds. Worlds, or stories, that seem to be working to define the indefinable--what it means to be Latino or Latin American. And it seems that anytime we try to define a group of people, even when it is within the context of a literary collection, it becomes something political.

One of the largest Hispanic-origin population in the United states are Mexicans (Gonzales-Barrera & Lopez, 2013). Mexican American’s are considered minorities in the United States. There are many reason why I am choosing to explore Mexican Americans for this paper. As a minority myself, I can relate to some of the struggles that Mexican American’s may face. However, there are some things that I will never relate to or know the personal aspect of the Mexican culture. Just like any other population, Mexican Americans have their own culture, values, and challenges.

Ernesto Quinonez 's novel is very influential and gives insight into the harsh reality of being a minority in America. Quinonez also speaks on the history of the Latino culture and the life experiences. The fabricated stories based on true events, affected Latinos as well as other nationalities. This book has served its purpose and is speaking to families, friends, wives, husbands, and children on being aware and conscious of the reality that surrounds them. This novel amazed me with the political and historical content surrounding the Latino community, and it is extremely powerful as it shows independence in its own culture. The novel uses its content to bring awareness of Latino ethnic identity, their way of life, and defines social factors from within. (Barajas 2014)

Mexican American women for over 20 years have had the highest rate of teen pregnancy compared to Anglo women. Teenage birth rates have decreased as a whole, but even with teenage births decreasing Mexican American women are still at the top, having the highest teen birth rates with 46.3 births for every 1,000 teens that are females. There are several reasons for this startling fact; this paper is going to illustrate some of the misconceptions when dealing with Latina sexuality and reproduction and also the negative results that came from it. To illustrate this alarming issue, some misconceptions about Mexican American sexuality and reproduction will be shared. Such as, most Mexican American teenage or adolescent mothers may lack knowledge.

Drugs and violence are universal. Although not all drugs cause violence some drugs like alcohol, methamphetamine, and crack cocaine do and can have horrible results. Some of the behavior that these drugs can cause are: domestic violence, sexual assault, homicides, and property crimes. Although horrible things do happen people still use them and crimes like these happen too much. This is a social issue because people see this as a norm. This shouldn't be a norm and people need to start realizing that.

The writer portrays a people too conscious to lose their culture. Hence, they establish ethnic organizations, business, cultural institutions that would meet their varied “social, cultural, economic and political needs” (Miguel 6). Supreme in these establishments’ values was to selfishly guard “Mixicanist identity” (Miguel 6) by encouraging dual identity that was “neither American nor Mexican but a synthesis of both” (Miguel 10). The title, Brown, Not White is perhaps a reflection of this consciousness. In a country that has spanned decades clinging to nothing else but color binarity of white versus black, Mexican Americans find it hard to identify with either of the two. The Mexican Americans feel aggrieved by the mistreatments they continually receive from the whites, identifying with the African Americans whom they considered inferior in the American pecking order is unfathomable. The emphasis on the title, Brown, Not White is, therefore, a reflection of the Mexican American’s struggle with the problem of identity in the face of the looming assimilation from the most dominant

Latinos are all illegal immigrants/dangerous thugs who sleep around, do drugs, and break the law, universal generalizations seen in the twenty-first century. Stereotypes have become a method of systematic suppression in America, a way to judge Latino immigrants and their children, to trap them in an endless cycle of misery and discrimination. Michael Dorris perfectly explains negative stereotypes influencing a minority in “Crazy Horse Malt Liquor”. Dorris describes the stereotypical views of Native Americans, and how they have a pattern of being negative, similar to how stereotypes about Latinos tend to be negative. The people of America form opinions based on stereotypes, stereotypes about Latinos that aren’t necessarily true. Stereotypes have become part of a system;Hollywood exploits them and then used as a form of judgment, which harms both the physical and mental health of both Latino immigrants and Latino citizens.

First of all, the setting of this novel contributes to the Rivera family’s overall perception of what it means to be an American. To start this off, the author chooses a small American city where groups of Latino immigrants with their own language and traditions, lived together in the same apartment building. All these immigrants experienced similar problems since they moved from their countries. For example, in the novel after every other chapter the author

When one visualizes Latino culture, the prevalent images are often bright colors, dancing, and celebrations. This imagery paints a false portrait of the life of many Latino’s, especially those that are forced to leave their home countries. Latinos often face intense poverty and oppression, whether in a Latin country, or a foreign country, such is true in Pam Ryan’s novel Esperanza Rising. Ryan chronicles the issues that many Latino immigrants face. The first is the pressure from the home country. Many of the countries face turmoil, and many are forced to leave their homes and culture. Once in a foreign place, people often struggle with standing by their own culture or assimilating to the new culture. Latino authors frequently use young adult literature as a platform to discuss the issues they face, as young adults are coming of age they struggle with their identities, personifying the struggle of old culture against the new culture.

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

Mexican Americans in Texas have a long and detailed history spanning from the arrival of Cortez all the way to the present day. Through historical events, the culture and identity of Mexican Americans have shifted, diverted, and adapted into what people chose to identify as. The rise of the Chicano identity during the Mexican American Civil Rights Movement was an adaptation as a culture to oppressive and unjust treatment from white, Anglos that had almost all political and social power over all minorities. To stop the oppressive voices from silencing and oppressing the Mexican Americans, they had to stand up to fight for their rights as American citizens that also had Mexican or Spanish heritage to be proud of. In Oscar Zeta Acosta’s novel, The Revolt of the Cockroach People, he dives into the Chicano Movement as a witness and an active participant. His larger than life character is on the front lines of the movement and examines the shift in identity among the group. It was particularly rising of their Chicano identity that gave the people cause to organize politically and socially in order to fight for a worthy cause.

The racist connotation that Miss Jimenez associates with who she thinks would “fit in” society’s box is a definite reflection of the hardships Valdez witnessed in his community. For example, the Zoot Suit Riots that occurred in 1944 was rooted by a reaction by young Mexican-American males against a culture that did not want them to be a part of it. Stuart Cosgrove examines this issue when he states, "In the most obvious ways they had been stripped of their customs, beliefs and language.” (*Vargas 317) These youths were going through an identity crisis because they did not know which culture they could identify with. Miss Jimenez is a character that embodies that repression Valdez explains in “Los Vendidos.”

Sandra Cisneros’ short story, “Never Marry a Mexican”, indirectly underlines her perspective, her interpretation, judgement, and critical evaluation of her subject, the work and its title. This perspective is evident in her use of literary devices, diction, and language structure in her narrative. The purpose of the use of these elements in the way that she does is ultimately linked to understanding her viewpoint on the subject. The author’s perspective is embedded in the meaning of the story and its theme. Her interpretations are valid, and justified in detail throughout the story to add color and vibrancy to her characters. Her judgment is lightly touched upon but only clearly and directly given at the end of the story, to allow the