Mexican Folk Songs Or Corridos

Like Mariachi, Ranchera is another traditional genre of music admired by the Mexican people but different in its own ways. Ranchera music is a well-known type of music from Mexico, with the name deriving from ranch lands on which the style was initially performed. Ranchera songs are categorized by intense sentiment and subjects of love dominate poetic lyrics. Sentimental ranchera singers, their voices charged with a contagious emotion, are often capable of moving to tears even their most hardened listeners. Waltz, polka and bolero inspired rhythms accompany the singer along with sudden cries of emotion that highlight the singer’s sorrowful mood. Ranchera is in fact a general label for different types of music. The genre has absorbed many specific

Attention Catcher: “Nos dicen las Malandrinas porque hacemos mucho ruido, porque tomamos cerveza y nos gusta el mejor vino. En los salones del baile, siempre pedimos corridos.” Many of you may think that these lyrics were sang by a male artist, however they were actually spoken by a woman, named Jenni Rivera. These kind of lyrics are what initially attracted and shocked audiences of Banda music since they were almost always sung by men and not female artists.

Fresno, Texas is in Fort Bend County. Fort Bend County consists of various cities and Fresno is amongst these cities. Fresno is a very beautiful diverse small town with about 19,000 populations. The Blacks and African Americans are the major population right next to the Hispanics population. The citydata.com states that the Hispanics are the second largest group living in Fresno. On the race chart, they are 33.1 percent making them about 6,318 residents. However, the Hispanics brings culture to the community especially when it comes to music, events, schools, nonprofit organizations, small businesses and restaurants. As I walk around the environment, I can hear Spanish music playing at the neighbor’s house, even though I do not understand

Latino students are able to stay connected to the stories that their parents know and their grandparents know. In addition, music is significant because it helps to have the feeling of home and aware of one’s feelings and thoughts. Moreno also explains, "Everything that happens in our society is reflected in music and people don't really stop to think about that. For example, in the last five years, there has been a rise in Narco Corridos coming out of México and that can be attributed to the record levels of violence we so often hear about on television” (6). Thus, through Spanish-language music students in universities are informed of issues currently going on in the world, particularly of places they know very well. They are informed of the hardships that are going around and music has much of a tremendous impact in creating the way people view their culture. Much of Spanish-language music tell of current events or of romanticism. These are crucial in constructing identity. It influences whether students will act upon the current events based on the music or they will be influenced to gather romantic

In the story, ”Like Mexicans” by author Gary Soto explains how he was always told him to marry a girl from his same ethnicity, but unexpectedly fell in love and married a Japanese girl. Sotos grandmother advised him to marry a girl that fitted the stereotype of a Mexican girl. He decided to ask his mom about the issue. His mom agreed that if he were to find a righteous Mexican women to marry her. Soto decides to ask Scott as well, who happened to be a second generation okie. An okie was what his grandma would call any person that was from a different ethnicity than them. They talk about their future how one day they hope to reach the American Dream. They share the same vision of marrying someone. It was shocking to him, that he ended up marrying a Japanese woman because he never imagined marrying someone that wasn 't Mexican. When he was twenty years old, he fell in love with a girl that he knew his grandma would be concerned about. Soto told his mom about the woman and how she was the one for him and the more he talked about her the more his mom seemed to be worried. That’s when he realized that his mother wanted him to marry someone from his own social class. Everyone agreed that indeed he wasn 't good enough for his fiancee. One day Carolyn took Soto to her home to meet her parents. Soto was nervous, until he sees her house and how alike their houses looked. He acknowledges how alike their ethnicities were, mainly in the economic sense. As Soto is in the roadway he

Mexico’s drugs wars as well as bloody drug cartels are echoed in a controversial folk music genre commonly known as narco corridos or simply as drug ballads. They tell the stories allied to shootouts, drug lords, betrayals including daring criminal operations. Narco corridos are not a new style in Mexican music, in fact, they have been around for years, and they are popular among the old and the young. This genre has evolved to be modern fugitive music that fuses the emotional responses of antique ballads with the tense gravel of mobster rap. From global idols to rural artists documenting their neighborhood current events in the regions subjugated by guerilla war, narco corridos provides the songwriters in their homes with unique but

Mariachi is a lot more than just a band playing; it's a tradition that has been in Mexico for almost two centuries and is enriched with a huge history and deep meaning to for the Mexican culture. Mariachi music started in the nineteen century as a way for the common people of Mexico to find a way to express their ideas and feelings in which their ideas later become lyrics and their feelings become music. Mariachi music as we know it today results from the confluence of several different influences. It originated in the Mexican state of Jalisco, in the town of Cocula, in the 19th century. It was a way in which people were able to say what they were feeling in a new and unique way. From the music and lyrics to the dress attire and

There are multitudinous types of Chicano music that include all types of instruments, verses, backgrounds, and purposes. According to Tatum (2001), “The popular Hispanic folk music has deep roots in Spain and Mexico, but it is a living cultural form that is forever changing and adapting to new social conditions and musical currents (Robb 1980, 5)” (p.15). Modernization also plays a key role in the diversion of Chicano music. For example, as new instruments were being invented, they were then incorporated into the music, making it sound more different and attractive. The types of Chicano music range from romance which could narrate an event, corridos, which was a form of cultural differentiation, alabanzas, which were specifically religious, and the canción, in which lovers expressed their deep adoration for each other (Tatum 2001). If a man who was lost in his woman’s eyes wanted to choose a song for their

In my personal experience, Mexican music has revolved around my life for as long as I can remember. Growing up in a bordertown has its Hispanic heritage. Whether I was at home, school, or even in public places, I would hear Spanish related music playing in the background. I believe Spanish music holds many values when it comes to different occasions. The music can manipulate the minds of its listeners using love, passion, and outstanding rhythms. After reading an article online, I can explain how three different genres of traditional Mexican music influence people’s culture.

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

Every culture has their own unique and distinguishing characteristics. One’s cultural identity defines who they are as an individual, group, and community. Their cultural identity may be reflected in numerous ways such as: language, communication styles, religion, beliefs, values, clothing, or other types of aesthetic markers. Cultural identity is formed by many of these traits but is not limited to these specifically. This essay will provide detailed information on Mexican Americans, and their ancestry and heritage. I will also explain about this cultures central beliefs and values, while incorporating information on Mexican Americans, cultural patterns, cultural identity, and their cultures communication characteristics and styles.

Their sense of belongingness gives the people pride, because the songs embody the rich history, culture, and values of Mexico. As a result, people in in Mexican communities are able to proudly identify themselves as Mexicans. With a vast amount of culturally proud people, Mexican culture will ultimately be kept alive.

Flamenco is a Spanish art form made up of three parts: guitar, song, and dance. Flamenco has its own type of guitar. It is similar to a classical guitar but with thinner tops and less internal bracing. The guitar is stroked at a fast pace and the base can be used as a drum. There are many song forms in Flamenco singing. Each expresses a unique emotion. Songs in the Latino culture are popular in Flamenco singing. Flamenco dancing is known for its emotional intensity, proud carriage, expressive use of the arms, and rhythmic stamping of the feet. Castanets are also often used.

At the beginning of the twenty-first century, popular music and culture became significant influences on the lives of many individuals within the city of Los Angeles. East Los Angeles (“East L.A.” or “the Eastside”), in particular, was a center of flourishing musical, cultural, and social scenes with strong connections to the changing Chicano/a identity. Under this environment in which the Chicano movement (moviemiento) continued to prevail, a large number of socially aware and politically active, Latin-fusion “Chicano” bands were developed. One of such was the Ozomatli band, who strived to express their activist viewpoints through popular music. The spatial context of the band’s emergence, their links to past musical movements, and their implementation of a wide array of musical styles and genres all define their impact on Chicano identity in Los Angeles. Through their music, the Ozomatli band has showed much about the importance of the changing Chicano culture and served as the framework for cultural and social dynamics of present-day Los Angeles.

Flamenco is a form of Spanish folk music which originated in Andalusia in the south of the country. This type of music as we know it today is a spectacle which is made up for four different elements Cante-Voice, Baile-Dance, Toque-Guitar, and the Jaleo, which roughly translated means “hell raising” and involves hand clapping, foot stomping, and encouraging shouts of the audience ("Flamenco - History."). However it was not always like this. Flamenco was first recorded in the late 18th century and consisted of what the Spanish refer to as Palo Secos, or dry styles.("Flamenco - History."). This was basicly singing or chanting accompanied only by a rhythm beaten out on the floor by a wooden staff or cane. However the genre underwent a dramatic development in the late 19th century and had become the spectacle that we know today. In the past flamenco music was not very widespread outside the region of its origin. However in