Mexican Muralism

The portrayal and the representation of the Chicano Art Movements are entrenched by the Mexican-American artist who institute artistic personalities and identities in the United States. The plenteous amount of the artist is massively influenced by the immense Chicano Movement (El Movimiento) which, was established in the 1960’s. The influence of Chicano Art was due to the Mexican- Revolution philosophy, art of Pre-Columbia and indubitably European techniques of painting, cultural, social, political issues. The movement took a stand to fight against stereotypes of Mexican- Americans conducive and to resist typical social norms. The movement to concentrate on awareness of collective history, equal opportunity, grants and social mobility. Chicanos have used the movement in pursuit of expressing their cultural values. Ever since it first appeared in America the art of Chicanos has matured to illustrate common struggle and social issues in conjunction with uniting the youth of the Chicano people to their culture and history. Chicano Art is not only Mexican- American artwork; it further emphasizes and accentuates the histories of the Chicano people in a superb and sublime way of American art.

Her paintings represented “the cultural nationalism of [Mexico]” (Meadows). She had a strong artistic style in which she showed her Mexican patriotism and her communist ideals. In addition, she also made political statements on the U.S. and the industrialization.

Diego Rivera was known for a muralist of the Mexican Social Realism. This movement was the brutality of WWI. It attacked capitalist. Rivera was a communist, he believed in the common ownership in social, political, and economic ideology that strived to maintain social order. One example of this

After the Mexican Revolution, which took place from 1910 - 1920, Mexican art saw a change in the type of art being created. Although the focus of creating art with an indigenous and Mexican theme continued, the country saw a shift to art presenting socialist ideals. The government saw value in working with local artist and commissioning them to create murals that would influence their political agendas. However, what these murals mostly did was strengthen the Mexican culture and bring pride to the indigenous heritage. Although this time period has come and gone, its influence over Mexican art and culture is still very apparent today and can even be seen in Mexican American communities today.

country of Mexico showcasing what Mexico has to offer. Showing how the art of the ancient people are expressed. Being taken over by the Spanish colonial towns are seen in Mexico’s capital Mexico City. Located in Mexico City a lot can be find influencing their art, shops, renowned museums and very good tasty restaurants to modern life, as well showing their ancient art of the ancient civilizations, and ancient culture. The earliest real civilization in Mexico was the Olmec culture which came from of the Gulf Coast from around 1500 BCE.

The Painting I chose is called “Mixtec Culture.” And it was painted by Diego Rivera in 1942, Mexico. It’s a Fresco style painting, which is “a wall painting technique that has been used for large scale murals since ancient times” (Getlein 159). This entire painting is an homage to the culture of Mexico, specifically the Mixtec people, and that’s what I love about it. The Mixtec people were renowned for their artwork so it’s fitting that Rivera depicts a peaceful community of artists such as mask and jewelry makers. This painting celebrates the artistic culture of the Mixtec people and that theme is directly linked to the political influences of the time, “Mexican government commissioned artists to create murals about Mexico itself- the glories

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

The reason I think Chiapas Paz Mexico mural at City Lights bookstore on Jack Kerouac alley is art because the artist communicates with the viewers by using art theory such as color theory, lines and shapes, and composition on his mural.

Ancient Mexico is a grandiose mural which represents the main events of Mexico’s history from the Pre-Columbian Period to Modern Time. The inspiration came to Diego Rivera, from the nationalist movement of his country. Therefore, the mural elements are prototypical of the painting style’s era. Physically the mural is located on the stairway of the Mexican National Palace, in Mexico City; which is the place where the Presidents work. This mural was commissioned at the end of the Mexican Revolution by the federal government. Moreover, this masterpiece depicts its era, considering that this was the dominating genre in the 1920’s, among the Mexican painters.

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

The piece I choose to critic is titled “Buscado por su madre” or “Wanted by his Mother” by Rafael Cauduro, no year. This piece is an Oil on Canvas painting that measured 48”x36” located at the Long Beaches MoLAA. The work is presented as one of a few Mexican artists that share an interest in their painting primarily figurative style, political in nature, that often narrated the history of Mexico or the indigenous culture. The painting is one of the first viewers see as they enter the Museum. It is at eye level and demonstrates a superb use of illusionistic realism that it creates the illusion of being real. The painting is of a old Missing poster of a man on a brick wall. What made it stand out in my eyes was the fact that it looked to be a three dimensional object on what looked like real bricks with the words wanted by mother on the top. Cauduro’s piece, in my eyes looked like he literally took a chunk out of a wall, and placed an old torn missing poster of a man on the front and put it out for display. Cauduro uses texture to represent the look of brick by applying thick strokes of paint creating a body of its own as and mimics the look and shape of brick. He also makes applies the same technique on the wanted poster by implying that it is old and torn by again layering his paint to create the

Did you know that Jose Clemente Orozco was one of Los Tres Grandes along with David Alfaro Siqueiros and Diego Rivera? He was a major muralist along with those artists who had a part in the Mexican Revolution, he is significant because through his artwork he was able to display the role that Mexican politics had during the industrial revolution showing the sacrifices people at that time had to make, he showcased how the men went to fight leaving their families behind not knowing who or what they were fighting for. Clemente didn’t start his life under the best circumstances his life is known to be a tragedy in the beginning but his outcome was amazing. He was inspired by Mexico's first great artist Jose Guadalupe Posada who aswell made political artwork, the strong images of his vivid art had Orozco captivated which helped inspire him in the beginning of his art career. Clemente Orozco’s journey began at a young age being able to see the work of Mexican cartoonist José Guadalupe Posada through an open shop window while he was walking to school, that’s where it all started he began to see

This image may interpret parts of Diego Revers past where he was apart of the Mexican Communist party in 1992 to 1999. He was beginning to form ties with mexico which the party disapproved of. He was able to explore his own passions and became well liked in the United States. The people who opposed his ideas asked for his art to be removed. He was a very popular artist but, also popular in those who disagreed with his views.

Throughout Frida’s journey and development as an artist, she beings an adventurous yet dysfunctional relationship with the famous muralist Diego Riviera. Riviera’s political battles also correlate with many of the discussions in our culture Spanish course. Throughout the film, Riviera expressed his views as a communist which shaped his political views and paintings. His mural at Rockefeller Center was removed due to its communist theme/message. He was fighting for his paintings to be shown and celebrated among society by representing his

He is a contemporary artist best known for subverting the meaning behind religious symbolism by juxtaposing them against popular icons (Chagoya, Enrique). He juxtaposes these types of symbols to address the ongoing cultural clashes between the United States, Latin America, and the world in general. The inclusion of pop icons is meant to seem shallow so that analysis of the piece in question will open to deeper conversations. His most recent pieces of art address issues on immigration and the economic recession.