Mga Chamber Listening Analysis Essay

The first play was performed by the combined choirs which called “You are the new Day” composed by John David. The shorter version of the same song was played at the end of the concert. The shorter version of the song was as the

As a University of Northern Iowa College student taking Soundscapes, I attended a recital by Annalea Milligan on Wednesday Oct. 19th, 2016 at 8:00 p.m. in Davis Hall, a small auditorium, at the Gallagher Bluedorn. Annalea Milligan received her Bachelor of Music degree in performance at Pacific Conservatory of Music, and is currently a first-year graduate student pursuing a Master of Music degree in bassoon performance at University of Northern Iowa. For the first half of the program she played the bassoon in Rhapsody composed by Willson Osborne and then she was accompanied by Mariya Akhadjanova on piano playing Variations on Theme of Pergolesi composed by Otmar Nussio which included I. Arietta, II. Scherzetto, III. Tamburino, IV. Lamento, V. Ostinato, VI. Rapsodia, VII. Elegia, VIII. Barbaresca, IX. Stornello, and X. Danza. Then after a brief intermission Milligan played the bassoon and was accompanied by Serena Hou with the harpsichord playing Concerto in G Minor, RV 495 composed by Antonio Vivaldi which included Presto, Largo, and Allegro, not to mention she also played Bachianas Brasileiras No. 6 composed by Heitor Villa-Lobos and was accompanied by Azeem Ward with the flute which included I. Aria (Choro), and II. Fantasia. I will depict the first and second part of the recital and describe my reaction and total opinion about the overall concert.

Felsenfeld takes his readers on a journey from being an uninspired teenager, into the world of an adult “rebel” composer. Although Daniel was in piano lessons at a young age, he just couldn’t seem to spark an interest in the classical music that was being put in front of him. He continued the lessons through high school, and only had enough skill to make minimal money in piano bars and orchestra pits. Daniel regularly hung out with a friend, Mike, whose house he would go

My initial response to the concert was of much surprise. First, when I walked in I didn’t expect to see such a formal event. Thank goodness I showed up in my work clothes! My initial reaction to the music however was one of great surprise. I didn’t really know what to expect from the Lee’s Summit Symphony because honestly I didn’t even know they existed. Once the symphony began to play “Don Giovanni” my mood instantly changed. The symphony was incredible, and the music was not what I had expected at all. I was surprised by how much of the music I had actually heard before and just not realized it.

Due to an accident to a finger on Schumann’s right hand, his dreams of becoming a virtuoso came crashing down. Although he would never be a virtuoso, he continues his career in

057, walks onto stage singing and playing the guitar “Diana” by Paul Anka, showing off his impressive guitar skills.

On April 28, 2017, I attended the School of Music’s Atlanta Symphony Orchestra. The program last about two hours and had a ten minute intermission. This non ticketed event was held at Morgan Hall in the Bailey Performing Arts Center on Kennesaw State University’s Kennesaw campus. The program consisted of three unique musical pieces performed by the renowned Atlanta Symphony Orchestra.

The dates of these compositions ranged from the 16th to the 20th century. Among the songs performed by the College Choir, Paffenbarger noted the songs from Canadian tradition and 16th-century composer di Lasso as stand-out. “There were some interesting choices,” she said, “like ‘Riding on a Donkey,’ and the echo song [di Lasso’s ‘O la, o che bon’ eccho!’], where the students went up to the balcony, was also an interesting

In this recital report, I will write about Grant Miller’s recital. This recital took place on Saturday, April 30, 2016 7:00 .m at the Holsclaw Hall, University of Arizona school of music. Mr. Grant Miller presented this recital in partial fulfillment of the Master of Music degree. Mr. Grant Miller played 5 music including, Rossiniana by Mauro Giulani, From Lute Suite IV BWV 1006 a by Johann Sebastian Bach, From Las Cuatro Estaciones Porteñas by Ástor Piazolla, Invocacíon y Danza by Joquín Rodrigo, and lastly Valseana by Sérgio Assad.

I feel that the fourteen members of chamber orchestra and the two vocalists did an outstanding job. This piece was well put together. I loved the harmony that was brought forth between the orchestra and the vocalists. The two vocalists a tenor known as Paul Groves and a soprano known as Anna Larson, did a beautiful job staying in tune. The way that their voices went back and forth in harmony was just beautiful.

As a kid, he was never happy, because he felt neglected and hated. Music was his only happiness and he started taking piano lessons at a very young age. Moreover, in 1890, Tchaikovsky’s famous ballot “The Sleeping Beauty”, made Stravinsky fell in love even more with music after this orchestral performance. Even though he mastered Mendelssohn’s piano concerto (G minor) and he attempted a piano reduction of Glazunov’s string quartets, his parents wanted him to become a lawyer but his real passion was music. He did take a few classes for the law school and received a half-course diploma in law, because he could not take his law finals. Only after his father’s death, Stravinsky started taking music more

On Wednesday July, 8 I attended a concert at the Mimoda Studio located in Los Angeles the concert started at eight o’clock. On that day there was a group of four Instrumentalists performing a cello concert. The performances consisted of acts of big composers such as David popper the cellist also Alexander Konstantinovich ,it last about an hour. The show did not include programs so I will have to go off my notes some of the pieces that were played for David popper were Serade, Ballet scene, Gavotte, and La Chanson villageoise. The pieces played from Alexander Konstantinovich were impatient, land of heroes. There were also some Armenian chants played from the medival times, that were either composed by Sahakdukht orkhosrovidukht.

As a pianist, his compositional blending had little of the symphonic essence of orchestral music. It was said that he was endeavoring to make the piano not the piano.

In this class, I’m learning quite a bit about listening. I’m learning how to listen and communicate better with people, especially when the things I’m listening to and talking about are more on the sensitive side of topics. I’ve always been a very closed off person, even from friends and family. I️ would have a hard time expressing my thoughts and emotions verbally and would get upset with people when they would try to pry. Friends and family would get angry with me when I️ wouldn’t talk or wouldn’t listen to them when all they were really doing was trying to help me. Very frequently when out in public it’s easy to observe this same kind of people or behavior. There are many more people out in the world with poor listening and communicating skills than you may think. For instance, those who get flustered when discussing certain topics whether it’s at the store or a coffee shop. If you like people watching, then you know what I’m talking about.

Franz Liszt piano skills development to unparalleled degree, have greatly enriched the expressive force of the piano, on the piano to create the effect of the orchestra, he also pioneered the spectrum that he, too, because of the huge contribution in the piano and above won a laudatory name "the king of piano".Main achievements: the first symphonic poem genre.