Michael Brown Peace Sign Analysis

In the essay “Just Walk on By”, by Brent Staples, Staples makes the generalized claim that both caucasians and african americans, including Staples himself, contribute to the stereotyping of black men, as all around shady characters, in their own way, however, not all black men fit the stereotype.

Over the years, our generations’ stereotypical views over the issue on young black males being viewed as dangerous has grown significantly. There are different reasons why these stereotypes occur in our society. People feel on edge when running into them in dark passageways, whenever it’s late at night. Also, while they’re sitting at red lights and notice someone walking towards their cars, they instantly initiate down the door locks. People think stereotyping black men this way keeps them safer because they assume the worst. However; other people disagree with instantly judging who they see around them, it hurts more people as well as themselves by viewing black men this way. Brent Staples, the author of “Black Men and Public Spaces,” claims that he’s considered a stereotypical black criminal. In his essay, Staples succeeds because he successfully appeals to people’s emotions, is an expert on human behavior, creates common ground and offers a logical solution.

Henry Giroux’s “Hoodie Politics: Trayvon Martin and Racist Violence in Post-Racial America” is an opinion piece written by a renowned cultural critic. This writing is meant to draw attention to the way American society treats its poor minority youth. Giroux’s audience in this circumstance is the readers of the left-wing magazine, The Smirking Chimp. With most of his readers being liberal, he does not have to try hard to convince them that his argument regarding the mistreatment of poor minorities is correct.That being said, Giroux is attempting to get his audience to consider the wider societal issues that cause the unequal treatment of black and brown youth. Giroux employs the case of Trayvon Martin to showcase society’s bigger issues surrounding the institutionalized racism directed towards the “disposable” colored youth.

However, as Billy Lamar Brooks Sr. explained in “The Case for Reparations,” if “you got a nice house, you live a nice neighborhood, then you are less prone to violence, because your space is not deprived.” But if “you grow up in a place like this, housing sucks. When they tore down the projects here, they left the high-rises and came to the neighborhood with that gang mentality. You don’t have nothing, so you going to take something, even if it’s not real. You don’t have no street, but in your mind it’s yours” (Coates). By Brooks’ standards, people turn to gang violence because they have no space and want something that defines them as a person. Once again, the negative assumptions associated with Blacks today, such as that all Blacks are criminals, derive from the segregation in the past. While some African Americans are criminals, they often are such because they were forced to live in segregated communities with fewer opportunities. To reduce crime, the government must open more programs that provide impoverished communities with “something that defines

In the 1960s, Black masculinity was reshaped by the newly acquired political power of the Civil Rights era. Notions of the ‘good negro’ (or obedient/deferential negro) were purposefully destroyed and replaced with a more defiant/revolutionary representation. The 1960s-70s played a pivotal role in the creation of this aggressive male identity. Specifically, the combination of the media’s portrayal of the antagonistic Black Power Movement, and record crime rates in African American neighborhoods, created feared images of African American men (Milton).”

Another common negative stereotype, establishes the African American male as intellectually inferior. Studies directed by psychologist Claude Stale, indicate that African American teenagers are aware that they are stigmatized as being intellectually inferior and the go to school bearing what psychologist Claude has called a “burden of suspicion” Such burden can affect their attitudes and achievements. These shadows hang over stigmatized people no matter their status or accomplishments. These stigmas have the potential to roll them of their individually and debilitate their attempts to break out of the stereotypical roles. Blacks are the repository for the American fear of crime. Ask anyone, of any race, to picture a criminal and the image will have a black face. The linked between blackness and criminality it’s routinized by terms such a “black-on-black crimes” or “black crimes”.

On the local news shows, young black men are disproportionately presented as criminals and white young men as victims despite the egalitarian norms we purport to hold Dixton (2008). They are many historical and contemporary examples of media portraying young black men in the way

By presenting the edgy misogynist as the personification of black masculinity, the media sends out two messages. First, impressionable black adolescents, many of whom are surrounded by the violence and abuse glorified by

It is clear that our country 's criminal justice system is the new Jim Crow; with a huge majority of felons being African American, it is obvious that people of color have it harder when it comes to crime sentences. We must acknowledge that mass incarceration and the Jim Crow era are greatly similar. Minstrel shows, which showed black men to be lazy, dumb, and clownish, once justified the oppression of african americans. Many now believe that gangsta rap does just the same and is the modern day minstrel show, by portraying blacks to be drug dealers, angry, and violent men. Though many people believe that gangsta rap reinforces these stereotypes, it’s important for one to realize that this form of expression is not a modern day version of blackface performances.

To gaze into the lyrics of both Notorious B.I.G. and Tupac Shakur is like living in the ghettos of New York City where violence never stops. Both of these artists grew up seeing and living a life filled with violence. Gunshots and drive-byes, death and murder were a daily occurrence. Although the lyrics of both artists are simply telling their life stories and how hard it was to grow up in their “hoods” they contain vulgar, hateful, and sexual verses that send the wrong message to their listeners. Whether these listeners are teens or adults, white or black, they are continually sending notions of hatred and fear through their lyrics and actions. Ultimately,

Primarily, this paper is structured as a cause and effect essay as he narrates his personal experience, reinforcing his message and making the audience realize his viewpoints. In his article, Staples takes out all of his frustrations of being treated as a criminal throughout the passage. Firstly, Staples express the fear a white woman faced when she felt a young,broad six feet two inches black man with a beard and billowing hair was menacingly close. He continues by stating more incidents he experienced as a teenager, as a journalist and so on where people (mostly women) panicked imagining him as a mugger or a rapist. Furthermore, the author

The Cool Pose is described as the new ways African America males are learning how to cope with hardships involving race and discrimination. This reading explains how African-American men are learning that one can gain success through the use of violence, impatience, and hostility towards other individuals. The way they walk, talk, and express themselves, allow society to favor the young, impoverished black male. Not only does the cool pose bring them a certain sense of success, but also it brands a sense of individuality on the African-American members can identify with. The cool behavior also is a way for these males to hide their inner feelings based on their daily struggles.

“The sensitivity around stereotypes and distortions largely arises, then, form the powerlessness of historically marginalized groups to control their own representation.” Since Black people are the minority, they have no control over how they are represented in the media. As Shothat had mentioned in his article, “In the media there is a tendency to represent Black males as potential delinquents.” The misrepresentation of most Black males, affects them significantly; therefore, since they

The black male has often been depicted as a thug, hoodlum, a gangster, and as a man with an itchy trigger finger. This is obviously why many young people have grown to be subtly racist their toward fellow Americans, while others have grown such hatred that they form radical organizations such as the Ku Klux Klan, Neo Nazis, and skinheads. Hate crimes are still evident and not as uncommon as many people

This media addresses socialization, specifically racial socialism. Racial socialism is the belief in race, and racial stratification as a personal and group identity. Straight Outta Compton has various times where individuals and groups are profiled for belief of wrongdoing or criminal activity due to racial identity (Dosan 2015). At one point during the movie the rap group goes outside to take a break, and the police comes out assuming that they are “bangers” and demands they get on the ground (Myres 2015). The manager comes out and says” you can't just arrest people just cause what they look like”, “thats police harassment”. This is indicative of a bigger issue in where they were assumed to be gangsters be cause they are “black”. Racial persecution and socialization is truly shown when Ice-cube