In this paper I will argue that in his film, The Godfather, Francis Ford Coppola orchestrates the filmic elements (especially: editing and mise-en-scéne) to give the audience an intimate view of the complex world of a Mafia Don: Coppola's techniques sensitively portray the life and transformation of Michael Corleone; he leaves his status as a family outsider to become king of the underworld.
Michael is the son of Vito Corleone, Don of the Corleone Crime Family1. The story of The Godfather is the story of both Vito and Michael. Vito passes away and leaves his throne to Michael, who steps out of a seemingly innocent world ordinary American life to receive his father's crown and to assume control of the Corleone Family. As my thesis
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He is fat and he moves slowly, though thoughtfully. In a distinct contrast, Al Pacino's Michael resembles a nervous and self-conscious prince. He sulks at the table. He speaks quickly in a high voice and emphasizes his words like an adolescent.
Though marked, their physical differences are not as important as the differences between their worlds, their settings. Vito appears in an almost pitch black room. The only things in the room which are lit are Vito's face, his desk, a lamp in the background and the face of any one of Vito's four suppliants. And the seclusion of the this world is depicted by the size and sounds of the office: though it is not claustrophobic, the room is quite small; and there are no background sounds, only the main conversation.
In sharp contrast, Michael appears with Kay as opposed to the entirely male world of his father. His father is inside a dark office, while Michael is outside at a lively Italian wedding reception. Children are running everywhere, men and women are dancing, eating, and drinking. The setting is bright, colorful, open, and full of music and laughter.
The distinctions between these two settings are polar, as are the characteristics of these two men who epitomize their respective worlds. Michael lives in traditional America; he attended an Ivy League school; he is a decorated war hero. Vito lives in the underworld; he is
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American
However, this gives the audience a feel for The Godfather’s power. The color designs, align with the era, nothing too bright, even tone and dark colors to give vibes of the dangerous mysteries that await with yet another assassination. All things considered Michael, the younger brother slated to become a congressman or maybe president, assassinated drug lord Sollozzo and the corrupt police officer McCluskey. Michael falls into the wild card category portraying him, as innocently trying to fit in, as later he developed into the character of “The New Godfather.”
With his family and his passion for football, Michael has become more of a man. He finally speaks for himself as he did with the inspector lady and speaks for his family as he did when he beat up the gangsters that were insulting his “mother”. He is now more confident than before shown by
His role in The Godfather is that of the Don, or a commanding officer. He climbs the social ladder in the Corleone family, starting as a member and gains a higher reputation by killing the man believed to have orchestrated the attacks against his father, Virgil Sollozzo, and a corrupt police captain paid by Sollozzo. Michael then travels to Sicily and doesn’t move up in the family for a while. Two years later, his brother Sonny Corleone, who was the acting head of the family after their father was injured, was shot in a phone booth. Michael then returns to America to help out with the family: he assumes Sonny’s role as his father’s heir apparent, a Vice President who steps in when the Don is injured or killed. Once the Don retires, he becomes the new Don and takes over as the head of the crime family.
wise when it came to living on the streets of New York. He had a clever
As a young child Michael suffered abuse and enforcement to succeed by his father. Michael has said that this has affected his physical development as there had been times when his father would come to see him and he would be sick. This was just from the fear he had of his father hurting him if he did not do well.
The American films The Godfather I and II directed by Francis Ford Coppola, included mise-en-scene to emphasize certain characteristics and themes during both films. In this essay I will discuss how mise-en-scene was used to portray the lives of the Mafia families in the 1940s and 50s.
now the story behind him. What made him to be the most feared gangster in the city of Chicago? How did this kid from a rough neighborhood and no money grow up to have $60,000,000? I've always been fascinated with organized crime but had never been taught anything in school about it. This report gave me the chance to explore something interesting and also educational. The more I researched Al Capone, the more I wanted to learn about him. He may look like an innocent Italian at a glance, but he has
Michael is a lawyer at one of the top chambers in Sydney, knowing that Josie wants to become a barrister he offers her a job to work with him at the chambers. Michael said to Josie, “You’re going to go on living. Living is the challenge. Dying is easy” when she was faced with the two hardest moments in her life, the death of John Barton and the abandonment of Jacob Coote. By comforting Josie, they both accept the relationship that has formed. Marchetta put the icing on the cake when Michael expresses his full commitment by wanting to adopt Josie, “I’d like you to be an Andretti”. Marchetta shows that a positive fatherhood figure is essential to shape their children’s attitudes and beliefs.
The Godfather is the story of a Mafia family. It follows the rise of Michael Corleone within the family. Michael was once a war hero and did not want to be involved in the family business. When his father is shot though, Michael takes revenge on the people who did it and becomes a part of the Mafia lifestyle. When his older brother is murdered, Michael ascends to become the boss of the family, and proves to be more ruthless than his father and brother combined. The scene that I am analyzing is one where Michael is becoming his nephew’s godfather at his baptism.
The Godfather is a mob film focuses on the Corleone Family, with its head Vito Corleone (Marlon Brando) trying to find a suitable heir to his empire, while war is breathing down the neck of other crime families. Michael Corleone (Al Pacino) then steps in to organize the family back to shape. Directed by Francis Ford Coppola and based from the novel of the same name written by Mario Puzo. It received critical acclaim by critics and was cited as an influence by real life mobsters due to its rather realistic portrayal of gangster life and Cosa Nostra.
Throughout the film, Michael Corleone played brilliantly by Al Pacino, experiences a major change in his way of thinking. Michael changes from believing that what his family does is wrong, to believing that his family's crimes are a necessary evil. He begins by insisting to his girlfriend that his family's crimes belong to his family, not to him. He was not involved in the business and did not want anything to do with it.
'The Godfather' is the most revolutionary gangster film of all time, it rewrote the gangster genre in such a stylized way that all latter gangster films have conformed to this genre but also evolved it as films have progressed. Directed by Francis Ford Coppola 'The Godfather' re-invented the gangster genre elevating it to a Hollywood status and making it commercially profitable. It looks into the life of the 'Corleone' family and represents America at that point in time. It portrays the violence and power, corruption and justice, honour and obligation apparent at that time. Previous to 'The Godfather's' release the 'American Dream' was born, to idealists America was the country of
Let’s start with the story of “The Godfather Part II”. The movie’s story is a continuation of where the first movie left off, which is with Michael Corleone as the new don, or head of the family. However, this film is quite different from the first, or any other movie as it shows two different stories at once. One story is of Michael Corleone’s fall and the numerous legal battles he goes through as he tries to legitimize his family business, and the other is the story of Michael’s father, Vito, and his rise to power from young adult to mafia leader. The story of Vito Corleone is shown through flashbacks that happen too often for my liking, and are not as entertaining as the
Sicilian men, in Vito’s eyes, are true Italians. Their businesses are separated from their personal lives, and nothing is more important than the well-being and safety of the family. While the film focuses on Vito Corleone as the “Godfather,” it also focuses on the life of his family, emphasizing the importance of Vito’s youngest son, Michael Corleone as he goes from respected