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Michael Corleone's Transformation

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In this paper I will argue that in his film, The Godfather, Francis Ford Coppola orchestrates the filmic elements (especially: editing and mise-en-scéne) to give the audience an intimate view of the complex world of a Mafia Don: Coppola's techniques sensitively portray the life and transformation of Michael Corleone; he leaves his status as a family outsider to become king of the underworld.

Michael is the son of Vito Corleone, Don of the Corleone Crime Family1. The story of The Godfather is the story of both Vito and Michael. Vito passes away and leaves his throne to Michael, who steps out of a seemingly innocent world ordinary American life to receive his father's crown and to assume control of the Corleone Family. As my thesis …show more content…

He is fat and he moves slowly, though thoughtfully. In a distinct contrast, Al Pacino's Michael resembles a nervous and self-conscious prince. He sulks at the table. He speaks quickly in a high voice and emphasizes his words like an adolescent.

Though marked, their physical differences are not as important as the differences between their worlds, their settings. Vito appears in an almost pitch black room. The only things in the room which are lit are Vito's face, his desk, a lamp in the background and the face of any one of Vito's four suppliants. And the seclusion of the this world is depicted by the size and sounds of the office: though it is not claustrophobic, the room is quite small; and there are no background sounds, only the main conversation.

In sharp contrast, Michael appears with Kay as opposed to the entirely male world of his father. His father is inside a dark office, while Michael is outside at a lively Italian wedding reception. Children are running everywhere, men and women are dancing, eating, and drinking. The setting is bright, colorful, open, and full of music and laughter.

The distinctions between these two settings are polar, as are the characteristics of these two men who epitomize their respective worlds. Michael lives in traditional America; he attended an Ivy League school; he is a decorated war hero. Vito lives in the underworld; he is

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