Michael Crichton's Jurassic Park

When novels are adapted for the cinema, directors and writers frequently make changes in the plot, setting, characterization and themes of the novel. Sometimes the changes are made in adaptations due to the distinctive interpretations of the novel, which involve personal views of the book and choices of elements to retain, reproduce, change or leave out. On the contrary, a film is not just an illustrated version of the novel; it is a totally different medium. When adapting the novel, the director has to leave out a number of things for the simple reason of time difference. Furthermore, other structures and techniques must be added to the film to enhance the beauty and impressions of it. Like a

One example of the imagery being better in the book is the forest. In the book the forest sounds big and beautiful. But, in the movie the forest is quite overgrown and there was not as much wildlife as I expected. Even though the forest wasn’t as beautiful as the book portrayed it, it is still quite an amazing sight.

Jurassic Park is an American authorization centered on a catastrophic endeavour to create theme park of emulated dinosaurs who escapes imprisonment and riot on the human characters. In 1990, Universal Studios bought the rights of the novel, written by Michael Crichton, followed by the release of the movie adaption in 1993. Science versus ethics, the main theme of the film, is very polemical and not commonly argued by the media, making the film even more appealing. Steven Spielberg successfully creates a cliff hanger making the viewer entertain and thrilled. To create the unendurable suspense, Steven Spielberg has used different type of shots and angles, colours and light and acting, which all contributed to build the tension in the movie.

The PBS article, on film adaptation, discusses the difference between written text and film and the struggle of adapting a book into a movie. Statistically, 65 percent of all novels are adapted into a film. Stories and novels rely on the narrator to tell the story whereas, films don’t usually have a narrator. Films tend to be way shorter then a novel or story because one frame can be worth six pages of description. Films have a pro side and a con side, one con is that a film takes away your own personal perception while with any written literature, one has their own perception of a certain scenario, what a character looks like, etc. Unlike written literacy, a film has certain limits, for example, time, interaction, money, and

    "The world was made for man to conquer and rule, and under human rule it was meant to become a paradise" (Ishmael 82). Much like this evolutionary mythological theory, the movie Jurassic Park tells a tale of man's attempt to rule over nature. Through the movie's description and imagery, the viewer perceives the arrogance of humans to control nature, and the consequences and failures of this flawed intention. John Hammond, park creator, uses state of the art technology and ideas to recover dinosaur DNA, fill in missing gene caps, and breed the previously extinct animals to exploit his accomplishment. This process is set into motion without regard to the ethics behind the research, and

For example, there is a lot more action in the movie than in the book. There are pictures so that you can see what is happening. The characters are shown in the movie not the book. They describe the characters differently than what they really are.

What first drew me to Jurassic Park was hearing about how well the effects had stood the test of time, and how incredibly intricate the details were. When I finally watched it, however, my favorite part wasn't even the dinosaurs, but the debate on respecting nature, the character development, and each person’s view on how much control humanity has over the world around it.

Jurassic Park is a science fiction novel written by Michael Crichton which was published in 1990. The book follows a mysterious island that is inhabited by genetically engineered dinosaurs created by a bioengineering firm. The story lets us watch as visitors land on the island at the request of the rich billionaire who owns the island and the bioengineering firm, which is named InGen to revel in the wonder that they have created. We follow all the miss-steps until all is lost and the island has to be destroyed. The novel is one to give us insight into what can happen when we try to play god and foreshadows what possibly could go wrong by taking that next step into genetics that could be considered reckless and dangerous. Crichton lets us

The movie is providing the images that you can imagine and make your own while reading the book. In addition to the images being presented to the audience, the movie took the book and fast forwarded it. The director of the movie decided to omit characters and scenes. While reading a book, the scenes are beautifully

Behind every great movie, comes a storyline that is derived from a book however, most of the books to the movies have a great number of deviations. The screenwriters and other staff members to include the director come up with these deviations to enhance the plot in the attempt to make it a more interesting film to which in turn can make a better profit. The majority of differences that is found in films main objective is to enhance the mind. For example, when a scene has the ability to get a particular feeling out of a viewer, it is imperative to be able to understand the reasons for those feelings. The dialog and the visual effects of a scene sets a tone that differs from that of the book that it was taken from. Also, screen writers and

Books can be extremely detailed and pictures are painted for the reader by words. Sometimes directors try to transfer these books into movies. This is a very hard process as words written in a book cannot always be performed in a reasonable amount of time for a movie. These movies often sell the book short and there are differences, sometimes major changes between the book and movie.

While well-crafted sound design and sound effects are so very necessary in the creation of a film, music touches the emotion, the psyche, and the things you cannot see. Sound design and effects don’t do this nearly as efficiently and naturally. Without music it would be much more difficult to follow the emotional ups and downs of a film. (Freer)

Jurassic Park is a science fiction novel written by Michael Crichton in 1990. The novel documents on recreated dinosaurs. The author has used shifting perspectives to bring out themes, protagonists, and villains shifts from one character to another as the set continues. It is an interesting art; readers are taken through curiosity, epic scenes, and uneventful scene.

Jurassic Park by Michael Crichton demonstrated many dinosaur characteristics and behaviors. The dinosaurs were fictionally characterized to appeal to the readers. By examining the dinosaur’s appearance and behaviors of dinosaurs such as the duckbilled dinosaur, velociraptor, hypsilophodontids, dilophosaurs, Triceratops, apatosaurs, Tyrannosaurus rex, stegosaurs, and maiasaurs distinguished whether the evidence existed in the field of paleontology. The behaviors and characteristics of the dinosaur are divided into three factors as behaviors that were supported, not supported, and no evidence to support or refute the behavior.

Literature can, at times, have a fascinating connection with film. Whether it is a film or a piece of literature, both are written by someone that wants to leave an impact on an audience. However, movies and books have different roles. They each have different strong points wherein books give better characterization, stronger revelations, and inner conflict, but movies create a better mood with music and visuals, showing much more emotion. It's a totally different kind of experience, of course, and there are a number of differences between the book and the movie. The novel of 2001: A Space Odyssey by Arthur C. Clarke, for example, attempts to explain things much more explicitly than the film does, which is inevitable in a verbal medium. The movie version of 2001: A Space Odyssey, directed by Stanley Kubrick, on the other hand, is essentially a visual, nonverbal experience. It avoids intellectual verbalization and reaches the viewer's subconscious in a way that is essentially poetic and philosophic. The film thus becomes a subjective experience, which hits the viewer at an inner level of consciousness, just as music does, or painting. Utilizing its verbal medium, Clarke is able to explain his narrative, whereas Kubrick creates a visual and audial experience, through means of ambiguity, in which the viewer sees everything, is told nothing, and in which one cannot detect the presence of the film as one at all.